"Dracula setting" Essays and Research Papers

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    Apocalypticism In Dracula

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    Apocalypticism that pertains to the religious beliefs which talks about the end of the world at a specific point of time. This too has a deeper reach in the theme of Dracula with Dracula expanding his reach beyond the seas and performing the role of Satan as the evil bearer. The believers plan for this event mimicking to the events of the Noah in the bible in order to save themselves for the end of world. The same way the characters in the story fights against the evil and become successful in delaying

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    Lucy In Dracula

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    In Bram Stoker’s novel‚ Dracula‚ Stoker portrays many different aspects of women’s roles in the nineteenth century. Women had a strictly defined role within the era; there was no thought of equality‚ no thought that women could liberate themselves sexually. Stoker uses women in this novel to critique against women’s liberation. Stoker’s portrayal of women makes the novel seem like a fantasy. Women are primarily objects of delicate beauty who occasionally need to be rescued from danger. In the novel

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    Dracula

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    “To what extent do the themes of Dracula reflect the social‚ cultural and historical context in which the novel is set? “ In one’s novel‚ themes successfully assist to highlight the social‚ cultural and historical context in which can impact the experience one can face. In ‘Dracula’ by Bram Stoker we are confronted by three protagonist who are un aware of the fact that vampires are lurking around‚ they experience various attacks and shocking discoveries which leads them to a new concept on the world

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    Sexism in Dracula

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    to become wives due to their economic reliance on men. Bram Stoker‚ either willingly or unwillingly‚ used his novel Dracula‚ to further portray the stereotype that women are inferior to men. In the novel Dracula‚ Bram Stoker conveys the stereotype that men are superior to women. In the Victorian Era‚ men believed that they were smarter and more capable of achieving more. In Dracula‚ Van Helsing was speaking to Jonathan Parker when he said "A brave man’s blood is the best thing on this earth when

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    liminality dracula

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    “Betwixt Sunset and Sunrise”: Liminality in Dracula Mark M. Hennelly‚ Jr. [Mark M. Hennelly‚ Jr.‚ a Professor of English at California State University‚ Sacramento‚ has published fairly widely on Victorian fiction‚ including several liminal readings of Dracula.] In various ways‚ among widely different primitive peoples‚ the marriage customs go to show that the home threshold cannot be passed except by overcoming a barrier of some kind‚ and making an offering‚ bloody or bloodless‚ at

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    Horror In Dracula

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    realized who Dracula really was. Stoker develops the sense of horror In Dracula with a combination of Internal and External Dialogue‚ as well as description of setting. Jonathan Harker goes to settle business with Count Dracula he has no idea the trouble he is getting into. His stay quickly goes from visitor to prisoner. The reader is able to sense Harkers fear through the first four chapters because of how Stoker uses Internal and external dialogue‚ as well as description of setting. The reader

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    Realism in Dracula

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    Over the course of the novel Dracula‚ author Bram Stoker’s purpose in creating a strong sense of realism becomes progressively apparent. He does so by marrying realism and the novel’s clear fiction to create terror‚ and shock all those that open its pages. Through this‚ he’s reaching the reader in a thoughtful manner‚ as they might perceive events of story to be real indeed. The use of intricate language enables Stoker to appear to sincerely know what transpires during the course of the novel with

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    Violence in Dracula

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    types of literature‚ violence exists to enhance the reader ’s interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker‚ the plot would not have the same impact if it were lacking violence. So to holds true to that of the movie. The movie bares different characteristics then that of the book. First off‚ the whole ordeal with the wolf escaping and jumping

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    The episodic novel Dracula written by Bram Stoker in 1897 and the movie Blade by Stephen Norrington created in 1998 bring to the fore many conventions relating to the Gothic Horror genre despite their vastly different contexts. Gothic elements of imprisonment‚ eccentricity and death are clearly represented through each of the texts. Stoker and Norrington present these conventions through a variety of literary and film techniques‚ paying particular attention to character and setting to explore the elements

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    Feminism In Dracula

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    article‚ Suddenly Sexual Women in Bram Stoker’s Dracula‚ she argues the “pre-Oedipal focus of the fantasies‚ specifically the child’s relation with and hostility toward the mother‚ and to indicate how the novel’s fantasies are managed in such a

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