Top-Rated Free Essay
Preview

fries

Powerful Essays
3436 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
fries
Major Themes
Appearance vs. reality
Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative. Also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.
Race
Race is an extremely important theme; it has a great amount of influence on how people regard Othello‹for those who distrust black people merely on looks never like Othello, like Iago. Race also determines how Othello perceives himself as a rough outsider, though he is nothing of the sort. Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him.
Pride
Especially important with regards to Othello; Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful.
Magic
Usually has something to do with Othello's heritage. Othello is charged with using magic to woo Desdemona, merely because he is black, and therefore, "pagan." Yet, Othello does have real magic, in the words he uses and the stories he tells. Magic also reappears when Desdemona's handkerchief cannot be found; Othello has too much trust in the symbolism and charm of the handkerchief, which is why the object is so significant to him.
Order vs. chaos
As Othello begins to abandon reason and language, chaos takes over. His world begins to be ruled by chaotic emotions and very shady allegations, with order pushed to one side. This chaos rushes him into tragedy, and once Othello has sunk into it, he is unable to stop his fate from taking him over.
Self-knowledge
Othello's lack of self-knowledge makes him easy prey for Iago. Once Iago inflames Othello's jealousy and gets the darker aspects of Othello's nature into action, there is nothing Othello can do to stop it, since he cannot even admit that he has these darker traits.
Honesty
Although the word "honest" is usually used in an ironic way throughout the text, most characters in the play go through a crisis of learning who and who not to trust. Most of them, unfortunately, trust in Iago's honesty; this leads to the downfall of many characters, as this trust in Iago's "honesty" became a crucial contributor to their undoing.
Misrepresentation
This also allows Iago to gain trust and manipulate other people; misrepresentation means that Iago is able to appear to be "honest," in order to deceive and misdirect people. Othello also misrepresents himself, as being simple and plain-spoken; this is not for deceptive effect, but also is used to present an image of himself which is not exactly the truth.
Good vs. Evil
Though there is much gray area between these two, Iago's battle against Othello and Cassio certainly counts as an embodiment of this theme. Iago and his evil battle to corrupt and turn the flawed natures of other characters, and he does succeed to some extent. By the end of the play, neither has won, as Desdemona and Emilia are both dead, and Iago revealed and punished. Every emancipation is a restoration of the human world and of human relationships to man himself. MARX, Zur Judenfrage (1844) It has often been mistaken that racism only exists between those who are black and white. This of course, has largely been influenced by colonialism and slavery in the New World. Carlos Hoyt Jr in his article, ‘The Pedagogy of the Meaning of Racism: Reconciling a Discordant Discourse,’ states that although several key concepts in the study of diversity, social bias, and social justice are somewhat nebulous and overlapping, for example, culture, race and ethnicity, there is perhaps no term that provokes the level of confusions, consternation and conflict that the term racism does. This he says is due to the dispute that has destabilized the use of the term for much of its short history and boils down to a sharp disagreement among both professionals and laypeople about whether the original definition of racism should be revised to exclusively and strictly mean the use of power to preserve and perpetuate the advantages of the dominant social identity group – that is, white people in American society. (Hoyt, 2012) However a working definition is provided by Wikipedia, in which racism is defined as actions, practices or beliefs, or social or political systems that are based in views that see the human species to be divided into races with shared traits, abilities, or qualities, such as personality, intellect, morality, or other cultural behavioral characteristics, and especially the belief that races can be ranked as inherently superior or inferior to others, or that members of different races should be treated differently. Racism may exist between those of Indian descent and African descent like Trinidad, between Caucasians and Latinos in South America, between Chinese and Japanese, Muslims and... Major Themes
Appearance vs. reality
Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative. Also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.
Race
Race is an extremely important theme; it has a great amount of influence on how people regard Othello‹for those who distrust black people merely on looks never like Othello, like Iago. Race also determines how Othello perceives himself as a rough outsider, though he is nothing of the sort. Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him.
Pride
Especially important with regards to Othello; Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful.
Magic
Usually has something to do with Othello's heritage. Othello is charged with using magic to woo Desdemona, merely because he is black, and therefore, "pagan." Yet, Othello does have real magic, in the words he uses and the stories he tells. Magic also reappears when Desdemona's handkerchief cannot be found; Othello has too much trust in the symbolism and charm of the handkerchief, which is why the object is so significant to him.
Order vs. chaos
As Othello begins to abandon reason and language, chaos takes over. His world begins to be ruled by chaotic emotions and very shady allegations, with order pushed to one side. This chaos rushes him into tragedy, and once Othello has sunk into it, he is unable to stop his fate from taking him over.
Self-knowledge
