through it all by his knowledge and experiences in art. Another major influence in Pablo Picasso’s career was Paul Cezanne. He was a French artist and post-impressionist painter his work laid the foundations of the transition from the 19th century impressionism and the early 20th century’s new line of artistic enquiry Cubism. His work demonstrates design ‚color‚ composition‚ and draftsmanship. One of his other influence was Diego Velazquez was a spanish painter who was the leading artist in the court
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years. Paul Signac met Claude Monet and Georges Seurat in 1884. He was struck by the systematic working methods of Seurat and his color theory. He became Seurat’s faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color‚ intended to combine and
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Nico Essers Debussy Research Paper Tate December 16‚ 2011 Influences of Claude Debussy Considered to be extremely bizarre‚ the music of Claude Debussy had to have many influences in order to make it that way. All of the aspects that influenced Debussy clearly showed in each of his works. Debussy was an impressionist‚ his music focuses on a suggestion and an atmosphere rather than on a strong emotion or the depiction of a story. Symbolist poets inspired many of his pieces; he would compose the
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The literary work that most captured my attention was The Story of an Hour by Kate Chopin. I have chosen to do a Reader-Response approach to this paper. First off‚ I enjoyed the intense imagery the writer used in describing the sights and sounds that Louise experienced in her hour of life. From the‚ “…tops of the trees that were all aquiver with new spring life” and the‚ “countless sparrows….twittering in the eaves.” (Clugston. 2010) While I was reading this selection‚ I could see and hear
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ART is a diverse range of human activities and the products of those activities; this article focuses primarily on the visual arts‚ which includes the creation of images or objects in fields including painting‚ sculpture‚ printmaking‚ photography‚ and other visual media. The term ‘Western art’ largely describes the art of western Europe‚ but is also used as a general category for forms of art that are now geographically widespread but that have their roots in Europe. Art historians describe the
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an impression of what is seen. Impressionism‚ the art movement that began in the 1870s in France‚ was the first real development of this new concept of painting. Impressionists‚ such as Claude Monet‚ sought to put on canvas how they saw light and nature. Unlike the artists from centuries before‚ the Impressionists were not interested in painting images of nobility or religion; instead they focused more on painting ordinary people and nature. Post-Impressionism‚ which occurred about a decade later
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leg out in front as if she is leaning over stretching. The painting is balanced as her body is mainly on the right side of the painting and her leg and the dark shading balances out the left side. This is a very good representation of American Impressionism with dappled light and vivid colors. Zolan successfully fused modern and traditional elements to forge his own unique vision. Brauer’s “The Gold Dress” is a contemporary painting and is modern and provocative‚ emanating sensual tension and the
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Nouveau‚ Symbolism and Æstheticism. This type of art pandered to the tastes of the middle classes striving to live “the good life” which evolved into a culture of decadence and indulgence. The Modernists also distanced themselves from Abstract Expressionism during the Post World War II years‚ favouring autonomy‚ a hostility to mass culture and a “radical separation from the culture of everyday life” rather than a desire to “find a content rich with meaning and redolent of social responsibility.”
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Van Gogh’s piece is an appropriate example of the techniques and generally consensus of the Post-Impressionism era in art‚ and similarly‚ Klimt’s piece is the same for the Art Nouveau era. Both of these pieces highlights the different movements in art being the more realistic yet abstract use in colors. In my opinion‚ I find value in both of these pieces
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Cézanne typically complained about the complexity of modernity. Impressionism was viewed as radical by critics‚ while Neo-Impressionism was perceived as “scientific.” Cézanne incorporated the worst qualities of both movements‚ reducing his technique to a purer state. Morice‚ a critic at the time‚ “took Cézanne’s apparent withdrawal from humanistic culture
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