The Coronation scene is a continuation of the Divine Birth scene, giving details of the revelation of young Hatshepsut’s royal status and most importantly, her coronation as a pharaoh. In the scene, Hatshepsut was portrayed a pharaoh, wearing the white crown and the false beard. She was kneeling down and received blessing from her father- Thutmose I. In addition, the Coronation inscription consisted of political statements emphasising Hatshepsut's right to the throne, as her father chose her…
Senusret III head statue is made out of a yellow-brown rock by the name of yellow quartzite. Khafre is more intact and detailed than the Head of Senusret III. Reason being because the features on Senusret are destroyed like his chin, nose, and ears. It appeared to be that Senusret III might have had a beard on his statue but could have been removed. The only things that was removed from Khafre was the lion’s head and paws. The facial expressions on Khafre calm, pleasant, permanence while Senusret facial expression is saddening by the wrinkles on his forehead from hardship and fragility of human existence. Khafre statue is more idealistic, rigidly frontal, and cubic conception where as the Head of Senusret III than Senusret III Khafre sculpture had more meaning than Senusret III head sculpture. In the class lecture video, Khafre wore the traditional costume, the lions throne represented authority, the papyrus and lotus represented his power over upper and lower Egypt, his headdress had a cobra on the back that signifies the God Ra, Horus is on the back of the throne, and he wear a fake beard that symbolizes…
The subjects featured in the artwork are Pharaoh Menkaure and Queen Khamerernebty. At first glance, the part of the sculpture that seems to stand out the most are the heads of the pharaoh and the queen. The faces and headdress appear more detailed than the rest of their bodies and have a sharper quality to them than the smoothness of the bodies. Of course, seeing the image at a different angle or under a different light could potentially make other areas of the sculpture stand out more.…
Hatshepsut’s reign was basically a peaceful one. The lack of frantic military activity during her years in power is one of the outstanding and defining characteristics of her rule. She focused more on activities like trade and construction. She expanded trade with Nubia, Libya, and countries in Asia. She also ordered expeditions to present-day Somalia, which was then called Punt, to acquire special goods like ivory, spices, and gold. She expanded trading relations and built magnificent temples as well as restoring many others. Hatshepsut also restored and renovated several old buildings that had been damaged or destroyed by invading armies. One of these was the temple at Ipet-Issut. In addition to the renovations, she built the Red Chapel for the holy barge of Amun, Hatshepsut put up two huge obelisks that were covered in gold foil, reflecting the sun’s rays all around. As one of the few female pharaohs, Hatshepsut’s reign is a significant one in the history of ancient Egypt. Her period of rule was marked by an absence of military campaigns and a…
Hatshepsut was one of the most powerful women in the ancient world. She was the fifth pharaoh of the Eighteenth Dynasty of Ancient Egypt and the first female pharaoh. She ruled longer than any other woman in Egyptian history. Hatshepsut was pharaoh for approximately twenty-one years, from 1479 BC–1458 BC. Hatshepsut’s successful reign brought wealth to her country & she helped shape Egypt into a stronger nation in many ways. Hatshepsut has been widely regarded as one of the most successful pharaohs throughout time and has left behind more monuments and works of art than any Egyptian queen.…
Just like many other pieces of art, this sculpture has many symbols. King Senwosret III is shown with a very firm body, this symbolizes that he is powerful. He is wearing a head cloth called a nemes. Pharaohs in ancient Egypt wore Nemes. The nemes is another symbol to show the kings power. On the front of the nemes there is a cobra. The cobra represents that he is royalty. King Senwosret III is wearing a short kilt, which was traditional Egyptian royal clothing so that is also used to show he is royalty. If you look down at his feet, under them you see nine bows. These nine bows are also symbolic. They…
#301 Hatshepsut Hatshepsut was the fourth female pharaoh in Egyptian history, and was considered one of the greatest rulers, male or female, of her time. As Pharaoh, she encouraged trade and sent a voyage to the land of Punt, sponsored a vast building project in Egypt, added to the temple of Amon at Karnak, and commissioned her famous mortuary temple, Deir el-Bahri, decorated with her most impressive achievements. She is renowned for being strong and assertive, whilst also fair and just. The many reliefs and paintings in this temple serve as sources from which we can draw conclusions about her life and her reign.…
The posture of both the statues is very unrealistic. They are very rigid and stiff without a sense of movement; They are extremely frontal and formal. The figure of Hatshepsut is standing with one foot forward and both her hands open and resting on the front of the kilt. Her back and hips are attached to a raised platform and one of her legs is protruding outwards, thus not syncing with the square like shape of her hips. Her hands are both level with one another, however one should be farther in front because it is placed on her thigh. Her movement is confined because she is attached to a block.…
