Rushmore to Moonrise Kingdom the Style of Wes Anderson
When watching Moonrise Kingdom or Rushmore the touch of Wes Anderson is not hard to find. His comical movies having taken on a nature of their own and the audience has come to expect excellence from the director; not only for the enjoyment of the movie but for the quality that the movie is made in. Over the years he has begun to develop a style all to his own. In Moonrise Kingdom the movie was shot with the yellow being the prominent color being seen. Anderson’s scenes have a lot of motion to them, whether the camera is creating motion, the characters are moving, or there is movement in the back ground there always seems to be something going on the scene creating motion. With sound Anderson likes to let the audience know what is going on there is more diegetic sound then there is non-diegetic sound. If there is a phone conversation then more likely than not the audience will not only hear the whole conversation but will also see both characters in separate locations on the phone. There is also the appeal of symmetry in his movies a house is split perfectly by the front door actors are place in a way that creates symmetry objects are laid out this way as well, this is part of Anderson’s mis-en-scene. One of the common themes in Anderson’s movies is his storylines particularly in Rushmore and Moonrise Kingdom, following two boys who act way older than their age and get into outrageous situations that the rest of the world seems to put up with, Anderson crosses the line from reality to fiction in a very believable way.
In the movie Rushmore the colors of the movie are relatively dark. The school uniforms for school are dark and the clothing that Mac Fischer wears is dark usually a dark suit. The only bit of clothing Max wears that has color is his read beret that he wears from time to time. THe significance of the beret is there is an Asian girl who wears a black beret, Margaret Yang, who is revealed to be the perfect girl for Max. The teacher wears shades of blue as well as her early boyfriend Luke Wilson who is wearing blue. This gives off the feeling of dark undertones because the movie while happy is somewhat dark. Which can be seen in the plays that Max writes throughout the movie, there is never much light in the movie at all unless Max is in the barber shop with his father. In the barber shop his Max and his father wear white barber clothes and there is a large window that allows natural light in. In the barber shop scene where Max is wearing white he makes up with his best friend, so in this scene the light makes sense as the scene is uplifting. Perhaps the largest instance of color is the red bathing suit when Herman Blume dives into the pool. It appears as though he is contemplating suicide, the water is blue and dark, all of a sudden there is a boy who swims buy him the only thing that stands out is the red bathing suit the boy is wearing. Maybe the red was able to bring Blume out of his depressed state of mind either way the contrast of the dark blue on the red is on purpose and catches the eye of the audience.
Moonrise Kingdom has a much different lighting and color to the movie. For one Yellow is used throughout the movie. In the American Cinematographer Robert Yeoman explains how this is no accident. Anderson has a clear vision of the movie and how the movie should be made and shot all the way down to the costumes that the characters wear. The dress Suzy wears is yellow, the uniforms that the scouts wear is yellow. While the grass is green there appears to be a yellow tint to the grass and the grass is a very light shade of green. To complement the colors in the movie others the “Narrator” wears a bit of red that makes him stand out from the rest of the characters and the scenes as if he is apart or separate from what is going on around him. Yeoman talks about how Anderson will “push the color saturation”, “he tends to take the look a bit warmer than...
Please join StudyMode to read the full document