Preview

Alan Freed: History of Rock Music

Good Essays
Open Document
Open Document
710 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Alan Freed: History of Rock Music
Alan Freed

Alan Freed was born December 16, 1922 in Johnstown, Pennsylvania.

He was considered the most the most famous Disc Jockey(DJ) in rock 'n roll history,

however, controversy encircled the man and he received lots of criticism especially from

white adults during his career. I think that Alan Freed greatly helped shape the sound of

music today and further advanced the progression of rock music. He is the person who

coined the term "Rock & Roll" and also put up with a lot of nonsense regarding the term.

At the time "Rock & Roll" was an urban african american term for sex, I think Alan realized

that the popular white culture would be turned off by the term R&B, which was mainly

associated with black artists, so he decided to give it a different name and expose that

style of music to the general public.

His radio name and nickname was "Moondog". These were also the names of his

non-segregated concerts in which black and white teenagers came to listen to good rock &

roll regardless of the singer's color. Moondog Balls were very popular and drew much

criticism from white parents. At the first Moondog Ball over 25,000 kids, mostly white,

showed up in the March of 1925 in Cleveland. I believe that what Freed did was good as

far as opening people up to racially diverse music and not really listening to what the media

had to say about it, including things like he was promoting "jungle music", which negatively

referred to African-American music.

After his DJ career in Cleveland, Freed transferred to a larger radio station, WINS,

in New York City. This was a good move because it gave him the opportunity to expose

larger masses of people to his non-racially censored music. Freed was against what were

called "white covers". White covers were black songs that were re-made by a white artist

so they could be played on the larger, more popular white radio stations because these

You May Also Find These Documents Helpful

  • Powerful Essays

    A Historical Book Review of Glenn C. Altschuler’s All Shook Up: How Rock ‘N’ Roll Changed America…

    • 1739 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    He is important because he is the best rock and roll singer of his time.…

    • 326 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Being a black man in his era, respect was not easily earned or given to people of African American decent. To have accomplished that through music is a lifetime achievement to him. Meeting Al Sanford launched his career in music, heading shows for musical legends like: Buddy Guy, Lynard Skynard, Styx and Ted Nugent. Despite his race at a time in our nation where the odds were stacked against his success, Danze overcame many cliché stigmas and used his talent to reach the lives of millions through his music in the last thirty…

    • 946 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Berry later became exposed to a different kind of music that he heard on radio station KMOK, a station that played country music. Berry's music was a combination of county and rhythm and blues. His music was not brand new however; it was certainly unique enough to be instantly recognizable. One of the things that made this combination so unique was the fact that Berry was an African-American. Berry combined all of his influences and took the world by storm with such hits as Maybelline, Roll Over Beethoven, Sweet Little Sixteen, and Johnny Be Goode. Some say that Chuck Berry was the Father of Rock n roll.…

    • 554 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Even today you can find cultural appropriation in our modern music. M and M is a famous, white male rapper, Justin Timberlake who sings rhythm and blues, and Katy Perry are just a few celebrities who have been criticized for stealing music, and clothing from the black culture. M and M is known across the United States, as one of the best rappers. Rap and hip hop is one of things that defines black culture, yeta white male is considered one of the best. Before rap grew into one of the top selling music genres, many people hated it. They claimed it was not a true talent and would amount to anything. Katy Perry has been criticized on a numerous amount of occasions for stealing from other races. One song that has caused major issues was her song…

    • 1484 Words
    • 6 Pages
    Good Essays
  • Good Essays

    The term rock ‘n’ roll has been traced back as far as the 1920s in black music, but it became an accepted when disc jockey Alan Freed began used it to describe the character of the rhythm and blues he played on his radio program in the mid-‘50s. The term “Rockin' and Rollin” were originally used as slang for sex, in black pop music. However, it went on to become the name for a new, salacious musical genre. Innovation in audio technology, new instruments, fresh talent, business savvy record producers, and a young population of new consumers created by post-war economic prosperity helped turn "race music" into "rock and roll”. The roots of Rock & Roll can be traced back to rhythm and blues and country rock. We must note the political context of the rock n' roll movement before delving deeper into the recesses of the genre. Black people were beginning to identify and assert themselves racially supported by a series of Supreme Court judgments in favour of integration and the Black community in general Rock n' roll became a symbol of Black empowerment to the Whites, especially to the segregationists who were accustomed to and valued a separation of the races, but were now legally forced to operate against those segregationist values.…

    • 1020 Words
    • 5 Pages
    Good Essays
  • Good Essays

    African-American presence was minimal on TV shows after 1953 was largely demeaning in the roles available in radio drama. But radio drama on the other hand offered wider possibilities for black stations like WDIA that began in 1947 in Memphis. Numerous stations devoted time to black radio in the 1950s and it became difficult to distinguish the colour of the musicians they were listening to as racial styles began to blur, which was an added advantage. This compelled Susan Douglas to call 1950s radio a “trading zone” between white and black culture revealing as much “about the emptiness and forced conformity of white culture as it did “about the new ambitions of blacks” (223). Folk music, jazz and rock ‘n’roll defined the period. Folk and jazz, the older forms underwent transitions postwar. Rock ‘n’ roll, a new trend emerged out of rhythm and blues, a strain of black music often called ‘race music’ in 1940s, which later became sound of the 1950s. Second half of the decade, particularly between 1956 and 1958,was ruled by Commercial imperatives and major labels. Creative musical energies were in full flow, not repeated until…

    • 233 Words
    • 1 Page
    Good Essays
  • Good Essays

    Most performers in the 1950's were African-Americans. Singers and actors like Nat King Cole, Lena Horne, Harry Belafonte, Sidney Potier and others, were the minority representation in the white-dominated fields. African-Americans stations were part of radio's attempt to counter the mass popularity of television by targeting specialized audiences.…

