Cited: Page: Chauncey‚ George. Why marriage?: the history shaping today ’s debate over gay equality. New York: Basic Books‚ 2004. Ebook. Bridegroom. Dir. Linda Bloodworth-Thomason. Virgil Films. 2012. Film. Segal‚ Cara. Members of the Wedding: The Psychological Impact of the Legalization of Same-Sex Marriage in Massachusetts. Taylor & Francis Ltd. 2008. Article: English. Barnes‚ Robert. At
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Perhaps one of the most haunting and compelling parts of Sanders-Brahms’ film Germany Pale Mother (1979) is the nearly twenty minute long telling of The Robber Bridegroom. The structual purpose of the sequence is a bridge between the marriage of Lene and Hans‚ who battles at the war’s front‚ and the decline of the marriage during the post-war period. Symbolically the fairy tale‚ called the "mad monstrosity in the middle of the film‚" by Sanders Brahms (Kaes‚ 149)‚ offers a diagetic forum for
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INTRODUCTION The culture of Malaysia draws on the varied cultures of the different people of Malaysia. The first people to live in the area were indigenous tribes that still remain they were followed by the Malays‚ who moved there from mainland Asia in ancient times. Chinese and Indian cultural influences made their mark when trade began with those countries‚ and increased with immigration to Malaysia. Other cultures that heavily influenced that of Malaysia include Persian‚ Arabic‚ and British.
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amount of evidence of rough times; the entire play centers around a feud between two families. At the end of the play‚ the mother must come to terms with the death of the Bridegroom‚ her son‚ on top of the death of her other son‚ as well as her husband. The bride must also cope with the fact that it is her fault that the Bridegroom and Leonardo‚ her husband and lover‚ respectively‚ have both passed away. Thus‚ by analyzing Lorca’s Blood Wedding one can observe the psychological disturbances faced by
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In the play Blood Wedding‚ Lorca has presented human beings trapped in the webs of their own passion. John Gassner has mentioned that “Lorca‘s most impressive dramas deal with people who are seized by elemental passions which conflict with custom‚ reason‚ or some other restraining force”2. In this play the passion which stems from the heart of man has been dramatized as a tragedy. From the beginning of the play‚ the element of passion is present in the dialogue as well as the imagery of the play
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A Study of the Characteristics of 19th Century Horror Stories In this essay we will look at the Characteristics of 19th Century Horror Stories‚ commenting on: the structure of the story; the characterisation; the themes included in the story; the setting and the writer’s technique. I will be looking into two texts in detail: “The Monkey’s Paw” by William Wymark Jacobs; and “The Signalman” by Charles Dickens‚ whilst making references to “Captain Rogers” – also by William Wymark Jacobs‚ and
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Dowry is the money or property that is demanded by the bridegroom when he marries a bride. The system of dowry has now become a curse to the society. The torture upon the women by men is a very common sight of today. Sometimes the women become a victim of loss of life as a result of the torture by their husbands. The main reason of dowry is negative attitude of the parents of the bridegroom and the lack of education of the bride. The bridegroom takes dowry and the womenfolk become victims of dowry
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Blood Wedding Social‚ cultural‚ historical context Federico Garcia Lorca wrote “Blood Wedding” in 1933 during the social turmoil that was taking place in Spain. His plays were viewed as controversial and opposed to traditional Spanish values and traditions. As a result of this‚ he was executed by a firing squad on 16th August 1936‚ following the outbreak of Spanish civil war. At the time that Lorca was writing “Blood Wedding” Spain had a non-pluralist society. All aspects of political and domestic
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bride as well bridegroom out of love. It was given voluntarily and there was no compulsion exercised. It was also given to assist the newly-wedded couple to set up and establishment of their own without much difficulty and to provide financial security in the adverse circumstances. But with the passage of time‚ these customs instead of proving help to the couple has virtually corrupted the institution of marriage itself. Now it has taken the frightening name of dowry and bridegrooms engage in unfair
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period‚ author‚ critic and fellow Frenchman‚ Théophile Gautier‚ was a great admirer of Berlioz’s music (Turner‚ 220). In November 1840‚ two songs composed by Berlioz‚ with settings from Gautier’s collection Poésies diverses entitled Absence and Le Spectre de la Rose were announced to be performed on concerts (Macdonald‚ 38). Months earlier‚ Berlioz had already composed another song‚ Villanelle‚ and by September 1841 six
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