THE FINAL SCENE _Personal Response_ The final scene of GATTACA had an unexpected twist that triggered mixed emotions of confusion‚ sorrow and happiness. The irony of Vincent finally fulfilling his life’s mission and Jerome no longer having one was heart wrenching‚ after all that they went through together to defy the odds and expectations of perfection set by Society. However‚ it was Jerome’s choice to end his life having finally come to peace with his inner turmoils which was evident when he was
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n part II‚ chapter eight of Bernhard Schlink’s The Reader‚ the first-person narrator Michael describes reading the account written by a concentration camp who had survived along with her mother‚ the soul survivors in a large group of women who were being marched away from the camp. He says‚ "the book...creates distance. It does not invite one to identify with it and makes no one sympathetic..." The same could be said of The Reader. The book is written in such a way as to distance one from the characters
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illustrates the fifth scene of life (ages 30-40). Randal Kleiser directed Grease and on June 16‚ 1978 (USA)‚ Grease released. Grease is a classic that thousands of girls grew up watching. This scene is a vital stage in life‚ in the sense that‚ this is the stage you distinguish what is significant to you from what is not. During this scene‚ it is crucial that you evaluate and rid yourself of anything that could be holding you from being the best version of yourself. Entering this scene marks the middle
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individual undergoes a traumatic situation‚ the ramifications of these actions seep into an individualfs psyche unknowingly. In effect this passes through memory and becomes sub-consciously buried within a personfs behavioural patterns generally. The Reader by Bernhard Schlink explores the concept of a young mans subconscious desire for a woman whom he gcanft remember to forgeth (1Memento) as she is so deeply inlaid within his soul. Critically acclaimed as gA formally beautiful‚ disturbing‚ and
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In the story The Reader‚ the main characters Hanna and Michael are faced with several moral dilemmas‚ which challenges them into making changes that lead simultaneously growth as well as their demise. Hanna faces the challenge of deciding if her pride is worth more then her own freedom. It is in this fear‚ the loss of her dignity‚ which ultimately shapes the character she becomes in the end. Michael‚ the other main character‚ falls deeply in love with Hanna. He is forced to make a decision on whether
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FOA Martijn Outline: 1: Introduction: Structure and content/part Task division Learning outcome 2: Body (2): Compare writers Writers; Background Age Stature and credibility Conclusion writers How do age‚ background and nationality of writers influence language and meaning? What are the consequences of this influence? 3: Conclusion: Effects Noor‚ Martijn‚ Joos and Nadine on language and meaning Compare gravity of different aspects’ effect Introduction: [Slide 1.] Sociologists
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HUMANITIES MEDIEVAL JAPAN FILM ANALYSIS Q1 - What are the aspects of Japanese life being represented in these 3 scenes? Scene 1: Seeing Seppuku The aspect of Japanese life depicted in this scene is the Bushido code‚ and in this scene depicted is the punishments for disobeying the code‚ which is Seppuku. Seppuku is a form of ritual suicide that was practised by samurai. A person who had lost his honour had to show that his and his family’s or clan’s honour was more important to him than his own
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Scene Analysis: Maria’s Essence Transfer The scene in which Rotwang recreates the Machine-Man in the likeness of Maria is one of the most visually complex scenes in the silent film; Metropolis. The events leave the viewers with several important questions. What is being taken from Maria and putt into the robot? What does the scene say about the difference between machines and people? Why is the pentagram painted on the wall of the labratory? What is being taken from the Maria and putt into the
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filmmaker who turns his life upside down when he goes “undercover” and is “poor” so he can make a movie out of it. The scene of them jumping on to the train and going on an undercover expedition shows how some people really had to live during the great depression and that to get somewhere they had to use a cargo train to travel where they wanted to go. The theme of this scene is for the main characters to set out on their journey to develop a plan for the movie Sullivan wants to make‚ but also
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The opening scene of the 1962 film‚ L’eclisse‚ is quite strange from an editing standpoint. While I can not exactly understand what the actors are saying to do lingual differences‚ I notice the pace and cuts feel unnatural and highly forced. After analyzing the clip‚ I believe this was all intentional by the director‚ Michelangelo Antonioni. The scene begins in the apartment of what appears to be a couple. The couple seems to be in a rather big argument. However‚ there are no clues or evidence that
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