"Italian heritage" Essays and Research Papers

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    THE ITALIAN RENAISSANCE IN ITS HISTORICAL BACKGROUND | By: DENYS HAY | | | 5/13/2009 | | European History to the 1500 THE ITALIAN RENAISSANCE IN ITS HISTORICAL BACKGROUND By: DENYS HAY Professor of Medieval History University of Edinburgh The Italian Renaissance took place in Europe around 1600 AD between Medieval and Early Modern Europe. The word renaissance (Rinascimento in Italian) means

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    1922? Fascism came to power in Italy in 1922 due to a number of different factors. The roots of fascism can be found in the failure of a whole political class and system to resist authoritarianism and it was a start of a big mistake made by the Italian government‚ even though allot of people thought Mussolini forced his way into power‚ in actual fact he was invited into parliament by an incompetent and underestimating liberal party (Giolitti) who formed a coalition with the fascists party in 1921

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    My favourite restaurant

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    If you are looking for a good place with Italian food‚ I will recommend you the Olive Garden. It is my favorite restaurant to dine in. It is a chain of restaurants located all over the United States. The restaurant offers a wide variety of Italian food that I love. I go there with my friends at least once a month. Every time I go there‚ I enjoy the atmosphere of the restaurant‚ the taste of the food‚ and the friendly service. The Olive Garden is a good place where I always experience welcoming

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    In the period 1896 – 1915‚ the condition of Italy was relatively in a terrible state in many ways with various political‚ economic and social problems that hindered the country’s progress. Italy’s Liberal Governments during this period were generally very unsuccessful in dealing with these inherited and growing problems clearly contributing to the end of Liberalism in Italy. More so‚ the Liberal Government under the rule of Giolitti saw Italy progressing in some circumstances regarding the socio-economic

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    Crucifixion‚ with the Mourning Virgin and Saint John the Evangelist”. This is oil on panel painting by Rogeier van der Weyden in the Netherlands (historical name‚15th-16th century)‚ Europe in 1460. The time period that this was made in was Early Italian Renaissance. It is 71 x 73 3/8 inches. The vibrant colors in this painting is so enthralling that I could not help but be interested about it. This painting is a picture of the Crucifixion on the right side panel with the Virgin and Saint John

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    hands did not allow him to be provided with counsel from advisors that could have made him aware of the weakened state of the Italian economy and

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    painter by Francis‚ the King of France. Under the nagging influence of his wife Lucrezia‚ to whom he speaks in this poem‚ he left the French court for Italy but promised to return; he took with him some money that Francis had given him to purchase Italian artworks for the court‚ and also the money advanced to him for his own commissioned paintings. However‚ he spent all of the money on a house for himself and his wife in Italy and never returned to France. This poem finds Andrea in the house he has

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    essential to get a clear understanding of Italian neorealism and the common aesthetics of neorealist films. Once I have that established it will enable me to critically evaluate the influences of neorealist aesthetics on Rome‚ Open City and afterwards‚ 8½‚ drawing them both together in the conclusion. The end of World War II‚ and Mussolini’s fascist regime in 1945 enabled a national film movement to flourish in Italy. This movement was branded ‘Italian neorealism’‚ and with its unique aesthetic

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    mentioning of Italians and the dialogue sometimes having the Italian language. Hemingway uses good imagery to describe the room the couple stayed in. He wrote that it faced the sea‚ a public garden‚ and a war monument. He goes on to describe the beauty of the garden and how if there was a good weather‚ there would always be an artist admiring it and painting it. He then mentions that Italians “come from a long way off” to visit the war monument. He does this probably to show that Italians really respect

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    in Sicily. Throughout a literary passage from The Leopard written in a narrative viewpoint on the city of Donnafugata‚ Italy’s concern about unifying Italians on a modern and political level is addressed through Monterzuolo Chevalley‚ a symbol that illustrates both the North’s progressive nature and

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