Laura Robertson Ms. Albertson English IV Honors 17 January 2012 A Streetcar Named Desire: Stanley Kowalski In the play A Streetcar Named Desire by Tennessee Williams‚ an insensitive and cruel character named Stanley Kowalski is depicted. His juxtaposition to Stella Kowalski‚ his mild mannered and sensitive wife‚ accentuates his character flaws making them even more prominent and dramatic throughout the play. Through Stanley’s conflicts with Blanche DuBois and his rapist-like sexual advances
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Kenny Lane Humanities‚ P5&6 May 5 2011 A Streetcar Named Desire A Streetcar Named Desire is one of the most significant plays of the twentieth century. This classic play tells the story of Blanche DuBois‚ a woman who moves in with her sister after she loses her plantation‚ and depicts her tumultuous journey into lunacy. As the viewer follows Blanche on her journey two major themes are significantly explored; dependence on men and escapism. Throughout the course of the play these themes move
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s A TEACHER’S GUIDE TO THE SIGNET EDITION OF TENNESSEE WILLIAMS’S A STREETCAR NAMED DESIRE By ROBERT C. SMALL‚ JR.‚ Ed.D.‚ Radford University S E R I E S E D I T O R S : W. GEIGER ELLIS‚ ED.D.‚ UNIVERSITY OF GEORGIA‚ EMERITUS and ARTHEA J. S. REED‚ PH.D.‚ UNIVERSITY OF NORTH CAROLINA‚ RETIRED ISBN: 0-451-52992-8 Copyright © 2004 by Penguin Group (USA) For additional teacher’s manuals‚ catalogs‚ or descriptive brochures‚ please email academic@penguin.com or write to: PENGUIN GROUP (USA) INC
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The Representation of Psyche in A Streetcar Named Desire The characters of Blanche Dubois‚ Stanley Kowalski‚ and Stella Kowalski in A Streetcar Named Desire are all representations of the basic parts of the human psyche. The three basic parts of the human psyche are: the Id (the sense of desire with disregard to consequences)‚ the Superego (the individual’s sense of right and wrong and guilt)‚ and the Ego (the mediator of the Id and Superego‚ trying to satisfy both at once). Despite the f
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Kazan’s A Streetcar Named Desire: A Key to Confusion? Tennessee Williams’s A Streetcar Named Desire and Elia Kazan’s film version of the play share the same characters and the same story. Except for the opening scene‚ Kazan doesn’t change the plot at all. To emphasize the meanings of death and desire‚ the movie shows Blanche taking different streetcars in the area surrounding where Stanley and Stella live—and the viewer can imagine how difficult it is for Blanche to adjust. In the play‚ Blanche simply
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amusing or moving or disturbing. Explain how the scene provokes this response and discuss how this aspect of the scene contributes to your understanding of the play as a whole. The penultimate scene of Tennessee William’s play “A Streetcar named Desire” in which the protagonist Blanche Dubois is raped by her brother-in –law‚ Stanley Kowalski‚ is deeply disturbing to the audience. Williams uses this scene as a climax of both the play’s plot and a number of key themes At the start of the scene
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care? 2. Why was there no apparent difference between blacks and whites in the play‚ given the time period? 3. Does Blanche ever heal and go on to live a normal life on her own? CRITISISM From a feminist perspective‚ A Streetcar Named Desire is a work ready to be analyzed. The differences between men and women are especially prominent in the relationship between Stanley and Stella. The language and actions that Stanley uses to address his wife are quite vulgar. He swears at her regularly
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Greg Garner Introduction to Theatre A Street Car Named Desire March 13‚ 2013 A Street Car Named Desire contains many key elements that simultaneously keep a reader entertained and forces them to reflect upon their own reality. The plot to this play can be seen as causal as one event or encounter leads to a dramatic struggle between character relations. The actions each character takes leads to dramatic scenarios leaving the reader unsure about what will take place during the next scene. The
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How effectively does the film portray the key themes and characters of Williams play? In 1949‚ Tennessee Williams released a novel entitled “A Streetcar named Desire”. Two years later Elia Kazan directed and released a movie based on the novel. She tried to recreate the film as closely as she could to the written play. How well did Kazan do this? Did she leave out key parts or did she cover them all? Did she model the characters perfectly according to the novel? Was she spot on or was she way off
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The main theme of A StreetCar Named Desire is that just wanting something to be true isn’t enough for it to be true. For example‚ Blanche tries her best to make it seem that she is still a southern bell however‚ with numerous sightings from different people‚ she was in Laurel Town for two weeks in a hotel called the Flamingo. By this‚ of course it means that she was not at her plantation until she went to New Orleans to visit Stella. Another example is that she always claims and wants to be beautiful
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