Preview

Lysistrata

Satisfactory Essays
Open Document
Open Document
313 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Lysistrata
Aigerim Giniyatova
Dr. Reynolds
Introduction to Drama
23 October 2014
Kinesias
In Lysistrata, Aristophanes makes fun of women, but he also makes fun of his own sex: men. Kinesias, Myrrhine`s husband, is one of many targets of the women's sex strike. In the scene between Myrrhine and her husband, Kinesias is fooled and tricked by his wife (Episode, p.199-203). As how many of the women of Greece embody the idealized or stereotypical female, as so Kinesias represents the stereotypical, dimwitted male figure in this play. In Lysistrata, Kinesias proves himself as a foolish, poor father and woman-hater, I think. Kinesias only seeks out his wife because he has a painful erection. And also he is not able to take care of his own children. In that part of the scene where he talks to his wife he says: “Don`t you feel sorry for the baby, unwashed and unsuckled for six days now?” (lines 58-59), by that he makes her to come out for “him”. So, he is even using the little kid, in order to get what he needs. But he gets outwitted by his playful wife anyways; humor that was used here by the author, for both husband and wife, was really on point. However, the part when he shouts out: “It`s not a blanket I want – I want to fuck!” (line 122), made me feel uncomfortable: so straight forward. After, when he can`t get what he wants, he prays to Zeus saying: “…let her fall back down to earth again, and let her point of impact be this dick of mine right here” (lines 171-174). It is funny, but also really sad; all he wants is just to have sex with her. Kinesias's character confirms that Aristophanes meant Lysistrata to be a play mocking the sexual desires and attributes of both sexes.

You May Also Find These Documents Helpful

  • Powerful Essays

    After the murder of Agamemnon and Cassandra, Clytemnestra attempts to justify her actions in a response to the accusations of the chorus. The aggressive stance that Clytemnestra takes in the beginning of this passage is clearly a reversal of genders. It shows the strength of her character as well as the duality. Explaining her reason for murdering Agamemnon, she logically questions the chorus, asking how they dare judge her, especially because Agamemnon has killed more people than she has killed. She then falls back into the traditional role of a Greek woman by acting like a mother, revealing the necessity of the actions she committed as a man. Her ability to move between the characteristics of both male and female emphasizes the duality of her character, as shown in her speech. Without this section of the play Aeschylus’s representation of reversed gender roles would not be very significant.…

    • 1375 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    In the play, A Midsummer Night’s Dream, Lysander, an Athenian man, portrays insult comedy. Insult comedy is the use of insults, often one liners, at the expense of another character to create comedy. In this case Insult comedy is used to insult another person or object with the intent of creating humor. In act 1, scene 1, Lysander and Demetrius are fighting over the beloved Hermia. Egeus, Hermia's father, expresses his wish to Theseus, the duke of Athens for Hermia to be married to Demetrius. However, Hermia loves Lysander and refuses Egeus's offer. Later the two Athenian men, Lysander, and Demetrius begin arguing about who should get Hermia. During this argument Demetrius exclaims…

    • 397 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Shakespeare used insults in many ways, from characters directly having a conversation or indirectly in which a character talk badly about a different character without them knowing, characters who made fun of others appearance, or dreams, even characters who insulted themselves. In A Midsummer Night’s Dream, Shakespeare used insults as a form of comedy, in which the characters use insults to make the audience laugh. In the olden times, men had always been convinced that women were less and for the same they had to follow mans rules and demands. Insults are used in Act Ⅳ Scene ⅰ, after Theseus, Egeus, and Hippolyta found the four lovers laying on the floor after Puck tricked them. The four lovers try explaining the reason they were sleeping on the floor, and who they all came to their senses in who they wish to marry. After hearing their story Theseus, decide to overrule Hermia’s father’s demands, and let her marry Lysander, while Demetrius is to marry Hermia.…

    • 601 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Masculinity was a typical attribute to have in ancient Greece. If you were masculine, you were looked up to. If a father of a son were masculine, he would want the same thing for his son. In the beginning of the poem, Telemachus is a stubborn young adolescent who aspires to be just like his father. It’s a hard task to grow up without your dad around because you have no one to teach or guide you. When Telemachus is talking to Eurymachus he says, “Eurymachus, clearly my father’s journey home is lost forever. I no longer trust in rumors-rumors from the blue-nor bother with any prophecy, when mother calls some wizard into the house to ask him questions.” (1:…

    • 558 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In Women At The Thesmophoria Aristophanes Mockery Of Effeminate Men And Of Foreigners Is As Harsh As His Mockery Of Women…

    • 857 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Perhaps the most visible example is that of Dionysus as the ‘stranger’ who visibly is feminine in appearance. Pentheus’ reaction to the stranger seems to be a conflict of hyper-masculinity against – his very first words to the strange are “you are attractive” (Euripides 172.453) followed by a series of complimentary jabs at his masculinity. Pentheus’ seemingly contradictory response to the stranger – part compliment and part disgust – could be seen as a paradox of hyper-masculinity – whilst he denotes the stranger for his effeminate features such as his “fair skin” (456), he does so in a way that could be viewed as sensual as could be inferred from his reference to Aphrodite . In fact, his frequent reverting to concepts of sexuality (especially when relating to the Theban Bacchae) could be argued to indicate a contrast between the supposedly ‘rational’ men and the lustful woman being somewhat inverted to highlight the dangers of attempting to remove the feminine. The cross-dressing chorus may also have served to juxtapose gendered values and the “problematic relationship between the exclusively male community of Athenian citizens and the ‘tribe of women’ who are simultaneously insiders and outsiders”…