    • 902 Words
    • 4 Pages
    Good Essays
  • Good Essays

    It is a little strange that an openly gay black musician in the 70s was opposed to the change the new generation of young adults and musician were introducing to society. It’s not just a disgust for the new generation, but an all around disappointment as if he felt he had done so much to set an example for them, but all they have done is let him down. This can be seen in the last verse of the song when he sings “I would have thought that after fifty-five…

    • 1032 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Racism was still very predominant in the 1950s. During these times, it was tolerable to have businesses serving only white people or only black people. The major record companies of this time where no exception from this practice. The first generation of rhythm and blues and rock and roll musicians who became popular during these times frightened most parents. Artists such as Fats Domino, Chuck Berry, and Little Richard played music with lyrics relating to sex, school, provocative dancing and rock and roll itself. The record companies even substituted the terms rhythm and blues records with “race records,” describing recordings by African American artists that were not gospel or jazz. The white society protested rock and roll encouraging people not to buy this music. It was too late; the road that led to rock and roll was paved with gold, and certain people noticed this.…

    • 588 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Rock And Roll History

    • 1872 Words
    • 8 Pages

    Rock first surfaced as its own genre in 1953; a time of racial segregation in the United States. It was thought of by White people as an "evil music" due its blend of African American and White2 cultures. However, that did not stop it from becoming too biggest thing since nuclear energy (which was the biggest thing since sliced bread). The first huge concert in Rock's history was "The Moondog Coronation" put on by Alan "Moondog" Freed, a DJ from Cleveland, which nearly sparked a riot, due to thousands of fans trying to get into the sold out show. In the next few years, the Rock movement took a large swing toward White youth when "Bill Haley & His Comets" played one of the biggest hits ever, "Rock Around the Clock". At the same time, Elvis Presley was gaining popularity playing "Rockabilly", a blend of Rock and Country music that became very popular in the south. He became the world's first music superstar. In 1957, Rock became a worldwide power when Buddy Holly and Jerry Lee Lewis toured Australia. Due to immense history, of which I could write a whole paper on, I will only go this far in rock's…

    • 1872 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    The latter part of the original invasion saw more blues-charged groups like the Rolling Stones coming over the Atlantic. These British blues groups were influenced by the black blues singers of the '40s and '50s such as Muddy Waters, Robert Johnson, and B.B. King. The British artists covered the black artists this time out of respect, not simply to try to capitalize on the black artist’s success like the "vanilla" American cover artists of the '50s. This respectful covering of the original blues hits ended up paying off for the original blues artists when fans of groups such as the Rolling Stones tracked their influences back to the black blues artists. Soon American blues shows were filling up with white teens looking for the roots of their favorite British bands.…

    • 631 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The birth of Motown music came to be in a small recording studio aptly named Hitsville, U.S.A. Barry Gordy, who came from a large middle class family had borrowed money in order. The main stage of Motown music came from a small house that had been remodeled into a recording studio, the name of the company was Hitsville, U.S.A. Mr. Gordy had gathered the best jazz and blues players in and Motown was born through his genius. This small but dynamic record company has produced and help make many stars that we all know today such as Diana Ross and the Supreme, The Temptations, Stevie Wonder, and more recently the Jackson 5, Boyz II Men , and Queen Latifah. It is very surprising that both the genre of Motown and Hitsville remind unharmed by racism for the most since Detroit has been historically known for severe racism and segregation. Hitsville U.S.A. was one of the first African American owned record companies, this was just one step in popularizing and taking a step for African's Americans many talents to become well known and chart topping.…

    • 589 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    The history of soul music

    • 279 Words
    • 2 Pages

    The gospel revival and doo-wop merged into the great season of soul music. Soul music was enabled by the commercial boom of "race" music, that had led to the creation of channels and infrastructures run by black enterpreneurs for black artists. This class of black enterpreneurs hired and trained a generation of session musicians, producers and arrangers (not to mention songwriters) who were specifically meant to serve the needs of black music.…

    • 279 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Funk Music Analysis

    • 698 Words
    • 3 Pages

    Sonically speaking, funk’s bass-centric nature and rhythmic backbone reflected an attitude of confrontation and rebellion. Loud horns, drums, and beats all paralleled the aggressive frustration out of which it came. Its hardcore, unrefined sound led many to label “funk [as] the extreme of everything” (Morant 75). In addition to the robust instrumentals, pioneers like James Brown developed a style of the frequent repetition of politically-charged lyrics, which further reinforced its association with power and strength. Songs sometimes consisted of just a small collection of phrases or words; however, as long as the perfect energy and emotion was conveyed with the lyrics the resonating quality of funk lived. Frequently, the lyrics did no more than set a loose theme or outline, and the artist would then color the performance through the delivery. Largely, artists focused on themes of racial power, happiness, and pride. Admittedly, some funk lyrics also had a party-element to them; however, the uplifting energy of these songs still rejected mainstream complacency and instead galvanized black pride. And even though artists like Sly and the Family Stone were multiracial in that they included white artists in their group, the music itself was crafted for a black audience, and the lyrics and style sought to empower and educate the extremely marginalized within the African American community. Resultantly, funk became intertwined with black communities that sought to differentiate themselves from the dominant white culture. This separatist spirit is even observable in “words like… funk, [as they] were efforts to come up with a language to talk about that visceral element in music” that didn’t exist in popular discourse (Kelley 40). Between its instrumentals, lyrics, audience, and language, the identity funk carved out was…

    • 698 Words
    • 3 Pages
    Good Essays