Vertov's Cinematic Techniques In The Man With A Movie Camera

The Man with a Movie Camera is an experimental 1929 silent documentary film that was created in black and white by Russian director Dziga Vertov. This is a film without scenario and actors but Vertov used different music to bring out slow and fast rhythm. He used the camera to capture real happen and he wanted to show everyday life to the audiences. Vertov used many cinematic techniques to make his film more vivid such as double exposure, fast and slow motions, freeze frames, split screens, different angles (eyes level, high and low), different shots (close, medium and long). In the web site senses of cinema, Dziga Vertov states that “Our eyes see very little and very badly – so people dreamed up the microscope to let them see invisible phenomena;