    • 1845 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    The speech itself highlights women's subordinate status in ancient Greek society, especially in the public eye." When Medea points out that women, especially "foreign" women, "require some knowledge of magic and other covert arts to exert influence over their husbands in the bedroom," she argues for a kind of alternative power that women can enjoy. A power that remains invisible to men and unknown by society, yet sways each with unquestionable force. Medea also supplies a method for interpreting her own character towards the end of her speech (lines 251-257): we should read her history of exile as a metaphoric exaggeration of all women's alienation; in fact, her whole predicament, past and yet to come, can be read as an allegory of women's suffering and the heights of tragedy it may unleash if left unattended. Under this model of interpretation, Medea portrays the rebellion of women against their "wretchedness." Such a transparent social allegory may seem forced or clichéd in our own contemporary setting, but in Euripides' time it would have been revolutionary, as tragedy generally spoke to the sufferings of a generic (perhaps idealized) individual, rather than a group. It would be a mistake, however,…

    • 658 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Demetrius is more of a cold soul, but that is transfigured in the final bits of the play, and Lysander is the hopeless romantic of the play. He spoils Hermia with little knacks and treats and even sings to her at her window sill in the night “Thou hast by moonlight at her window sung/ With faining voice verses of feigning love[...]” (1,1:31,32). Though it is quite obvious that the two men are tremendously different, there also are some similarities, more so near the end of the play as opposed to the beginning/middle. Both men find a partner in which they marry. In the final act, Lysander and Demetrius lock away their differences, and resolve the conflict between the…

    • 584 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Numerous problems present themselves in reconstructing the life of women in ancient Greece. Many of the historical sources have been lost, and histories preserved from the past were written by upper class men for their own edification. A few fragments of women’s writing exist, including lines from Sappho’s poetry. Controversy surrounds the interpretation of these and other artifactual evidence, and thus how women were viewed. For instance, many of the Greek vases depicting women show them handing warriors their helmets as they prepare for battle, and so some scholars point to the passive role of women. Reading the plays of the classical playwrights give us evidence of women as strong, central characters in Greek tragedies and epics.…

    • 7219 Words
    • 29 Pages
    Good Essays
  • Good Essays

    Life as a Woman in Athens

    • 1082 Words
    • 5 Pages

    The empty life of the Greek woman of the upper or middle class, deprived of interest or gratifications, was not even repaid by the knowledge that her relationship with her husband was exclusive. This was not necessarily because he had a relationship with another man, though that happened often…

    • 1082 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Shakespeare uses the theme of love to show how complicated love can be; Hermia falling in love with Lysander and Egeus not allowing her to get married to Lysander. Lysander and Hermia try to figure things out between themselves and their forbidden love, “The course of true love never did run smooth”. On the other hand Shakespeare uses comical love with Helena’s unrequited love for Demetrius. Helena is so sad she calls herself his spaniel, “Lord, what fools these mortals be!” Another example of comical love is Titania falling in love with Bottom, with the ass’s head on. Love can blind our eyes in some situations and we can fall head over heels, which makes us look quite foolish. The ‘play within a play’ characters, Pyramus and Thisbe, have comical but also tragic love as Shakespeare makes the young man who plays Thisbe to be really embarrassed to have to play the part of a girl. Their love is also very tragic as Pyramus thinks Thisbe is dead and kills himself and later on Thisbe sees him dead and kills herself. (A parallel story to Romeo and Juliet).…

    • 1781 Words
    • 8 Pages
    Better Essays
  • Good Essays

    Lysander can see the unfair treatment that Demetrius is giving to Hermia and points it out.“O I'am out of breath in this fond chase. The more my prayer, the lesser is my grace, Happy is Hermia, wheresoe'er she lies, for she hath blessed attractive eyes so bright not with salt tears if so my eyes are oftener wash'd than hers” (II,ii,…

    • 187 Words
    • 1 Page
    Good Essays
  • Good Essays

    An earlier play entitled, “A Midsummer Night’s Dream”, by William Shakespeare, is a comedy outlining the destinies of two bothered couples. Shakespeare tactically demonstrates the love of two Athens individuals, Lysander and Hermia. The conflict is, Hermia’s father is against the marriage of the two and insists upon marriage with a man named Demetrius. However, the already complicated situation becomes more complex when Hermia discovers that Helena, a deep-rooted friend, is in love with Demetrius. My initial interest of the play arose during the introduction of this conflict.…

    • 819 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Medea And Feminism Essay

    • 397 Words
    • 2 Pages

    Protofeminist Or Misogynist? Medea As A Case Study Of Gendered Discourse In Euripidean Drama. 2009. Web. 15 Oct. 2015.…

    • 397 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In ancient Greek literature, there are two types of drama’s. There was the comedic drama, and the tragic drama. The difference between these two dramas would be decided by the fate of the hero at the sisation of the play. Tragedy being the most popular, was the biggest part of Greek society. This is proven by all of the plays, stories, and works the Greeks created concerning this topic. Tragic plays were so heavily conducted that all of them began to share common traits. These similarities are present in two of the most popular Greek tragedies, Oedipus the King and Medea. Both Oedipus the King and Medea have the protagonist’s exhibit excessive stubbornness and steadfastness in their stories which ultimately leads to their downfall.…

    • 997 Words
    • 4 Pages
    Good Essays