Towering at an impressive 8’ 6”, she is skillfully carved out of red granite. Unfortunately, Kneeling Hatshepsut was damaged but today she has been reconstructed and restored to the best of the conservators’ ability. Just as the name indicates, the massive statue is a kneeling figure. The artist positioned the figure on a large rectangular base with rounded edges. Hatshepsut has her knees pressed to the ground with her backside seated on the heels of her feet. Her hands are extended outward from her torso, resting on her knees with a little round jar in each of her hands. Behind the figure, there is a large vertical rectangular shaped piece that seems to be keeping her back straight. The straightness of her back makes her appear rigid but the slight slope of her stomach and shoulders suggest she is relaxed. Furthermore, Kneeling Hatshepsut is donning a kilt, the Nemes headdress and a ceremonial beard. Spaces are not carved out between Hatshepsut’s arms, legs, and neck. Every piece is connected. Although the quality is not lacking, Hatshepsut’s face does not appear to be very detailed. However, her face gives the impression of stoicism. In its entirety, Kneeling Hatshepsut is a grand figure, invoking a sense of awe in the…
Name and Date of Piece The Kneeling Statue of Senemut was created during Hatshepsut’s rule, New Kingdom, Dynasty which is believed to be from 1478-1458 BCE.…
As rulers, there are only three female Pharaohs in the whole ancient Egypt and Hatshepsut was the first one, though the most known is Cleopatra. “Hatshepsut offers us no explanation for her unprecedented assumption of power. It seems that there was no opposition to her elevation, although, of course, it is very unlikely that any such opposition would have been recorded” (Tyldesley, 96). In this book, it also presents a sentence from her tomb that was translated “I have never slumbered as one forgetful, but have made strong what was decayed. I have raised up what was dismembered, even from the first time when the Asiatics were in Avaris of the North Land, with roving hordes in the midst of them overthrowing what had been made; they ruled without Re… I have banished the abominations of the gods, and the earth has removed their footprints” (Tyldesley, 100).…
Queen hatshepsut Queen Hatshepsut, daughter of Thutmose and Aahmes, was one of the few female pharaohs of Ancient Egypt. There were other female pharaohs previously, but none had the unprecedented impact she had during her reign. She gained her title as the 5th Pharaoh of the 18th Dynasty of Egypt, her reign was approximately 21 years. “Hatshepsut, the elder daughter of the 18th-dynasty king Thutmose I and his consort Ahmose, was married to her half brother Thutmose II, son of the lady Mutnofret. Since three of Mutnofret's older sons had died prematurely, Thutmose II inherited his father's throne about 1492, with Hatshepsut as his consort. Hatshepsut bore one daughter, Neferure, but no son. When her husband died about 1479, the throne passed to his son Thutmose III, born to Isis, a lesser harem queen. As Thutmose III was an infant, Hatshepsut acted as regent for the young king.” (1) For the first few years of ther stepson’s reign, Hatshepsut has acted as guardian performing pharaoh-like duties on Thutmose III’s behalf. After performing the duties for approximately seven years she was crowned king and received full royal duties as a pharaoh.…
Queen Hatshepsut was the first female pharaoh who ruled Egypt. She reigned during 1473 – 1458 B.C.E. She first served as co-ruler with her stepson Tuthmosis III, but later took power as a pharaoh herself. Although she was a great ruler, the idea of having a female ruler was unfamiliar to Egyptians and it unsettled them. As an effort to present her in unthreatening guise to make Egyptians feel more at ease, artists depicted Queen Hatshepsut as a male wearing the stylized beards that are traditionally associated with pharaohs. This gesture shows how females are subordinate to males because they did not feel comfortable that their nation was being led by a female. That is why most societies turned to patriarchal rule. This gesture also showed how they did not respect Queen Hatshepsut because they altered her image as a male. Many societies indicated women’s subordination to men’s status through documents showing how women were not able to participate in government duties, not being allowed a proper education and the inequality between slave men and slave women.…
Hatshepsut had many attributes about her that her siblings did not obtain. She had excellent health, a hasty mind and her father’s vigor. These qualities made her stand out and were indications that Hatshepsut was always her father’s favorite, even in her young age. She grew up under her father’s personal guidance as he was preparing her for rule. His teachings were as harsh as he would have ordered for a son, again Ancient Egypt: The Case of marking his faith in Hatshepsut. She was…
The style of this painting is emphasizing on the outline, using the limited space illusion and using the flat color tones. This is the style that common used in 18th dynasty Egyptian’s painting. This painting technique is fresco secco, employed in earlier Egyptian. The medium used of the artist is painted plaster. The medium used on Hatsheput’s head is perfumed wax. The materials used for this painting is the wet plaster, the mixed of lime, sand and…