Zarathustra‚ and theater of the absurd plays like Samuel Beckett’s Waiting for Godot and Eugene Ionesco’s Amedee - they spin you around on your chair so you are facing the real world‚ and then shove you right into the middle of it. Existentialism especially turns our attention toward the meaningless‚ repetitive and dull existences we all must lead. Two works‚ The Myth of Sisyphus by Albert Camus and Waiting For Godot by Samuel Beckett have exemplified these existential points in contrasting
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forms of drama come from ancient Greece. “Oedipus the King” by Sophocles is a great example of ancient Greek tragedy‚ “Hamlet” by Shakespeare is the example of drama of Elizabethan period and Samuel Beckett’s “Waiting for Godot “ represents the drama of the 20th century and belongs to so called “Theatre of the Absurd”. Because all these dramas come from different period of time‚ it’s natural that they differ from each other in many aspects. The
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believed that tragedy served a higher purpose than comedy because of its cathartic effect. Therefore‚ comedy is delegitimized. But comedy does serve a social purpose that can be considered cathartic. It can be an outlet for social angst. At the time Lysistrata was written‚ Athens‚ a superpower of their time‚ had just lost a battle with Sparta. This probably shattered the conceptions of Athenians. And as a result‚ Aristophanes used a ribald comedy about the less-than-citizen women of Sparta and Athens
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The fragmented‚ repetitive and obscure use of dialogue by the two derelict protagonists‚ Vladimir and Estragon‚ in Beckett’s existentialist drama‚ ‘Waiting for Godot’ is often not deemed as significant or as engaging as the action of the protagonists within this comedic play. As such‚ it becomes clear throughout the play that the repetitive action engages the audience through frustration due to its inconclusive and relentless nature that contributes to the meaninglessness of the play. This offers
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Comedy Critique Goethe’s Faust and Voltaire’s Candide were two of the most interesting books that I have ever read! Both comedies were very different from each other in many ways. The structure of both books varied significantly. I enjoyed Candide more than Faust partially due to the structure. I found that because Faust almost entirely rhymed that it was harder to follow. It was very distracting to me and I felt as if the rhyming took away from the story. Candide was told more like a story and
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Greek Theatre – Tragedy & Comedy As part of the festival called Dionysia which honoured the God Dionysus‚ tragedy‚ comedy & satyr play were the three genres to emerge from the theatre of ancient Greece. Tragedy is a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. From its obscure origins in the theatres of Athens 2‚500 years ago‚ from which there survives only a fraction of the work of Aeschylus‚ Sophocles and Euripides
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similar comedic characteristics and then other plays are the exact opposite of comedy. Shakespeare wrote tragedies‚ romance‚ history‚ comedy and problem plays all with great success. During the performance of these plays there was no scenery so great time was taken when developing the characters and the plot so the plays would be entertaining. A Midsummers Night’s Dream and Much Ado About Nothing are just two of the comedies Shakespeare wrote. These two plays have many things in common where as Measure
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Amazing Facts Please note that some of the ’facts’ below have been proven false myths. An example is the duck’s echo which does not echo (but proved that it does). 1. It is impossible to lick your elbow (busted) 2. A crocodile can’t stick it’s tongue out. 3. A shrimp’s heart is in it’s head. 4. People say "Bless you" when you sneeze because when you sneeze‚your heart stops for a mili-second. 5. In a study of 200‚000 ostriches over a period of 80 years‚ no one reported a single
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In the article "The Argument of Comedy‚” Northrop Frye identifies two forms of ancient Greek comedy: Old Comedy‚ as in the plays of Aristophanes‚ and New Comedy‚ known primarily from the plays of Menander. Old Comedy‚ as Frye points out‚ is so out of date that when we speak of comedy today‚ we are referring to New Comedy. Fry argues that Shakespeare’s comedies are neither Old nor New Comedy‚ but have elements of both. Frye opines that New Comedy mainly comes from what he describes as a comic Oedipus
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structure helps project the tone of the movie. The generalization of movies usually commences passively‚ and gradually builds into a climactic scene. Then‚ it dies down to its peaceful way once more‚ but usually not in a horror or comedy. Throughout the history of horror and comedy movies‚ the plots usually ended on that climactic scene and had most of the movie be the foundation for that climax. As time went on‚ plot structures of the two genres started to develop and one could see that they help convey
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