To what extent did the contrast from both our study of Judith Wright‚ Oodgeroo Noonuccal and Bruce Dawe make you aware poets present different responses to the same issues? Bruce Dawe and Judith Wright both present their readers with similar themes‚ although their style of writing differs. While Wright’s poetry is mainly focusing on the concerns about the natural world and society itself‚ Dawe’s poetry focuses on ordinary people in the suburbs and confronting their everyday problems. Although
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“Peace was yours‚ Australian man‚ with tribal laws you made‚ Till white colonials stole your peace with rape and murder raid;” Hello everyone‚ my name’s ----- and today I will be exploring the particular aspect of Australian belonging or rather‚ not belonging‚ found in aboriginal poetry. The two poems where this lack of belonging is evident are both by Oodgeroo Noonuccal are The Dispossessed and We are Going. The dispossessed by Oodgeroo Noonuccal gives a nihilistic representation of the
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It is through the enriched poem China… Woman Oodgeroo explores the aspect of life within different cultures and their inextricable link between their ancient cultures and their identity today. “the great wall‚ twins itself… like my rainbow serpent” It is through this imagery that places the audience to view the close connections each culture has to their ultimate ancestry. Comparing her aboriginal identity to China’s culture‚ explores story telling however‚ ultimately‚ allows the audience to make
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Poets employ a variety of literary devices to represent marginalised groups in ways that challenge their readers’ perceptions. Poets employ a variety of literary devices throughout their poems. These literary devices can serve to represent marginalised groups in ways that challenge their reader’ original perceptions. Oodgeroo Noonuccal and Judith Wright are two poets who have applied this strategy. Although Noonuccal and Wright both share a passion for writing‚ they came from vastly different
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Voices speech Introduction Good evening‚ thank you for inviting me here this evening. I would like to discuss how Carmel Bird’s non-fiction book The Stolen Children-Their Stories (TSC) and Oodgeroo Noonuccal’s poem‚ “We are going” (WAG) gives us an understanding of how Australian voices reflect Australian values. Both texts explore the unfair treatment and effects of suffering inflicted upon Aboriginal communities and individuals by past government’s policies‚ as well as western society’s disrespect
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The most effective poems convey the poet’s idea and influence the Reader’s Response. This is certainly true when considering the poetry of John Foulcher is a contemporary Australian poet who writes about his observation of everyday life‚ people and places‚ as well as religious history. The poet’s voice is distinctive and he writes in a condensed style where each word and image is very important and has layers of meaning. He also often uses very harsh and violent imagery in his poems‚ which can be
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splendidly evocative and satisfyingly sensuous. His poetry reveals more careful craftsmanship‚ a more conscious intellectuality. In quality and integrity they are conversational directness and ease without losing himself in discursiveness. Let us take our Poet‚ lover‚ Birdwatcher where beauty and bareness of statement go together where it weaves the themes of birdwatching‚ wooing and writing poetry together‚ and shows their resemblance: the need for patient‚ quiet waiting until the rare bird is revealed
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“cutting word”—poets writing haiku in English or other Western languages often use a dash or an ellipsis to indicate the break or cut between the linked images. Haiku poems first appeared in Japan 700 years ago‚ but the form did not migrate into Western poetry until the 19th century‚ after Japan’s harbors were opened to European and American trade and travel‚ when several anthologies of haiku were translated into English and French. In the early years of the 20th century the Imagist poets adopted the
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specifically Jamaica‚ during the year of 1900-1929 there were two poets whose work truly stood out and made a statement. Those poets were Thomas Redcam (1870-1933) and Claude McKay (1878-1972). Thomas Redcam was a Jamaican poet who came from Irish ancestry. Throughout his life he promoted Jamaican literature and was a notable poet. He was seen as helpful and encouragement to younger poets during that time period including Claude McKay. Both poets had such a love for their country and made it clear in their
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