The two images I chose for the analysis paper are Martini, Simone and Lippo Memmi, Annunciation with Saints Ansanus and Margherita (1333) and Brunelleschi, Filippo, Dome of Florence Cathedral (1420-36). The reason I chose these are because they relate to the Catholic religion in different ways. The Annunciation with Saints Ansanus and Margherita was the beginning of the Catholic art during the Gothic time period while the Dome of Florence Cathedral was not only a masterpiece of artwork it was also a breakthrough for the construction during that time and for the rest of history.…
There 's no exact tally of the art and culture snatched by the Nazis, and the commonly accepted number of 6 million bits and pieces excluding art and architecture that the Germans intentionally demolished. At the conclusion of the war and subsequently the Nazi admission of defeat, approximately 5 million items were reverted to their countries and owners, mostly due to the monuments program. “Who cares about art?” Lt. Frank Stokes says instinctively as he attempts to persuade Franklin Roosevelt to allow him to take a group of soldiers into war-torn Europe to protect and recover priceless works of art, including the van Eyck brothers’ Ghent Altarpiece and Michelangelo’s Madonna and Child, from the escaping Nazis. Hitler took little concern for human lives but fairly a lot for art; he planned to take the whole of Europe’s…
4. In Giotto’s Madonna Enthroned, how does the artist show more naturalism in his painting? In…
Rona Goffen’s “Icon and Vision: Giovanni Bellini’s Half-Length Madonnas” shows how Bellini, and most noticeably his Madonnas, represent the ways that Eastern, Byzantine and Greek, styles effected the western Italian style. Goffen explains the long history of connection with Byzantium which made eastern art not unusual, but a popular style. Bellini used the popular motifs of this style to incorporate into his work; such motifs included Greek letters, a solemn Mary, and his use of half-length which all directly quoted Byzantine and Greek models. These details revealed the Madonnas to be icon paintings and for use in religious worship, not just for aesthetic pleasure, particularly his use of the half-length. This half-length style has a long and ancient history of referencing icons and other figures that were meant to be eternal, just as an icon is the vehicle for an eternal religious presence. This half-length style was not as popular as the full length and enthroned Mary in Venice, a style that Bellini also used and Lymberopoulou points to as an influence on Cretan art. Goffen argues that even though Bellini used some different styles and motifs in comparison to the Byzantine style of making icons, which depended on repetition for its authenticity and spirituality, Bellini still…
The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…
A Comparison Between “Artemisia Gentileschi and Caraveggisti Painting” by Henry Sayre and “Artemisia’s Hand” by Mary D. Garrard When looking at the development of Western art history, people tend to focus on the male artists’ contribution but neglect the significant influence of female artists on the art world through their active engagement in the production of art. Artemisia Gentileschi, both as one of the the most accomplished Caravaggio’s followers and one of the first female artists to achieve an international reputation (Sayre 295), provided art historians with a feminine perspective on the establishment of Baroque style. By comparing Henry Sayre’s general survey “Artemisia Gentileschi and Caraveggisti Painting” with Mary D. Garrard’s…
Two great works of art, both done at different times by different artist, have similar features and can be portrayed in…
In the artwork The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco, the viewer is immediately drawn towards the most prominent figure in the painting. The features of Palomino’s work all direct the viewer towards the illuminated woman and the bird flying overhead in the center of the canvas. This painting utilizes creative elements such as perspective, lighting and colors, and shapes to accentuate the significance of the central characters in the foreground of the artwork.…
Eve throws her head up in a kind of wailing attitude while she covers her nakedness. Adam just throws his hands over his head. By the way, they both are blinded, in the sense her eyes are closed; if you look closely they're just slits and his are covered”(L 13, 10:07). Masaccio’s broader and bolder style easily relayed the emotional turmoil of the situation. Giotto’s influence is recognizable in Masaccio’s sense of light and linear perspective adding dimension extending into the viewer’s space which also differentiated the two artist’s interpretive…
Michelangelo’s sculpture, “The Pieta” is an interesting piece. It is a sculpture of Virgin Mary taking her son Jesus off of the cross. A French cardinal named Jean de Billheres commissioned Michelangelo to make the Pieta for his funeral, so he may be remembered. His job description was to make, “The most beautiful work of marble in Rome, one that no living artist could better.” Michelangelo ended up carving the Pieta from a single slab of Carrara marble, despite his mistakes. Look closely at the statue, and you would see that Mary’s head is too small for her large body. This is because Michelangelo would have no support for carving Jesus if the base was too small, so he made Mary larger than she should be. He covered up his ‘poetic license’…
Chimabue's approach to composition in the artwork "Enthroned Madonna and Child" was extremely confirmative to the time period. He made use of the medieval heiracy of scale, making Mary and baby Jesus much larger than other figures, therefore making them the focal point of the painting. This was to emphasize their importance. They are also placed centrally on the painting, again to direct the eye towards them and to show their importance as the subject of the painting. The layout is very symmetrical, with even amounts of figures (the angels) on each side, all facing towards Mary and child. These angels are "stacked" which looks unrealistic and doesn't achieve convincing depth. Underneath, there are 4 saints, also symmetrically placed; one saint under the left and right column, and two in the middle. In the throne, there is an…
Kren, E., & Marx, D. (n.d.). CIMABUES. In WEB GALLERY OF ART . Retrieved August 22, 2014, from www.wga.hu/rrames-e.html/c/cimabue/madonna…
CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…
The shimmering golden highlights from the halos behind their heads were captivating. The Mystic Marriage of Saint Catherine is an altarpiece that was painted by Benozzo Gozzoli and his assistants in 1490. Benozzo Gozzoli was an Italian Renaissance painter who is particularly known for his fresco painting style and his murals. This riveting piece he created only 7 years before his death, encapsulates the essence of the Renaissance time period. This paper will discuss in detail, a depiction of the painting, the historical context of the painting, and how the imagery and colors were used to give an impression of the celebratory ceremonial essence of the unification of Saint Catherine of Alexandria and Christ. The vivid pigment and bold colors…
Deep within the safety of The Louvre many of the world’s most recognizable and influential pieces of art are safely kept for the eyes of the art loving public. One of the most mysterious paintings in the museum is a portrait of a beautiful renaissance era woman sitting in front of a landscape of hills and flowing water. She stands at almost three feet tall by two feet wide and her smile is recognized around the globe. The mystery behind her meaning, who she is, and the hidden messages that the portrait is said to contain have captivated people for centuries. She is called the Mona Lisa she is said to be one of the best known, most visited, and most written about works…