Othello's lack of self-knowledge makes him easy prey for Iago. Once Iago inflames Othello's jealousy and gets the darker aspects of Othello's nature into action, there is nothing Othello can do to stop it, since he cannot even admit that he has these darker traits.
Honesty
Although the word "honest" is usually used in an ironic way throughout the text, most characters in the play go through a crisis of learning who and who not to trust. Most of them, unfortunately, trust in Iago's honesty; this leads to the downfall of many characters, as this trust in Iago's "honesty" became a crucial contributor to their undoing.
Misrepresentation
This also allows Iago to gain trust and manipulate other people; misrepresentation means that Iago is able to appear to be "honest," in order to deceive and misdirect people. Othello also misrepresents himself, as being simple and plain-spoken; this is not for deceptive effect, but also is used to present an image of himself which is not exactly the truth.
Good vs. Evil
Though there is much gray area between these two, Iago's battle against Othello and Cassio certainly counts as an embodiment of this theme. Iago and his evil battle to corrupt and turn the flawed natures of other characters, and he does succeed to some extent. By the end of the play, neither has won, as Desdemona and Emilia are both dead, and Iago revealed and punished. Every emancipation is a restoration of the human world and of human relationships to man himself. MARX, Zur Judenfrage (1844) It has often been mistaken that racism only exists between those who are black and white. This of course, has largely been influenced by colonialism and slavery in the New World. Carlos Hoyt Jr in his article, ‘The Pedagogy of the Meaning of Racism: Reconciling a Discordant Discourse,’ states that although several key concepts in the study of diversity, social bias, and social justice are somewhat nebulous and overlapping, for example, culture, race and ethnicity, there is perhaps no term that provokes the level of confusions, consternation and conflict that the term racism does. This he says is due to the dispute that has destabilized the use of the term for much of its short history and boils down to a sharp disagreement among both professionals and laypeople about whether the original definition of racism should be revised to exclusively and strictly mean the use of power to preserve and perpetuate the advantages of the dominant social identity group – that is, white people in American society. (Hoyt, 2012) However a working definition is provided by Wikipedia, in which racism is defined as actions, practices or beliefs, or social or political systems that are based in views that see the human species to be divided into races with shared traits, abilities, or qualities, such as personality, intellect, morality, or other cultural behavioral characteristics, and especially the belief that races can be ranked as inherently superior or inferior to others, or that members of different races should be treated differently. Racism may exist between those of Indian descent and African descent like Trinidad, between Caucasians and Latinos in South AmericMajor Themes
Appearance vs. reality
Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative. Also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.
Race
Race is an extremely important theme; it has a great amount of influence on how people regard Othello‹for those who distrust black people merely on looks never like Othello, like Iago. Race also determines how Othello perceives himself as a rough outsider, though he is nothing of the sort. Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him.
Pride
Especially important with regards to Othello; Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful.
Magic
Usually has something to do with Othello's heritage. Othello is charged with using magic to woo Desdemona, merely because he is black, and therefore, "pagan." Yet, Othello does have real magic, in the words he uses and the stories he tells. Magic also reappears when Desdemona's handkerchief cannot be found; Othello has too much trust in the symbolism and charm of the handkerchief, which is why the object is so significant to him.
Order vs. chaos
As Othello begins to abandon reason and language, chaos takes over. His world begins to be ruled by chaotic emotions and very shady allegations, with order pushed to one side. This chaos rushes him into tragedy, and once Othello has sunk into it, he is unable to stop his fate from taking him over.
Self-knowledge
Othello's lack of self-knowledge makes him easy prey for Iago. Once Iago inflames Othello's jealousy and gets the darker aspects of Othello's nature into action, there is nothing Othello can do to stop it, since he cannot even admit that he has these darker traits.
Honesty
Although the word "honest" is usually used in an ironic way throughout the text, most characters in the play go through a crisis of learning who and who not to trust. Most of them, unfortunately, trust in Iago's honesty; this leads to the downfall of many characters, as this trust in Iago's "honesty" became a crucial contributor to their undoing.
Misrepresentation
This also allows Iago to gain trust and manipulate other people; misrepresentation means that Iago is able to appear to be "honest," in order to deceive and misdirect people. Othello also misrepresents himself, as being simple and plain-spoken; this is not for deceptive effect, but also is used to present an image of himself which is not exactly the truth.
Good vs. Evil
