Formal analysis of painting The Dying Mazzini Is death always painful? In his 1873 portrait‚ The Dying Mazzini (30 1/8” X 39 ½”‚ Providence‚ RISD Museum)‚ Italian realist painter Silvestro Lega captures the final hours of Mazzini Morente’s life. In this painting‚ rather than depict the terror of death‚ a topic which people dislike and always associate with separation‚ fear‚ agony and sadness‚ Lega shows an incredibly peaceful and serene scene of dying Mazzini. With his eyes closed
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so she could serve as her own particular model‚ this is the manner by which Kahlo started and with numerous self-pictures of her which would lead her buildup. Through her sketches‚ all the disaster and agony she suffered was communicated. In the painting tree
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century avant-garde art movement) ‚ and futurism (early 20th century artistic and social movement) and this caused Morandi to develop a very unique‚ independent style. His number one influence come from Paul Cézanne whose emphasis on form and flat areas of colour intrigued Morandi to follow Cézanne’s footsteps all through out his career. Morandi concentrated mainly on still lives and landscapes‚ except for a couple of self-portraits. Morandi didn’t follow any particular art style‚ instead he
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Art & Design - Expressive Essay – Paintings In this essay I will be looking at three different styles of paintings; two paintings from the famous Vincent Van Gogh and one from the artistic Maurice Vlaminck. I will talk about the seven visual elements – texture‚ shape‚ colour‚ tone‚ line‚ pattern and form - and if they are used in each painting. Also I will talk about the brushwork and if they use small brushstrokes or large brushstrokes. These three paintings are all different and show different
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The Visual Effects of The Cell A film isn’t a work of art unless it’s made with the right elements. Plot‚ cast‚ music‚ and most importantly‚ the visual effects are what make a film worth watching. The Cell is a movie filled with visual works from several different perspectives. The art work and scenery switched off with each person and place‚ adding a more dramatic effect to the story line. It further explains the backgrounds the main characters. The visual work in this movie was split between
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viewers experience this painting‚ Hassam captured this moment brilliantly. The artist captured the moment so well‚ making the viewer feel as if they themselves are amongst the snowy sidewalks‚ and darkly clad men‚ women‚ and children. Some paintings seem to tell a story over time‚ but this one in particular is almost perceived as a photograph making the viewer feel inside of the artwork. Of course‚ the physicality of this magnificent piece also plays a role in how this painting is perceived by the viewer
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Analysis on the Relationship Between Poetry & Painting An analysis on the relationship between poetry and painting Lope De Vega‚ in one of his sonnets‚ refers to two famous contemporaries in a striking way; he calls the Italian poet Marino “a great painter for the ears” and the Flemish painter Rubens “a great poet for the eyes”. Six hundred year and 6000 miles away‚ a similar concept occurs in a parallel situation. The Chinese poet Su Shi‚ in one of his poems‚ praises two men
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work of art is a seascape painting‚ painted with oil and painted on canvas. The artist was Peter Monamy (1681-1749). The painting portrays three ships stuck in a storm. There is a main ship‚ a ship in the background‚ as well as‚ another ship behind that. Through research it is not known if the artist was depicting a certain event in time‚ but some say it was a depiction of “the great gale of 1703” or when Sir Cloudisley Shovell’s fleet was stuck in a storm in 1707. I chose this painting because
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Drawing to Painting Roxann K. Ames Arts/230 March 3‚ 2014 Angela Brasser Drawing to Painting Raphael was known for sketching his works before actually painting them. For the Alba Madonna he had as many as forty-eight sketches. Late in the fourteenth century paper was used more so that artists could explore ideas they had for design that they would later paint or sculpt. This exploratory drawing gave a quick look that was both vivid and intimate of the artist’s creativity to put their thoughts on
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and cheerful‚ but sometimes sadness or depression. Edward Hopper and Takashi Nakamura draw their paintings to express different feelings. In Edward Hopper’s painting “Morning Sun” (1952)‚ he displays the image of a woman looking outside alone in order to symbolize the woman’s feelings about “depression‚” but also how she still has “hope” for her own life. On the other hand‚ in Takashi Nakamura’ painting “Kaikaikiki New” (2009)‚ he displays the image of many cartoon-like characters in order to symbolize
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