"Cinematography of the godfather" Essays and Research Papers

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    Role of Women in The Godfather The role of women has changed tremendously over the years. Currently‚ it is normal for women to have a successful job and a family; however‚ it wasn’t always like that. For example‚ in The Godfather the role of women is a lot different than it is today. In The Godfather the role of women is limited to being the caretakers of the family. The women in this film were also seen as the least important part of a man’s life; this idea is conveyed through the treatment of

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    Shawn Carelli Business Ethics: Week 4 The Godfather Reflective Summary The Godfather is a great movie the many consider essential to any great business. This movie shows the realization of the American Dream. A family empire built from little to nothing. Though the business that took place in this movie was certainly illegitimate‚ the practices and rules they lived by are a key asset to modern day business. Break the laws they might‚ but family values are one of the most scared attributes

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    Name: Professor: Course: Date: Effects of Language Management on Movies with Multilingual Storyline: The Godfather The media has power‚ the power to influence the society in terms of what to belief in and how to perceive the world. In most of the times the way we view the world; politically‚ culturally and socially‚ is mostly depicted by what we see in the television. For the children‚ who spent most of their hours watching television‚ it is the only way they view the other people in terms of their

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    Jakob and Wilhelm Grimm wrote the short story “Godfather Death” in the early 1800’s. “Godfather Death” is a short story illustrating how one’s greed can overtake anything in life. The story speaks of a poor man that has twelve children and a thirteenth on the way. The poor man finds Death and asks if he will be the godfather of his thirteenth child. Death gladly accepts and takes the child as if he were his own‚ making him a well-known famous doctor. The doctor tries to cheat death not once‚ but

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    Realism and Idealism for the Godfather I will never forget what I felt when I first seen my first mobster movie‚ I was about 12 years old‚ it was real late at night and I just could not fall asleep. I was flipping the channels looking for something to watch‚ and that is when I encountered my first mobster movie. I was intrigued from beginning to end; it was like nothing I had ever seen before. The way they talked so confident and cool to the way they looked so sharp and sophisticated. Although

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    audience a different perspective by using different concepts that we have discussed in class and analyzing it and project it in the film. By using this concepts we become more understandable on how the message can be projected to the audience. In “The Godfather” film we could see and understand the reaction and see the choice of words so we could understand what the film is projecting. It is a very human film that could work as a source of expressing our thoughts through different use of techniques and

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    Cinematography History Cinematography is an art form in the field of filmmaking. Although the exposing of images on light-sensitive elements dates to the early 19th century‚[4] motion pictures demanded a new form of photography and a new aesthetic. On June 19‚ 1873‚ Eadweard Muybridge successfully photographed a horse named "Sallie Gardner" in fast motion using a series of 24 stereoscopic cameras. The cameras were arranged along a track parallel to the horse’s‚ and each camera shutter was controlled

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    G Character List Analysis of Major Characters Vito Corleone The Godfather trilogy presents Vito as the paradigmatic Mafia don. When placed beside him‚ Barzini lacks class‚ Don Ciccio looks cruel and petty‚ and Don Fanucci is smalltime and brutish. Even Michael‚ despite his tremendous successes‚ loses in such a comparison‚ as he appears lacking in warmth and joie de vivre. It is unclear whether we are to believe Sollozzo’s words about Vito‚ that “the old man [is] slipping‚” but even if he is

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    Analysis Project 2/25/13 The Godfather (1972): Opening Scene The Godfather is an American crime film based on crime families in New York. The 1972 film was directed by Francis Ford Coppola and produced by Albert S. Ruddy. The screenplay was developed by Mario Puzo and Francis Ford Coppola‚ based on Puzo’s 1969 novel of the same name. The Godfather is ranked as second in the greatest film in American cinema history (behind Citizen Kane). The opening scene of The Godfather‚ sets the mood and tone

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    The Godfather Rarely can it be said that a film has defined a genre‚ but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture)‚ all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters‚ it’s a "Jewish Godfather"; if it’s about the Chinese underworld‚ it’s an "Oriental Godfather"; if it takes place in contemporary

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