Though there is much gray area between these two, Iago's battle against Othello and Cassio certainly counts as an embodiment of this theme. Iago and his evil battle to corrupt and turn the flawed natures of other characters, and he does succeed to some extent. By the end of the play, neither has won, as Desdemona and Emilia are both dead, and Iago revealed and punished. Every emancipation is a restoration of the human world and of human relationships to man himself. MARX, Zur Judenfrage (1844) It has often been mistaken that racism only exists between those who are black and white. This of course, has largely been influenced by colonialism and slavery in the New World. Carlos Hoyt Jr in his article, ‘The Pedagogy of the Meaning of Racism: Reconciling a Discordant Discourse,’ states that although several key concepts in the study of diversity, social bias, and social justice are somewhat nebulous and overlapping, for example, culture, race and ethnicity, there is perhaps no term that provokes the level of confusions, consternation and conflict that the term racism does. This he says is due to the dispute that has destabilized the use of the term for much of its short history and boils down to a sharp disagreement among both professionals and laypeople about whether the original definition of racism should be revised to exclusively and strictly mean the use of power to preserve and perpetuate the advantages of the dominant social identity group – that is, white people in American society. (Hoyt, 2012) However a working definition is provided by Wikipedia, in which racism is defined as actions, practices or beliefs, or social or political systems that are based in views that see the human species to be divided into races with shared traits, abilities, or qualities, such as personality, intellect, morality, or other cultural behavioral characteristics, and especially the belief that races can be ranked as inherently superior or inferior to others, or that members of different races should be treated differently. Racism may exist between those of Indian descent and African descent like Trinidad, between Caucasians and Latinos in South AmericMajor Themes
Appearance vs. reality
Especially relevant to the issue of Iago's character; for although he is called "honest" by almost everyone in the play, he is treacherous, deceitful, and manipulative. Also applies to Desdemona, as Othello believes that she is deceitful and impure, although she is really blameless and innocent.
Race
Race is an extremely important theme; it has a great amount of influence on how people regard Othello‹for those who distrust black people merely on looks never like Othello, like Iago. Race also determines how Othello perceives himself as a rough outsider, though he is nothing of the sort. Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him.
Pride
Especially important with regards to Othello; Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful.
Magic
Usually has something to do with Othello's heritage. Othello is charged with using magic to woo Desdemona, merely because he is black, and therefore, "pagan." Yet, Othello does have real magic, in the words he uses and the stories he tells. Magic also reappears when Desdemona's handkerchief cannot be found; Othello has too much trust in the symbolism and charm of the handkerchief, which is why the object is so significant to him.
Order vs. chaos
As Othello begins to abandon reason and language, chaos takes over. His world begins to be ruled by chaotic emotions and very shady allegations, with order pushed to one side. This chaos rushes him into tragedy, and once Othello has sunk into it, he is unable to stop his fate from taking him over.
Self-knowledge
Othello's lack of self-knowledge makes him easy prey for Iago. Once Iago inflames Othello's jealousy and gets the darker aspects of Othello's nature into action, there is nothing Othello can do to stop it, since he cannot even admit that he has these darker traits.
Honesty
Although the word "honest" is usually used in an ironic way throughout the text, most characters in the play go through a crisis of learning who and who not to trust. Most of them, unfortunately, trust in Iago's honesty; this leads to the downfall of many characters, as this trust in Iago's "honesty" became a crucial contributor to their undoing.
Misrepresentation
This also allows Iago to gain trust and manipulate other people; misrepresentation means that Iago is able to appear to be "honest," in order to deceive and misdirect people. Othello also misrepresents himself, as being simple and plain-spoken; this is not for deceptive effect, but also is used to present an image of himself which is not exactly the truth.
Good vs. Evil
Though there is much gray area between these two, Iago's battle against Othello and Cassio certainly counts as an embodiment of this theme. Iago and his evil battle to corrupt and turn the flawed natures of other characters, and he does succeed to some extent. By the end of the play, neither has won, as Desdemona and Emilia are both dead, and Iago revealed and punished. Every emancipation is a restoration of the human world and of human relationships to man himself. MARX, Zur Judenfrage (1844) It has often been mistaken that racism only exists between those who are black and white. This of course, has largely been influenced by colonialism and slavery in the New World. Carlos Hoyt Jr in his article, ‘The Pedagogy of the Meaning of Racism: Reconciling a Discordant Discourse,’ states that although several key concepts in the study of diversity, social bias, and social justice are somewhat nebulous and overlapping, for example, culture, race and ethnicity, there is perhaps no term that provokes the level of confusions, consternation and conflict that the term racism does. This he says is due to the dispute that has destabilized the use of the term for much of its short history and boils down to a sharp disagreement among both professionals and laypeople about whether the original definition of racism should be revised to exclusively and strictly mean the use of power to preserve and perpetuate the advantages of the dominant social identity group – that is, white people in American society. (Hoyt, 2012) However a working definition is provided by Wikipedia, in which racism is defined as actions, practices or beliefs, or social or political systems that are based in views that see the human species to be divided into races with shared traits, abilities, or qualities, such as personality, intellect, morality, or other cultural behavioral characteristics, and especially the belief that races can be ranked as inherently superior or inferior to others, or that members of different races should be treated differently. Racism may exist between those of Indian descent and African descent like Trinidad, between Caucasians and Latinos in South Americ

