In the process of discovering true freedom Gregor is pressured by society and his family to support them after his father lost his job. “At the time Gregor’s sole desire was to do his utmost to help the family to forget as soon as possible the catastrophe that had overwhelmed the business and thrown them all into a state of complete desire.” Trapped in a jam box where he must be exceptional, with a work mentality to support the family. Hating his job as a travelling salesman, but must continue doing it to pay off his parents' debts all he talks about is how exhausting the job is, how irritating it is to be always travelling: making train connections, sleeping in strange beds, always dealing with new people and never getting to make new friends or even a loved one. We can see this on the text when he has the magazine cover instead of a real picture with a friend or a loved one (pg 89).…
Gregor had a very boring life. The dismal nature of Gregor’s life consisted of him, “Constantly waking up from hunger”(pg. 23). The novel speaks of the family…
In Part I of Metamorphosis, Kafka ends the part by illustrating the rejection of Gregor by emphasizing that even before his transformation in an insect; a situation which forces him to hid away from others, Gregor has always been isolated from others. Due to his job as a traveling salesman, Gregor is unable to make any friends or stay close to anyone at all for that matter, turning him into a very reclusive person (though Kafka never states is Gregor has always been this way or if is simply the job that caused this). When we come to the end of Part I, Gregor is also in extreme anxiety due to the fact that he was supporting his family and is now unable to work. This effect Gregor so much that even after he has transformed into a bug, he is still trying to find ways to be able to work. This conflict causes Gregor to feel trapped, like a bug locked in a room, hidden away under the settee.…
In “The Metamorphosis” by Franz Kafka, the style enhances the nightmarish quality of the work. The text states, “It took just as much effort to get back to where he had been earlier, but when he lay there sighing, and was once more watching his legs as they struggled against each other even harder than before, it that was possible, he could think of no way of bringing peace and order to this chaos,” (Kafka 12). This is interesting because the situation that Gregor is in is extremely scary and unusual, and the calm language used makes the event seem like a normal occurrence. Although one would think that Kafka would use chilling and disturbing language to describe these events, that is not what he did. The emotionless tone of the story confuses…
He is often worried how his family would take him in his hideous state, he often wondered, would they accept him? “They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments… He squatted on his picture and did not hand it over.” (Kafka 57, 58) As a result, even though he knows he would feel more physically comfortable if his room were emptied of furniture, allowing him to crawl anywhere he pleased, Gregor panics when Grete and his mother are taking out the furniture, such as the writing desk he remembers doing all his assignments at as a boy. In a desperate attempt to hold onto the few reminders he has of his humanity, he clings to the picture of the woman muffled in fur so that no one will take it away.…
The story begins with the line, “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin” (1). Although it never explains how Gregor is transformed into a bug. Even as a bug, all he worries about is getting to work and does not give a thought to having the body of an insect. Gregor has devoted himself to a life of work. In fact, when the office clerk, who came by to check why he was not at work, runs out of disgust because of Gregor’s appearance, and Gregor tries to explain to him, “ I’ll get dressed right away, pack up my samples, and go. Will you, will you please let me go? Now sir, you see, I’m not stubborn and I’m willing to work; traveling is a hardship, but without it I couldn’t live (…) A man might find for a moment that he was unable to work, but that’s exactly the right time to remember his past accomplishments and to consider that later on, when the obstacle has been removed, he’s bound to work all the harder and more efficiently” (15). He had lost his humanity because of the dehumanizing effects of his job and life in general. After realizing that this life would never be the same again Gregor starts realizing certain truths about his existence, which had not come to his realization before. He starts to reflect on his own being. “On the wall directly opposite hung a photograph of Gregor from his army days, in a…
Before Gregor’s metamorphosis he worked constantly as a traveling salesman to pay off his parents debts. Gregor mentions that he receives no satisfaction from work. In the novel he talks about how he hates traveling so much and always dealing with new people and never being able to form attachments. Gregor also talks about his employer and their lack of appreciation for him and what he does for their company. This job caused Gregor’s family to alienate him, as he was the outcast. Never being home and always working put him as a social outcast within his own home. The irony in this alienation is that Gregor did exactly what his family wanted him to do and was still alienated from them.…
