Reasoning with Bernarda Alba Frederico Garcia Lorca is renowned for his tragedy plays. The House of Bernarda Alba is amongst the ones that helped him achieve his worldwide fame‚ representing remote and rural settings for the play. Throughout the production‚ several themes intertwine together to create the desired tragedy effect that Lorca aims for. For instance‚ Bernarda ’s love of gossiping and desire to know everything that is going on with the neighbors in her village are contradictory to her
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Bernarda Alba conveys an array of distinctive characteristics‚ however it is her stubborn conservative nature that enables the illustration of the oppression of women created by equivocal Spanish traditions in Lorca’s dramatic play‚ House of Bernarda Alba. The character of Bernarda becomes acquainted with readers through the method of indirect presentation as Lorca gives the reader no analysis or exposition regarding her. Essentially‚ Bernarda’s eccentric traits are thrust upon the reader by means
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Cast List Bernarda‚ aged sixtyMaría Josefa‚ (Bernarda’s mother)‚ aged eighty Angustias‚ (Bernarda’s daughter)‚ aged thirty-nine Magdalena‚ (Bernarda’s daughter)‚ aged thirty Amelia‚ (Bernarda’s daughter)‚ aged twenty-seven Martirio‚ (Bernarda’s daughter)‚ aged twenty-four Adela‚ (Bernarda’s daughter)‚ aged twenty Servant‚ aged fifty La Poncia (a servant)‚ aged sixtyPrudencia‚ aged fifty Beggar woman with little girl Women mourners Woman 1 Woman 2 Woman 3 Woman 4 Young girl The poet
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The House of Bernarda Alba is a drama depicting the lives of women in villages of Spain during the 20th century. The play begins by the mother‚ Bernarda‚ issuing a seven-year mourning period upon her family of five daughters after the death of her beloved spouse. The isolation inside this house causes tensions to rise‚ and a thematic struggle between freedom and captivity becomes apparent as emotions start to snowball out of control. Without a spouse in the home‚ Bernarda takes on a patriarchal
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The Real Daughters of Bernarda Alba A strong woman is a determined one. The concept of the production of “Bernarda Alba” by the UCF Theatre really followed this in depth. The performance followed the story of five sisters and their mother‚ as they struggle to submit to society’s expectations of what a woman should and should not be. The production of Bernarda Alba was a powerful one that utilized good acting‚ beautiful designs‚ and a good technical crew to put on a performance that contained a deeper
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| Analysis of extract from ‘The House of Bernarda Alba’ | Act Three‚ pages 95 to 99 | | | English: World Literature: 2c Word Count: 1414 | BERNARDA: What does Pepe have to say? ANGUSTIAS: I find him distracted. He always talks to me as if his mind is on something else. If I ask him what’s wrong‚ he says: ‘We men have our own problems.’ BERNARDA: You shouldn’t ask him. And when you marry‚ less still. Speak if he speaks‚ and look at him when he looks at you. Do that and you
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The house of Bernarda Alba ACT ONE SCENE 1 MAID: My head is bursting with these tolling bells. PONCIA: They have been mumbling away for more than two hours now. Oh‚ thank God we’re alone for a moment! Scrub everything clean. If Bernarda doesn’t see things shine‚ she’ll pull out of the few hairs I have left. MAID: What a woman! My hands are bleeding from all this scouring. PONCIA: She – the most immaculate – the most decent. She – the most superior! Her poor husband has earned
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image in the play. How does Lorca use the house to convey his ideas?” In order to arrive at the central idea in Federico Garcia’s last play‚ “House of Bernarda Alba”‚ the title is the first factor to be reflected on. Lorca has not presumably named the play “Bernarda Alba”‚ or “Day of Bernarda Alba”. He had named the play “House of Bernarda Alba” because it will let the reader draw attention both to Bernarda’s ‘house’ in the sense of Bernarda’s family and to the physical space of house itself‚ which
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countries over the past few centuries. The women of Spain and Norway were suppressed at the time the two plays A Doll’s House and The House of Bernarda Alba were written. Although this issue has improved in most countries‚ it still is occurring in some countries. This issue was portrayed in the themes of these two plays. Both A Doll’s House and The House of Bernarda Alba portray the suppression of women and their lack of freedom in different ways. In a Doll’s House‚ Nora has always appeared to be obedient
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Duchess de Alba (Maria del Pilar Teresa Cayetana de Silva Alvarez de Toledo (1762-1802): -fashioned herself after the fiery maja-serves as a flirtatious role-play emblematic of aristocrats during the enlightenment‚ epitome of spanishness -proactively challenged conventional feminine roles/conduct‚ elevating national dress to the level of high couture to assert her individualism -Jean-Marc Nattier’s Madame AdelaYde-de-france as Diana + Goya’s Duchess of Alba as a Maja feature aristocrates in role-playing
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