You May Also Find These Documents Helpful

  • Good Essays

    Othello is a worthy figure of a tragic protagonist. The attributes he possesses suggest that we should view him as a hero, as he is descendant of a line of royalty and is an impressive military superior in the Venetian army. This role was very important in the Elizabethan times, Venice was a powerful, respected place and as this government was threatened by the Turks, Othello was seen as worthy enough to protect that. Othello is proud of his status, and his reputation is a crucial aspect of the hero’s perception of himself. As an Aristotelian tragic hero, Othello requires a hubris, a flaw in his personality. It is generally agreed that Othello’s hubris is his arrogance and self confidence, as this suggests that he believes that bad things will not happen to him, which is apparent in these lines;…

    • 1515 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Race is very important in the play. Othello was a moor. In simplest terms he was a man of color. His race is what set him apart from the other characters. Also Othello is the only character of color which automatically set him inside. Being that he is a military general (a position not offered to black men) a lot of the characters don’t like him, and a lot of characters described him negatively because to them he was just a moor. But others respect and admire him because of his accomplishments. Iago was not his biggest fan so of coarse he said things that were not meant to be nice. “Iago: Even now, now very now, an old black ram is tupping your white ewe. Arise, arise; Awake the snorting citizens with the bell. Or else the devil will make a grandsire if you arise I say!” (Act 1, Scene 1) Here Iago is upset that a moor is with a white woman. So he tells Desdemona’s father about the relationship. But all throughout what he is saying he is making racial slurs. In response to this Desdemona’s father says “BRABANTIO: She, in spite of nature, Of years, of country, credit, every thing, To fall in love with what she fear'd to look on! It is a judgment maim'd and most imperfect That will confess perfection so could err Against all rules of nature.” (Act 1, Scene 3) which means he feels that Desdemona’s feelings for Othello is wrong. It is unnatural since he is black and she is white. Even Othello himself describes his color as being something bad at one point. “Othello: All my fond love thus do I blow to heaven. 'Tis gone. Arise, black vengeance, from thy hollow cell! (Act 3, Scene 3) Throughout the play there are many comments as to Othello’s race. I personally think the whole play is based around two things his race in comparison to everyone else’s, and his race with Desdemona’s race because he is a “moor” and every one else is not. Well race and jealousy anyway but race is what stands out more.…

