BOOK REVIEW Novel : The Shadow Lines AUTHOR : Amitav Ghosh Awards : winner of the Sahitya Akademi Award (1989). Bibliography : The Shadow Lines(novel)‚ Wikipedia(Internet). Main Characters : Mayadebi‚ Tridib‚ Ila‚ May‚ Narrator‚ Nick‚ grandmother. POLITICAL SCENERIO : The novel is set against the backdrop of historical events: 1.Swadeshi movement 2.Second World War 3.Partition of Country 4.Communal riots of 1963-64 in Dhaka and Calcutta CHARACTERS ANALYSIS : The characters in this
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The Shadow Lines by Amitav Ghosh Such moments are rare indeed these days when one takes a book in the hand and is completely captivated by it after reading the first few pages. That happened to me recently when I started reading "The Shadow Lines" by Amitav Ghosh. "The Shadow Lines‚" Ghosh’s second novel‚ was published in 1988‚ four years after the sectarian violence that shook New Delhi in the aftermath of the Prime minister‚ Indira Gandhi’s assassination. Written when the homes of the Sikhs were
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may not be someone else’s reality. Amitav Ghosh in his book The Shadow Lines (1988) dwells on reality as a construction‚ that is‚ reality as an individual creates it for him/herself. This paper will look at the construction of reality for us by the Author‚ narrator and the various other characters in the story and thus giving the reader the reality effect or realism. One of the ways in which reality is constructed in The Shadow Lines (1988) is by the use of detail. For one Amitav Ghosh naturalizes
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In The Shadow Lines and The Hungry Ghosts‚ both Amitav Ghosh and Shyam Selvadurai‚ critique the emphasis that society puts on geo-political borders by acknowledging that we live in a world that is deeply inter-connected. Spanning different countries and continents‚ both of the novels explore issues of identity and belonging that are unique to the diaspora. This is accomplished through the characterization of a grandmother who is displaced from her homeland due to the Bengal Partition and the struggles
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After seeing this house‚ Ila and the narrator qurrel about the importance of radical politics. Ila considers the death of Alan‚ Mike and Dan who raised their voices against war-mongering as sad because they were casualties of a ruthless nationalism. She also thought that Alan and his friends‚ who were witness to the war and the fight against fascism‚ must have been happy as she was in her political activism. The quarrel about courage and political activism continues between Ila and the narrator
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is lost in the name of partition‚ nation and borders. Ghosh attempts a revival for humanism in his The Shadow Lines. The novel portrays the futility of war‚ riots‚ violence and partition and also re-searches the lost humanism that has been thrown into the recesses of modern busy life. This paper attempts to prove that the concept of borders and boundaries are illusions. These illusionary lines blur human sight and shrouds humanism in the name of nation and patriotism. It concludes that these illusions
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The Narrator’s Perception of Cosmopolitanism in Amitav Ghosh’s “The Shadow Lines” “The whole world is a man’s birthplace.” This quote by the Roman poet Publius Papinius Statius shows us the basic idea of cosmopolitanism. The Stanford Encyclopedia of Philosophy defines it as “the idea that all human beings‚ regardless of their political affiliation‚ do (or at least can) belong to a single community‚ and that this community should be cultivated.” In other words‚ cosmopolitanism is the theory that
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and societies. Shadow Lines wakes us up to the furiously changing geo-political scenarios and governmental regulations that have led to the formation of the modern world as we know it. The process of othering‚ i.e. the creation of a certain sense of "us" and "them" has inevitably been created between nations and people due to the creation of boundaries or ‘Shadow Lines’ as Ghosh puts it. In this paper‚ I aim to analyze the feasibility or the desirability of these intangible lines that separate us
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Post-Colonial Melancholy: An Examination ofSadness in Amitav Ghosh’s The Shadow Lines The article undertakes a study on melancholy and sadnessin Amitav Ghosh’s The Shadow Lines ‚ concentrates on theforlorn figures of Tridib and the narrator in an attempt to analyse and evaluate the melancholy atmosphere of the novel. Bearing inmind Freud’s own understanding of melancholy as the uncon-scious mourning for a lost love object‚ the article suggests themoments of gloom in Ghosh’s novel could be better
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The story of Tridib in ‘Shadow Lines’ remain incomplete without the influence‚ or rather we should say the contribution‚ of the women characters in the novel. Main women characters in the novel namely Ila‚ May and the grandmother of the narrator‚ have a great influence on the coming-of-age of the narrator. It is important to understand their influence on the narrator first before that on Tridib‚ because Tridib is narrator’s mentor here‚ his alter-ego and mirror image. Tridib’s correspondences
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