youthful elegance” (History of 20th Century Women’s Clothing). This was deemed the “Flapper Era” and reigned from the early 1920s to the early 1930s before the Great Depression struck. During the Depression‚ clothing became more conservative‚ taking fashion a step backwards. This was because function had to be chosen over appearance on account of the stock market crashing and most people losing most to all of their money. The 1940s and 1950s were times of war. In the 1940s‚ fabric and other materials
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Fashion is a miraculous world of fantasy and hard work that I would be thrilled to enter‚ and the studies at the XXX could open the gate to this exciting world for me. I opted for fashion design as a major as I have always been attracted by the power of transformation that trendy clothing gives a person. I enjoyed inventing clothing for my dolls when I was a child‚ and enjoyed seeing the same old plaything take on a different look each time I gave her different apparel. I also loved to see my
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professionally competent environment that encourages innovation and uses my skills and knowledge in fashion designing to make a mark in the fashion world is my career objective. I have always loved fashion and I have always been interested in business. Thus‚ working on the business side of fashion seems like the perfect marriage for me. I want to work for a fashion or retail company‚ working my way up the ladder on either the buying or the sales side. One day I
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| |Everything just seems more fabulous when it’s covered in fur! Faux fur was seen all over the Fall runway shows and the pages of | |every fashion magazine. There are fashion trends that come and go‚ but faux fur is a trend that has stood the test of time. And | |no wonder‚ it is elegant and luxurious and looks just like the real thing for just a fraction of the cost! Nothing looks as chic| |and stylish as a belted fur vest or faux fur wrap.
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A) Discuss how the interaction of celebrity and the drinks industry has developed over time. ! The drinks industry is no different than other industries in using celebrities to promote their product. The consumers look to the celebrities and the products to choose from for inspiration in their own lives. Before there was ambassadors and endorsements there was the natural association that was made by the public and fortified by the companies. Examples include Marie Antoinette’s breast supposedly
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Journal of Consumer Research‚ Inc. What Makes Things Cool? How Autonomy Influences Perceived Coolness Author(s): Caleb Warren and Margaret C. Campbell Source: Journal of Consumer Research‚ Vol. 41‚ No. 2 (August 2014)‚ pp. 543-563 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/676680 . Accessed: 12/09/2014 11:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms
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Why Vintage Fashion Will Always Be Popular by STEVE on MAY 25‚ 2013 Old style fashions have observed a robust resurrection in the previous pair decades‚ starting with the grunge design in the early on 90′s. Functioning class rock rings out there of towns like Dallas aided release thrift-store throwback items into the national limelight. The fashion started as a direct end result of economic challenges and mellow attitudes in the pop culture movement. By the past due 1990s‚ thrift-store trends
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Coco Chanel’s Influence in the Apparel Industry Coco Chanel’s influence in the fashion industry began over a century ago during the 1920’s. Chanel embraced the essence of the “Roaring Twenties” which was all about becoming “someone” and separating yourself from the old and beginning a new life. Chanel focused on the newly found needs and desires of women and designed her fashion around what women had wanted. Not only did Coco Chanel pave the way for modern fashion‚ she also created innovative
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Reflections on Fashion ‘‘Fashion is a form of ugliness so intolerable that we have to alter it every six months.’ Oscar Wilde Fashion. For some it is everything‚ it merely represents a way of living; for others‚ it is a living hell! To look like nobody else is a sufficiently mortifying reflection; to be in danger of being mistaken for one of the rabble is even worse. Fashion constantly begins and ends in the two things it detests most‚ singularity and vulgarity. Every person
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fashion sKETChBooK sixth edition Heads Flesh Tones Figure Work Mixed Media Fabric Rendering Design Detail Bina aBling FASHION SKETCHBOOK sixth edition BINA ABLING Fairchild Books | New York Executive Director & General Manager: Michael Schluter Executive Editor: Olga T. Kontzias Senior Associate Acquiring Editor: Jaclyn Bergeron Assistant Acquisitions Editor: Amanda Breccia Associate Art Director: Sarah Silberg Development Editor: Beth Cohen Production Director: Ginger Hillman
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