The Diagnoses of Phaedra in the Play Hippolytus Theatre History 111: Dr. Jennifer Wise Student: Jessica November 14‚ 2005 The intimate play Hippolytus by Euripides is a story of love‚ lust and loathing‚ where one woman ’s feelings for a man lead to her self-destruction. Phaedra is the wife of Theseus‚ mother of his children‚ and stepmother to Hippolytus. Phaedra falls in love with Hippolytus‚ Theseus ’ son. Her desire for him is improper not only in the past but in the present as well. In
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Class Civ Discuss the presentation of Phaedra and nurse in Hippolytus. How sympathetically does Euripides present these characters? Euripides presents the characters of Phaedra and Nurse in Hippolytus as two ends on a moral spectrum; Nurse having a pragmatic approach to the tragedy orchestrated by Cypris while Phaedra takes the idealistic view. It’s Phaedra’s idealistic morals which make her such an interesting comparison to Hippolytus as they both conceive themselves and are portrayed as
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Athens‚ Patriarchal Societies‚ and Phaedra and Clytaemnestra Upon first examination‚ it would seem that the two female characters of Greek drama Phaedra and Clytaemnestra are far removed from one another. Phaedra is seemingly a love-struck character that embodies pathos and a pathetic nature while Clytaemnestra has a cold and calculative nature to her. However‚ both characters are at the whim of the patriarchal Athenian society which makes these two seemingly diverse characters closer in design
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killing their own family to destroying their own town. Women in ancient Greek plays and Roman stories did not posses the social standing that we naturally think of today‚ many times their only power was to strike back when they were hurt. Medea‚ Phaedra‚ and Dido‚ admirable or dangerous‚ are among the most complex literary characters of any period. Medea‚ of Euripides’ play Medea‚ represents the destructive quality of possessive desire often portrayed by Greek women. Medea becomes enraged by Jason
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downfall of great men‚ or of Shakespearian romances doomed to end in failure and death. When considering tragedy’s place in French theatre‚ we can see a dominance of tragic works in the classical period of the 17th century‚ and works by Corneille and Racine dominated the theatre. However‚ with the progression of the years‚ we can identify a dramatic shift in theatre‚ and tragedy itself has evolved in French theatre; still abundantly present in contemporary works‚ tragedy’s form and structure has altered
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Why knowing the history of theatre so important to actors? This is something I use to ask myself a lot. In this Theatre History coarse I am slowly realizing why just knowing my history will help me as an actor. In this paper I will discuss some. The origin and development of Theatre started well over twenty-five hundred years ago. During that time performances where performed for ritual reasons that did not requires initiation on the part of the spector. A man named Aristotle came along
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1. Ideally it combines the history of translation theory with the study of literary and social trends in which translation has played a direct part. It is the story of interchange between languages and between cultures and as such has implications for the study of both language and culture. 2. Closely allied to literary history‚ translation history can describe changes in literary trends‚ account for the regeneration of a culture‚ trace changes in politics or ideology and explain the expansion and
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In Tartuffe‚ Moliere’s use’s plot to defend and oppose characters that symbolize and ridicule habitual behavior’s that was imposed during the neo-classical time period. His work‚ known as a comedy of manners‚ consists of flat characters‚ with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism‚ where everyone in the family has to be obedient‚ respectful‚ and mindful of the head of the home‚ which is played by the
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The Renaissance Theatre By Macey Colburn‚ Brendan Simpson‚ Dayana Romero and Bryan D During the late fourteenth through the early seventeenth century an awaking of the arts and learning boomed in the western world. This awaking or rebirth is known as the Renaissance. The Renaissance era was a glorious time. European politics changed dramatically there was a rise of kings and princes and merchants became key economic figures. As people started to accumulate more money they had leisure time to
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Playwright The play Phaedra’s Love‚ by Sarah Kane‚ takes the classic Greek tragedy‚ Phaedra‚ and retells it in a modern-day setting. The play‚ which features incredibly violent and visceral scenes of sex‚ brutality‚ rape‚ and murder‚ is reflective of Sarah Kane’s writing style. Kane’s plays are known for being disturbingly violent and visual. As a playwright‚ Kane seeks to show rather than tell‚ taking inspiration from such playwrights as Edward Bond‚ Samuel Beckett‚ Howard Brenton‚ and
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