The Book Thief, by Markus Zusak, has caused me to have multiple reactions, to the story, characters, and themes. They have made me feel mad, sad, upset, happy, but most of all surprised; throughout the recent readings every night more gets added to the story and more just surprises me. What completely shocked/surprised me was when Liesel fought back against Ludwig Schmeikl and what followed afterwards. However, there has been far more things than just that, that have surprised me. A couple include Liesel receiving two books for christmas, Hans Junior leaving, and how Rudy has reacted to Liesel throughout the entire passage,…
Imagine being stuck with strangers, strangers that are dangerous deceiving thieves. Ren suffers through that exact situation in this passage from The Good Thief. It makes one wonder why did Tinti portray Ben and Tom as thieves, or why did she portray Ren being terrified of this act? One will find out through her imagery, diction, and selection of detail that conveys both her tone and her underlying theme in this passage.…
For every man who devotes his effort and intelligence into enriching the world, there will be an equally powerful man who intends to counterbalance the goodness with malevolence. In The Devil in the White City by Erik Larson, the intertwining tales of Henry H. Holmes and Daniel Burnham show that good cannot exist without evil, just as evil cannot exist without good. In the midst of one of Chicago’s finest architectural happenings, one man is working meticulously to create the most extravagant architectural endeavors of the time, whilst another man is working equally hard to be detrimental to those who are drawn in by the 1893 World’s Fair. Although the two characters seem paradoxical, they are similar in their people skills and obsession – but differ in their relationships and legacies.…
Big Daddy could be considered the epitome of pride in Cat on a Hot Tin Roof. He owns “twenty-eight thousand acres of the richest land” (112), all of which he gained through hard work and dedication during his early life. Time never went to waste when it came to Big Daddy for, “Being a success as a planter is all [he] ever had any devotion to in [his] whole life” (111). The pride that he has for his large estate is genuine and well deserved, although the effects it has are not always positive. Similar to blinders on a horse, Big Daddy’s pride often causes him to lose sight of those around him. Harming…
In Golding’s’ wartime novel, human nature is put under the microscope by a Misanthropist, dead set on exposing Humanity for what it holds; Innate evil. Evil in what way you ask? In ambition. For in our world, Shakespeare’s, and Golding’s, Ambition truly is the source of all evil. In Macbeth, Shakespeare does well to disguise ambition as the true source of villainy, behind the façade that is Lady Macbeth and the witches. Without ambition, there would never be any action, no good, no evil, would Eve have picked the apple from the garden of Eden, without the ambition to gain further knowledge? The two traits of evil and ambition are well aligned in both pieces of literature, and too in real life, and this essay aims to explore the link they share.…
On November 15, 1959, in the small town of Holcomb, Kansas, a family of four was brutally murdered by shotgun blasts only a few inches from their faces. The protagonist of the story, Perry Smith, a man with a troubled past, is the one responsible for committing these murders. In framing the question nature versus nurture, Capote’s powerfully written account of the Clutter family killings asks whether a man alone can be held responsible for his actions when his environment has relentlessly neglected him; Perry Smith is a prime example. He is an intelligent, talented, and sensitive human being, who has been warped and rejected by society and his environment, and therefore cannot be held accountable for his actions. Throughout his life Perry suffers through many circumstances including abuse, having a limited education, and family difficulties. It is through these circumstances, which are beyond his control, that send him down a path of crime.…
Everyone in life yearns to be successful however, some people end up more so than others. This is due to the fact that if someone’s goal is unreasonably large then they might take drastic and, unmoral measures to achieve their goals of glory and power. Proven by their rise to power, characters who seek glory are doomed to fail, even when they, in the end, recognize their flaw…
1, In the short story "Always a Motive", Dan Ross depicts Joe Manetti, the protagonist, as an isolated, and heartbroken young man.…
The Assassination of Jesse James breached new heights in the western genre. It is unique in its narrative style and conventions, challenging the norms of the classic western, leading way to a whole new perception of it. Its excessively dramatic overtones reveal a part of the Western world that is so scarcely portrayed, diverting people’s general ideas about it. The film’s narrative focuses on a dying hero as opposed to a reigning hero, and we begin to develop a sense of reality about Jesse James’s character as the film moves on. The beginning stages of the film portrays the legendary, almost inhuman Jesse James figure, and as the film progresses, so does his character, towards the norm of society. The film’s magnificent approach to the western genre had caught my attention and that is why I have chosen analyze a scene from it. I will analyze the train scene near the beginning of the film, where Jesse James and the rest of his bandits await a train’s arrival before robbing it. This scene captures Jesse James’s mythical figure through the use of specific conventions.…
Humans have always wondered what drives them to make the choices the make. One of the theories people have come up with is that self-interest primarily motivates mankind. This theory is defended in the actions of Luba and her suitor in Angels of Bergen-Belsen, the decisions made by Ilsa Hermann and Hans Hubermann in The Book Thief, and the struggles with death in Night.…
Martin, let’s his fears get to him so he gets paranoid and he overthinks his fear and he is just scared of the old fat lady. Like me, I was always paranoid of heights and when I got on a I was overthinking my fear and then I took a moment to let my fear pass me and I was ok after that. And how does the author show martin’s inability to overcome his fear. The author William Sleator shows that Martin is unable to overcome his fears by building suspense that martin tries to avoid going on the elevator. This is because Martin is scared of elevators and is also claustrophobic. He is also paranoid by the old fat lady he may suffer from cacomorphobia…
Martin, a 12 year old boy from “The Elevator” by William Sleator, feels like a coward, has low self esteem, and always worries about things in everyday life. Martin isn’t the strongest, he isn’t very good at sports, and he gets bullied at school. In the story, Martins main problem is an old elevator at his new apartment. He is afraid of it. It only has room for three people, and it feels like it could break down at any moment. His problem gets worse when a creepy fat lady starts getting on the elevator when he is in it. All she does is stare at him, which creeps him out more. When Martin tries to tell his dad, his father acts like he doesn’t care at all. He does nothing for martin, and just tells him to grow up.…
Over the years, people have formed many different opinions over Rousseau`s noble savage theory. The main controversy sprouts from Rousseau`s statement that the natural human heart is good until civilization corrupts it. Golding's exploration of the Noble savage theory has instigated theological and philosophical questions on the origin of human wickedness, as well as arguments comparing solitary and civilized human nature.…
Man has continually struggled with greed. In the pursuit of greed, morality breaks down. Author Joseph Conrad in his novel, The Heart of Darkness, implies that true darkness lies within people who abandon their humanity for greed.…
This emphasises Keller’s immorality, as well as his pure determination to sustain the illusion that he has created. He openly hyperbolises his crime, magnifying the fact that his financial greed has overcome his sense of human social order.…