The quote is about how Gregor’s lifeless body was found and how his family reacted to it. “Dead?’ said Mrs. Samsa and looked inquiringly at the cleaning woman, although she could scrutinize everything for herself and could recognize the truth even without scrutiny. ‘I’ll say,’ said the cleaning woman, and to prove it she pushed Gregor’s corpse with her broom a good distance sideways. Mrs. Samsa made a movement as if to hold the broom back but did not do it. ‘Well,’ said Mr. Samsa, ‘now we can thank God!’ He crossed himself, and the three women followed his example.”(Kafka 52). His alienation during his life before and after his metamorphosis ultimatley led to his death.…
In the book “Metamorphosis” Franz Kafka, the author, used many different symbols throughout the book, such as the couch and blanket to symbolize events in the book that are a mirror into the events in Kafka's life. In this book, Kafka combines a realistic situation with another situation that is impossible. All of his writings have at least one thing in common, there is at least one window that gives you a look into what happened in Kafka's real life, and the problems he faced. Kafka used Gregor's metamorphosis to represent himself, and through him he uses the couch and the blanket to show how Gregor wanted to shield his family from himself, just as Kafka did. Kafka was born into a Jewish family but his father forced them to learn and act as Germans to avoid trials and prosecutions that were brought upon Jews during a period of time when people thought they were dirty and worthless.…
Dracula and The Metamorphosis give us two characters that constitute the head of household. Each character serves as a fatherly figure that takes charge when the situation arises. However, the difference between the two is striking. Dracula’s Van Helsing is a man that takes his place among strangers and brings them together. In The Metamorphosis, Gregor’s father holds a title of honor, yet his contentment with the work being done by his son makes the reader lose respect for him. When faced with unimaginable horrors, the mind protects itself by taking action. The action taken by these two characters determined the outcome of the monster they faced.…
Initially the fact that Gregor Samsa, the main character, has become a human-sized pest is confusing in and of itself. What caused his transformation? Why is he a human-sized pest and not a regular sized pest? Instead of thinking about his current situation along with the complications it will bring (like I was), Gregor starts to think about how much he dislikes the job he has. "Gregor's first thought upon waking up as a creature are not even related to his new physical form, but to his state of affairs in his life" (Kafka, pg. 14).…
Upon realizing that he has changed into a “monstrous vermin”, Gregor’s initial response is mainly observational. Rather than questioning the cause of his transformation or grieve over his condition, Gregor quickly accepts his fate and attempts to continue on with his life in his new condition. Having realized the helplessness of his current state, Gregor continues to hold on to every last ounce of hope. The narrator reveals, “Some times he thought that, the next time the door opened, he would once again take charge of the family’s problems just as he used to…” (Kafka 121) Gregor struggles to cope with the fact that he has lost his identity as the family’s breadwinner due to the fact that he can no longer work. Gregor’s metamorphosis can be seen as the abridged process of aging in one’s life. Similar to an aging person, Gregor has to accept his changing body and realize that he can no longer provide for the…
In terms of Gregor’s role in the family he is useless. He is a 0 profit machine as he will only eat food and sleep in the house without contributing anything. So in the sense of social household class he is useless hence why he is now no longer suitable for sacrifice. Even though he still has a working mind and a soul, this is not considered important therefore is unfit to sacrifice himself (relating to ungeizheifer) and is ultimately killed. This is very much an emphasis on the alienating cycle of capitalism as the purpose of being is only to produce and follow the system instead of provoking new and free thinking.…
The early twentieth century represented a time of hardship and struggles throughout Europe. In 1915, at the onset of World War I, Austria-Hungary centered at the heart of this turmoil. This societal angst eventually translated into/became the individual alienation that lies at the center of Franz Kafka’s The Metamorphosis. The protagonist Gregor Samsa’s shocking change into a bug reflects this angst felt by Kafka and his own perception of the world – and his role in it. As a bug, he cannot provide for his family any longer, and therefore becomes excluded from familial affairs. The family adjusts to his plight by taking on extra jobs and admitting boarders into the home for extra financial support; all the while, Gregor becomes victimized by the coldness of his newfound world. In a period where everyday living presented a daily fight to survive, the family could not lament Gregor’s absence for too long before worrying about personal wellbeing. This coldness of that era is incorporated through Gregor’s dire situation and in turn, the family’s cold reaction indicates the “survival of the fittest” theme evident in families during that time. Kafka employs depressing language and style, a three-part structure to the novel, and an extended metaphor to shape the belief that in a world filled with conflict, regardless of family ties, only the fittest will endure.…
One of the saddest aspects of Kafka’s The Metamorphosis is the fact that young Gregor genuinely cares about his family. From the opening of the story, he is shown to be a person who works hard to support his family, even though they do little for themselves. When Gregor morphs into a cockroach, however, the limits of familial loyalty and empathy are tested. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family.…