As rulers, there are only three female Pharaohs in the whole ancient Egypt and Hatshepsut was the first one, though the most known is Cleopatra. “Hatshepsut offers us no explanation for her unprecedented assumption of power. It seems that there was no opposition to her elevation, although, of course, it is very unlikely that any such opposition would have been recorded” (Tyldesley, 96). In this book, it also presents a sentence from her tomb that was translated “I have never slumbered as one forgetful, but have made strong what was decayed. I have raised up what was dismembered, even from the first time when the Asiatics were in Avaris of the North Land, with roving hordes in the midst of them overthrowing what had been made; they ruled without Re… I have banished the abominations of the gods, and the earth has removed their footprints” (Tyldesley, 100).…
The statue depicts Hatshepsut sitting upright very rigidly as a king; this type of structure is very common with other traditional Egyptian sculptures depicting pharaohs. Her legs are pressed together, back straight up in a 90 degree angle, and her hand is placed upon her legs close to her knees. The statue of Hatshepsut Seated shows Hatshepsut in ceremonial attire, she wears the headdress worn by many pharaohs before her. To me her facial expressions show a sense of dignity, pride, and femininity. She is wearing a skin…
By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
Kouros represents youth, moral and physical beauty of the aristocratic culture of Archaic Greece. On the other hand, Aphrodite represents the Greek goddess of love and beauty. Kouros is a life-sized sculpture and hands clenched at the sides and one foot slightly forward. In contrast, Aphrodite is given larger than real-life scale.…
As we would expect there are some differences, between these two sculptures. The fact that Augusta is male and Hatshepsut is female.…
The sculpture on the left was from Rome, whereas the sculpture on the right was from Greece. Starting from the right, Greece sculptures have equal similar traits to Egypt sculptures, it is thought that the Greeks has gotten inspiration from Egyptians and New East. Kouros represents a youthful, strong and immortal man. At that time, Greece's social system was male dominant, also known as patriarchy. Therefore, it was not an issue that most Greek sculptures are naked. As Kouros shares similar traits to Apollo, with long hair, broad shoulders and athletic waist, he is often mistaken for the God of the Sun. However, the most common purpose of Kouros sculpture is that its status is used for worshiping the Greek Gods to use as servants. Other purposes…
This statue differs from others in the past, more natural and life like a rounder thicker realistic version very surreal. Although later in this period you will see this style get more precise this is an outstanding example of the Classical period. Standing tall with head straight a relaxed confidant athlete, arms hanging to his sides with one leg bent as if he is turned around waiting with ease on others that have fallen behind him. Standing 3 foot 10 inches tall smaller than the typical life size statues normally found, the size does not take away it is not missing a single detail from any angle seen. This is a remarkable example of Classical Greek art that we should consider extremely lucky that we are able to few and study it as it was (though missing a few bites and pieces) when it was created so long…
I can compare this piece with the Kritios Boy we learned in class right after Egyptian art. These two are from entirely different time periods, but share many things such as stance, mediums, and artists. As you can notice from the Egyptian statuette the figures posing in a way where his stride is noticeably wider where in the Kritios boy, even though his leg is missing you can tell he shared the same stance. They were…
In the Archaic period, the Greeks developed a monumental stone sculpture for the representation of life-size, nude, young men (kouroi) and life-size, clothed, young women (korai). The kouroi, which were evidently made to serve a funerary purpose at a gravesite, emulate the frontal pose of standard Egyptian statues, but, over the course of the sixth century, are carved with increasingly more realistic anatomy. Faces, however, retain the conventional "Archaic smile" which serves to illustrate that the person is alive. Korai, shown wearing contemporary fashionable clothing, evidently stood as votive offerings in temple sanctuaries. A stylistic "sister" to the Anavysos kouros is the statue of a kore wearing a peplos, a simple, long, woolen belted garment that…
A kouros is the modern term given to the sculptures of male youths which first appear in the Archaic period (700 - 480 B.C.) in Greece (getty.edu/...). A kouros is an ancient greek statue of a nude male youth standing with his arms at his sides with a formulaic advancing posture. Greek kouros statues were greatly influenced by Egyptian sculptures. Greeks who traveled to Egypt for trade took the style of the Egyptian's…
The Greek Archaic period art started around 700 BC and ended around 480 BC. Common elements is Archaic art consist of animated faces, motion, long hair, and arms down with hands in a fist. There was great attention to the human anatomy during this time. A good example of this is the statue Kroisos, a grave marker for a fallen warrior. The statue is dated from about 540 to 515 BC and is now in the Archaeological Museum of Athens. This freestanding statue has many Archaic elements from his striding stance to his expressive face. Notably, the sculpture has what is called an “Archaic smile,” which is used to described the over animated face that was common in the Archaic period. It is also seen that he is standing in a striding position indicating the he is walking. This along with his clenched fists, long hair, and detailed anatomy makes it clear that he originates from the Archaic period. However, this sculpture in not overtly realistic but rather more idealistic of what a warrior should look like.…
The main figures take up almost entirely the whole piece and their whole bodies are shown. Menkaure and His Queen is a three-dimensional image due to the fact that it is a sculpture and not a flat painting and makes the people seem as though they are realistic. The texture of the of the sculpture has a very smooth and polished. The faces of the figures and most of Menkaure is polished, but it appears that not all of the queen’s body has been polished indicating that this work may not have been…
There we observed the change in the form of statues. Being able to see the statues and painting we’ve studied and saw in our textbook in real life amused me. Being able to go up to them and look at the details rather than staring at the photographs also made me more interested in the art itself. For this assignment I decided to compare “Seated Statue of Gudea” and “Statue of Eros Sleeping”.…
In the classical period the statues in Greece became more natural. Instead of statues of gods there were statues of real people doing everyday things. The kouros statue, which means boy in Greek, was one of the earliest statues. It was from the archaic period. It had long stylized, detailed hair, and the statue was naked. The kouros was usually carved from marble. The female counterpart to the kouros was kore which means girl in Greek. They were usually figures of girls that served Athena. In the kore we see what is known as the archaic smiles which represent the figure being alive. The Peplos Kore shows us the early representation of the body beneath the drapery. Through her clothes we can see the outline of her…
Which of the following would attest to the sophistication of ancient Egyptian society in 3500 BCE?…