    • 711 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Shakespeare’s depiction of Othello can be perceived as weak and narcissistic or strong and heroic. One scene in which Othello is perhaps portrayed as being weak and narcissistic is even before the audience have met Othello. The audience are first introduced to Othello, through Iago, at the very beginning of the play, in Act 1 Scene 1. Iago introduces Othello as being hubristic and egotistical, describing him as “bombast” “...as loving as his own pride and purposes” and that he is “horribly stuff’d with the epithets of war.” Iago’s description of Othello sets the tone and villainises him, so when the audience first meet Othello they are expecting a man who’s full of himself but instead get a man who’s calm, strong, polite and in control – a complete contrast to what is expected. On the surface, Iago looks like the liar and Othello looks the more trusting. Iago then goes on to say: “I am not what I am.” Meaning he can’t be trusted. Ironically, Iago is the only character in the play who remains honest with the audience throughout, even though he is possibly one of the most deceiving characters – his honesty with the audience is always ever present. All of the characters in Othello can be considered duplicitous; they all have two faces – a public side and a private side. Othello’s character could be considered one of the most duplicitous characters, other than Desdemona. She also appears to have two sides to her – one that is more knowing, flirtatious, using her sexuality and knows how to play people or the more respectful , polite and innocent Desdemona. However, how the audience…

    • 1165 Words
    • 5 Pages
    Powerful Essays
  • Powerful Essays

    Othello is a black protagonist in the play, Othello. He differs from all of the other characters, because he is not a native European. Other characters notice and use his race and ethnicity as a means to belittle him. He is identified by other characters as being a ‘..Moor.' The Moors were the medieval Muslim inhabitants of the Iberian Peninsula. The way that other characters respond and speak and about Othello…

    • 2428 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    Othello is an easy prey to his insecurities because of his age, his life as a soldier, and his self-consciousness about being a racial and cultural outsider. Pride, envy, and sloth surrounded Othello throughout this play. Othello's pride prevents him from finding the truth, which eventually leads to his demise. His knowledge of his own pride can be found in (Act I, Scene II, 18-26) where he states: “Let him do his spite: My services which I have done the signiory Shall out-tongue his complaints. 'Tis yet to know,--Which, when I know that boasting is an honour, I shall promulgate--I fetch my life and being From men of royal siege, and my demerits May speak unbonneted to as proud a fortune As this that I have reach'd: for know, Iago, But that I love the gentle Desdemona, I would not my unhoused free condition Put into circumscription and confine For the sea's worth.” Othello was so desperate to hold on to his former identity as a soldier when his new identity as a lover/newlywed starts to fall apart that his envy quickly goes from normal…

    • 1728 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Although “Othello” is a fictional character, his plight is not foreign to amongst African Americans. Personally speaking, as an African American woman, I have felt the same racial isolation from my white counterparts, sometimes overtly and sometimes unconsciously.…

    • 460 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Ideas of discrimination and racism have also been reflected within the play through the characterisation of Othello. Described as having “thick lips” and a darker skin tone, the protagonist experiences a sense of isolation from society due to his evident difference in physical appearance.. By demonstrating ideas of separation in the play, the reader is poised to read it as a text that incorporates strong ideas of discrimination, both evident during Shakespeare’s time and our current society. This discriminating prejudice leads to the deterioration of Othello’s confidence, where he states ‘for I am black’and ‘unworthy of love’. Ideas of discrimination and racism becomes particularly apparent when Iago constantly addresses Othello as ‘The Moor’…

    • 137 Words
    • 1 Page
    Good Essays
  • Better Essays

    Othello in Shakespeare's play is a black moor from North Africa surrounded by the white society of Venice. Many critics argue against racism in Othello although they believe it has got a racist theme. I think there are quite lots of proofs in the play which show that theme of racism is dominant and the problem of race should not be ignored. First, I will have a brief look at the meaning of black in the English society and the existence of racism in the 16th century and also where the character of Othello emerges from. Then I will refer to the attitudes of other characters towards Othello to conclude racism has been emphasized in the play.…

    • 1166 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Insecurities are amplified when small factors begin to accumulate. In Shakespeare’s “Othello,” race is an insecurity that leads to Othello’s downfall. As a Moor living in a white community, Othello never feels like he truly belongs. Despite Othello’s accomplishments, there still remains an underlying prejudice towards him. During the beginning of the movie, Othello is deemed a “pagan” when he wins the hand of Desdemona.…

    • 240 Words
    • 1 Page
    Good Essays
  • Satisfactory Essays

    Many of the characters portrayed in Othello are successful in creating a deceitful and two-faced persona to an extent that how they are perceived in the public eye is not how they behave in reality. This is seen through Iago, as he uses public perception that he is in fact an honest and trustworthy man which he uses to deceive and manipulate others for his personal…

