Liu 1 Jacqueline Liu Professor Grosshans Engl 120-03 Spring 26 April 2012 Oedipus: The King of Guilt It’s amazing how guilt‚ a simple human emotion‚ can be the driving force of all human conflict. But what is even more impressive is how far we will go to protect ourselves from the pain associated with that guilt. The number one defense mechanism in this kind of situation is denial and by denying responsibility for our actions we in turn rid ourselves of guilt. We don’t like to feel as though we
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Art Heritage of the Western World Section 009 Jeong Hoon Kim I have chosen two statues from different eras to make a comparison‚ Marble statue of Dionysos leaning on an Archaistic Female Figure from the Roman era and Bronze statue of Artemis and a deer from Greek or Roman‚ late Hellenistic or early Imperial periods. The reason why I have chosen these two objects are that both of them have one big figure and one small figure which makes eyes of viewers move around. They also depicted gods with
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Gilgamesh and Oedipus Rex The stories of Gilgamesh and Oedipus Rex show us through their themes that they have stronghold ties to the characteristics of classical literature. The story of the flood from the Old Testament shows great significance in the epic of Gilgamesh. In the story‚ it tells how Gilgamesh built a boat because the gods were going to send a flood and he wanted to cross the ocean to find immortality. Well‚ this is very similar to how God told Noah to build the ark because he was
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the audience mourn. They are also the voice of reason‚ clarity and sense‚ attributes to which we cannot associate with Oedipus. And so they play a vital role‚ connecting his actions back to the play. A way to describe the chorus‚ would be that they’re the collective conscious of the people’ of Thebes‚ but they also act as guardians. For although they are seen appealing to Oedipus to help them‚ they in turn have to help the king‚ they represent the faith that the city has in him. The chorus appears
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Oedipus the King The Greek drama Oedipus the King is clearly a tragedy. In the play there are numerous accounts of physical and mental suffering. Although Laius and Jocasta are the catalyst that starts the story in Oedipus the King‚ Oedipus takes the role of the catalyst and becomes the cause of all tragedy to others. In the play Oedipus causes some of his own suffering. Oedipus’s pride gets him into situations that cause him to suffer later on in the play. “He tore the brooches-the
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change reflected in Oedipus that between the first quote‚ and the quote is the descent of Oedipus’s self-consciousness from secondary processing to primary processing. Oedipus goes from blaming himself for fulfilling the prophecy to acknowledging that he had no choice on whether he did or did not fulfill the prophecy‚ that he was a vessel for the gods. His self-consciousness leads him to blame himself for the fulfillment of the prophecy as seen in‚ Oedipus the King. For example‚ Oedipus attributes the
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The story of Oedipus The King revolves around Oedipus’ voyage to avoid his own fate‚ something that in the end he cannot do. This literary work raises many questions regarding fate and its control over our lives‚ and more interestingly‚ our control over it yet never gives us an answer which we can draw a solid conclusion from. One could prove that Oedipus’ decisions and actions are the factors that affect his life‚ but whether or not "fate" can also encompass a control over one’s actions is a question
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Sophocles tragedy Oedipus the King‚ King Oedipus swears to solve the murder of former King Laios in order to free the city from the plague. The plague taunts the city destroying crops and livestock and making the women unable to bear children. A seer‚ Teirsias tells Oedipus that he himself is Thebes’s pollution for killing his father and marrying his mother. Oedipus ignores his words and is blind to the truth until he discovers that it is he who corrupts the city. In order to illustrate Oedipus as the perfect
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Greek tragedy Oedipus Rex‚ Sophocles’ use of irony does just that. He uses three different types of irony‚ dramatic‚ verbal‚ and situational‚ in telling the story of the journey of Oedipus. Dramatic irony is a form of irony in which the audience’s understanding of the events in the story surpass that of the characters. There are many examples of dramatic ironies that span the entire story. For example‚ the audience knows the true identity of Oedipus’ parents‚ that Oedipus
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at things‚ they are almost never what they seem to be. In Sophocles’ play‚ Oedipus the King‚ Oedipus decides that to end the plague he must avenge the death of Laius‚ the former king of Thebes. Without any information about Laius’ death‚ Oedipus became angry and sent a curse down on the murderer. Tiresias‚ a prophet‚ soon revealed to Oedipus that the true identity of the murderer was Oedipus himself. Not only did Oedipus find out that one of the men he murdered years before was the king‚ but it was
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