Powerplay-Antony and Cleopatra and The Brothers Bloom Both Shakespeare’s ‘Antony and Cleopatra’ and Rian Johnson’s ‘The Brothers Bloom’ represent similarities on how power is obtained and how powerplays are created. Power‚ as shown in both texts‚ is always shifting from one party to another. But how the power is used can be for various reasons. For example in the ‘Bloom Brothers’‚ the brothers Stephen and Bloom’s lust for money controls them and when competition arises‚ powerplays are created. Whereas
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Cleopatra: A Sign of the Times by Diana Lerman "For Rome‚ who had never condescended to fear any nation or people‚ did in her time fear two human beings; one was Hannibal‚ and the other was a woman" (Lefkowitz 126). Abstract Cleopatra VII‚ the last reigning queen of Egypt‚ has intrigued us for centuries. Her story is one that has been told many times‚ and the many different and vastly varied representations of her and her story are solely based on the ways in which men and society have perceived
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In Act 5 Scene 2 Lines 82-92‚ after the death scene of Antony‚ Cleopatra reminiscences about Antony and begins to describe his appearance and the powerful persona that he carried as a man‚ lover and soldier of Rome. Cleopatra’s description of Antony portrays an image to the readers of what Antony looked like and was viewed as being personality-wise. “His legs bestrid the ocean; his reared arm/ crested the world: his voice was propertied/ as all the tuned spheres‚ and that to friends;/ but when
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or Cleopatra? Pharaonic and Ptolemaic Egypt were ruled by a "king‚" and the Egyptian ideal of succession was from father to son (Shaw‚ 2003). The female relatives of the ruling king often played significant roles in the rule of Egypt‚ and the ideology of kingship itself was a careful blend of both male and female elements. Women who ruled autonomously as king were unusual in Dynastic Egypt‚ but it did occur; the best-known examples of this are Hatshepsut (from the 18th Dynasty) and Cleopatra VII
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for a character to be relatable‚ he or she must first be flawed. As humans‚ we are unnable to relate to perfect beings‚ as we ourselves are not perfect‚ we are flawed. In Antony and Celopatra‚ Antony’s fragility is exploited as his Achrilles heel‚ Cleopatra‚ is dangeled infront of him‚ serving as the thread that ultimately leads to his unravveling. As high functioning members of society‚ this concept of fatal flaws‚ of our own fragility intrigues us and as such being able to bear witness to Antony’s
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What does this passage suggest about the relationship between Cleopatra and Antony? Compare this with how the relationship is portrayed in the other written source material from the classical period in Book 1‚ Chapter 1. The relationship portrayed in the extract‚ between Anthony and Cleopatra seems at first to be one sided. Anthony is depicted as an ‘insensitive brute with a heart of stone’ in comparison to Cleopatra who is ‘utterly devoted to him alone’. This show of devotion is a continuous
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will have victory. He has won over many of Caesar’s men and believes Antony is still in Egypt with Cleopatra‚ until he receives news that Antony is returning to Rome which pushes back his confidence. ‘If the great gods be just‚ they shall assist/The deeds of justest men. ‘The people love me‚ and the sea is mine;/My powers are crescent‚ and my auguring hope/Says it will come to th’full. ‘Salt Cleopatra‚ soften thy waned lip!’ ‘Tie up the libertine in a field of feasts‚/...Epicurean cooks‚/Sharpen
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written between 1606 and 1607‚ Antony and Cleopatra relates the struggles of love‚ passion‚ and power endured by the two titular characters and is considered by many to be among Shakespeare’s finest achievements. Interpretation of the tragedy is often cast in terms of the polar oppositions dramatized in the play‚ perhaps most notably the conflict between Rome and Egypt‚ and war and love. What critics and audiences often find so engaging about Antony and Cleopatra is that these polarities remain in opposition
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Sophocles’ Antigone and William Shakespeare’s Antony and Cleopatra. Antigone is the tragedy of a brave sister who tries to honor her brother‚ while Antony and Cleopatra is a tragedy based on love and being loyal to others. In both plays there is tension between private and public‚ which can be illustrated by comparing Kreon and Caesar’s fear of public opinion‚ the betrayal between characters‚ and concept of hamartia. In both Antony and Cleopatra and Antigone tension between private and public is illustrated
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Antony and Cleopatra and Republicanism and Monarchy in Julius Caesar of interest to Shakespeare’s time and ours? The 16th and early 17th century was an era fraught with uncertainty for England as it was unclear as to who would succeed an ageing Elizabeth. The Succession was a constant issue throughout the Tudor and Jacobean ages as was the fear of civil war and discontent with monarchs. Shakespeare manages to catch these political and religious worries very well with Antony and Cleopatra and Julius
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