Visual Art Reframed Feminicide

Patterson’s analysis and evidence more so discusses the emotional effect of the art on people and less on how feminicide was reframed as a human rights issue. In Patterson’s beginning paragraphs, she makes the claim that “visual art…reframed feminicide and gender-based violence as human rights.” However, there is no evidence that suggests people viewed it as such. Instead, she talks about how visual art brought about a “call for consciousness,” how it provided “experiential instances of violence,” and how it conveyed “outrage and solidarity toward the feminicide victims.” Patterson never discusses a new profound way that people view feminicide. In fact, Patterson doesn’t mention any connection between visual art and human rights until her