Feminism and female image in The Grandmaster The Grandmaster: An analysis of the characterization of Gong Er Abstract China has produced many classical movies‚ including a great percent of the movies in which the female is leading character. Through the colorful images‚ we may realize clearly how the Chinese feminine survival condition is‚ the words hegemony and the male-power- centre they encounters in the society‚ as well as the difficulties that they are seeking independent life for themselves
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Studies Assessment Task 1: Film Form Assignment Name: Chong Sarah Man – Yee‚ 22882618 Film Form on Hero (Zhang Yimou‚ 2002) “Film form‚ in its broadest sense‚ we mean the overall system of relation that we can perceive among the elements in the whole film” (Bordwell and Thompson 49). In this formal analysis‚ I will be considering film form in relation to the film Hero directed by Zhang Yimou. Large aspects of film form such as mise-en-scene‚ shot‚ editing and sound can be seen vividly in
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Does the film Huang tudi (Yellow Earth) offer a critique of the Communist revolution? If so where and how? Chen Kaige and Zhang Yimou’s Yellow Earth is a meaningful and controversial film that highlights the young and old‚ realist and idealist‚ as well as the ideal utopia and bounded bureaucracies – touching on the notion of fate. Set in early 1939 in China‚ Yellow Earth follows the story of Gu Qing‚ a Chinese Communist Party (CCP) soldier sent out among the peasants in Northern Shaanxi to collect
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Modeling underwater light climate in relation to sedimentation‚ resuspension‚ water quality and autotrophic growth Vincente‚ V. P. & Rivera‚ J. A.‚ 1982: Depth limits of the seagrass Thalassia testudinum (Konig) in Jobos and Guayanilla Bays Wu‚ S. C.‚ Zhang‚ Y. L. & Chen‚ W. M. (2005): On the absorptive characteristics of Microcystis and Scenedesmus Yoro‚ S. C.‚ Panagiotopoulos‚ C. & Sempéré‚ R.‚ 1999: Dissolved organic carbon contamination induced by filters and storage bottles
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table of contents ACKNOWLEDGMENT 4 EXECUTIVE SUMMARY 5 1- INTRODUCTION AND BACKGROUND 6 1.1 Vision Statement: 7 1.2 Mission Statement: 7 1.3 Core Values of Haier: 7 1.3 (a) Think What Consumers Think 7 1.3 (b) Enterprising and Innovative 7 1.3 (c) Win-Win Culture 7 1.4 SWOT Analysis 8 2. HISTORICAL PERSPECTIVE 9 2.1 Parent Company History: 9 2.1 (a) Rebuilding a Refrigerator Plant in the 1980s: 10 2.1(b) National Brand Leader in the 1990s: 11 2.1(c) Diversification in the 1990s:
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Nowadays‚ while film producers tend to make films about loves relating to materialism‚ pure loves obviously become rarer and more appreciated than ever before. Under the Hawthorn Tree‚ the latest work by director Zhang Yimou based on the same- named novel of Ai Mi‚ brings about a belief of a pure and unmingled love‚ even though it is set in dying days of Chinese Cultural Revolution. The film beautifully tells the story of a high- school student‚ Jingqui who has a troubled family background: her
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Jiu Er: a female hero in Red Sorghum In 1988 Zhang Yimou made his directorial debut with Red Sorghum‚ the first Chinese Film gaining International (support). It is based on two Mo Yan’s novels‚ and it’s the first of a trilogy in which the director focuses on the analysis of the woman’s figure. In this film the main character is Jiu Er‚ a young woman forced to marry a leprous old man by her father‚ that sold her to buy a mule. Through the scenes‚ we are able to see how Jiu Er changes her life
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Color Emphasis in Raise the Red Lantern Chen Ning (Jenny) Yen 58935107 ASIA 355 Professor Rui Wang 23/11/2012 Scholars and film critiques have often regarded the fifth-generation film Director‚ Zhang Yi Mou’s films as a visually sensual feast (Zhu 26). The predominant use of the color Red in his highly stylized films: Red Sorghum (1988)‚ Ju Dou and Raise the Red Lantern (1991) are evidence of his trademark visual style thus leading scholars to critically
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Raise the Red Lantern (1991) directed by Zhang Yimou was based on a novel called Wives and Concubines by Su Tong. This film takes place in the early 1900s which tells the story of a woman named Songlian (played by Gong Li) who was struck by the harshness of reality. Her father died during the Chinese Civil War when she was nineteen. Facing the death of her father and the severity of the family financial situation‚ she was left with no choice but to marry the wealthy Chen family. Upon arrival to the
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Mo Yan pens Nobel success story Writer Mo Yan won the Nobel Prize for Literature on Thursday. The Swedish Academy‚ which gives out the annual prizes‚ described Mo’s works as "hallucinatory realism" merging "folk tales‚ history and the contemporary." "Through a mixture of fantasy and reality‚ historical and social perspectives‚ Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel Garca Marquez‚ at the same time finding a departure point
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