    • 67 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    My interest in Othello is drawn to the way that race and colour is presented. Shakespeare was revolutionary in his casting of a black man to be the tragic hero and a white man to be the villain. In Jacobean society and even in many societies tody, the audience would of expected to see a black man as the felon. The setting in Cyprus is dramatically significant as it is isolated in the wild frontiers of war. Away from the structured society of Venice social norms and hierarchy are not relevant allowing Shakespeare to place a Moor in a position of authority. This daring theme of a black man in power has remained controversial ever since and it wasn’t until 1833 that a black man actually played the part. The issue of mixed race relationships was especially an issue in segregated America up until the twentieth century with Othello being played with blackface till 1940. The unnatural war setting also enables Iago’s passion to be unmasked,…

    • 1130 Words
    • 3 Pages
    Better Essays
  • Better Essays

    Othello Story Racist?

    • 1774 Words
    • 8 Pages

    In some cases, it can be argued that Othello is very much a racist play. Shakespeare starts off the story in the beginning by jumping right into the dialogue between Iago and Roderigo. Not long into the conversation does the reader encounter racist slurs such as, “moor”, and, “an old black ram”. Shakespeare neglects to even mention Othello’s name in the dialogue between Iago and Roderigo before saying these offensive remarks about Othello. This provides an important clue to those who believe Othello is a racist story. The beginning scene of a play/book usually sets the tone for the reader/audience and gives them a basic idea of what is going on and whom the protagonist/antagonist may be. It is peculiar then that Shakespeare would start off the beginning of the book with a conversation between the two main antagonist characters (Iago and Roderigo) degrading the protagonist (Othello) with remarks concerning his ethnicity. Not once does Iago or Roderigo…

    • 1774 Words
    • 8 Pages
    Better Essays
  • Good Essays

    Race is one of the main topics in Othello that Shakespeare goes ahead and plays with. Othello being the only black man in the story he is different from the main characters. He is seen as a man of dignity, respect, and pride. Othello is different from the perceived view of darker colored folks at the time. Shakespeare uses racial otherness to toy around with the reader’s view of the characters. Most potent, grave, and reverend signiors, my very noble and approved good masters,…. Hath this extent, no more. Rude am I in my speech, And little blessed with the soft phrase of peace,.. (Othello 79-85) Othello has what people of his skin color were perceived not to have which is somewhat of an education. Shakespeare instilled the exact opposite of the readers perception into Othello. Othello lets the Duke and all others know that he knows his place and tells them that he is not a good speaker, actually quite the awkward one but he switches the subject to the task at hand with having to go to Cyprus. Othello is seen using his quick whit at the beginning of the play to defer the Duke and men to the more important issue. Readers at this time would have been shocked to see a man of darker color with somewhat of a quick…

    • 1349 Words
    • 6 Pages
    Good Essays
  • Good Essays

    In Act One, Othello appeared to be in control of his emotions. When Brabantio confronts Othello, accusing him of stealing and raping his daughter Desdemona by means of witchcraft, Othello is calm and tells his men to stop the fighting. Although he is being accused of kidnapping and raping Desdemona, in which the person who commits the crime would be burnt to death, Othello shows that he is unafraid of danger, ready to risk everything for the woman he loves, and is able to command others despite facing the serious accusation. He is ready to face justice, and convince the Duke of Venice that he has done nothing wrong. This shows that he is brave and confident. When he speaks to the Duke, he speaks in a respectful manner. He also promises not to be distracted by Desdemona if he is allowed to bring her together to Cyprus. His manner and promise appears to us that he is a serious, sensible and rational person.…

    • 981 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Naivety and ignorance is shown constantly by Othello when he foolishly accepts Iago’s ‘proofs’ of Desdemona’s infidelity without question. He is so enraged and jealous at the notion of his wife sleeping with someone else that he looses his sense of judgement and rationality. This could be considered a relatively natural reaction to such a situation, but it ultimately shows a weakness in the human psyche. Again Othello shows poor judgement by not confronting Desdemona about these claims and instead contents himself with Iago’s word. He convinces himself that he is acting in Desdemona’s best interests and wrongfully assumes her to be the “cunning whore of Venice”.…

    • 889 Words
    • 4 Pages
    Good Essays