(500) Days of Summer It is a bright sunny day. The sun illuminating the white grey bland buildings which seem to stretch up and block a bigger view of the city. The buildings cluttered and suffocating the city‚ except for the park. A bench placed out from under anything as to enjoy the sun. To create a romantic spot for a couple who is sitting on the bench enjoying each other’s company. This shot‚ is a flash to end of the movie. "This is a story about boy meets girl‚ but you should know upfront
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An analysis on how Mise-en-scene and sound create meaning and generate response in the film Marnie‚ by Alfred Hitchcock. The scene is of Mark trying to rekindle Marnie’s memories from the night of her mother’s ‘accident’: Marnie‚ having seeing Mark trying to hold back her mother’s punches‚ begins to remember parts from that night. The first shot‚ of Marnie‚ her mother and Mark‚ uses Mise-en-scene to show the higher achy within the three characters. Whereas towards the beginning Hitchcock had always
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Title of movie: Sin City For my essay on mise-en-scene‚ I will be talking about Sin City‚ written and directed by Frank Miller‚ Robert Rodriquez and Quentin Tarantino. In this film‚ there are many unique techniques used by the directors to portray emotions‚ hidden meanings and to determine mood. Sin City is a bold and brutal adaptation of the graphic novels written by Frank Miller. Mise-en-scene is a cinematic term‚ which refers to techniques used by directors to help construct a specific onscreen
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The blockbuster film Ocean ’s Eleven‚ released in 2001‚ was the first film of a trilogy of heist films directed by Steven Soderbergh. This big budget crime-thriller remake of the 1960 ’s Rat Pack favourite conveys the intricately thrilling plot where Daniel Ocean leads a rag-tag group of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos. This sequence is significant because it sets up the diegesis of the film and also gives us an insight into the character of the protagonist
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Metropolis The technique combined miniature sets and live actors which allowed the miniature sets to be turned into full scale shots through the use of mirrors. Lang wanted to insert actors into the shots of the skyscrapers and other scenes so Schufftan had to develop a method that would allow him to do so. A plate of glass was placed in front of the camera lens‚ Schufftan then used the camera’s viewfinder to trace an outline of the area where they desired to place the actors. German Expressionism
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the mis en scene‚ the film takes place in the 1940’s. The costumes support that era. For instance‚ one of the main characters Det. McPherson wears a trench coat and fedora which was standard clothing for that era. I feel that the mis en scene was effective throughout this film. In the scene were Det. McPherson is talking with Bessie about how the bottle of scotch appeared in Laura’s apartment‚ he
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The film Metropolis‚ Fritz Lang adopts the same way of thinking as Eliot. Lang depicts the fragmented society through social stratification. He depicts the bourgeois as people who lead a callous and monotonous life in order to serve the wealthy upper class. The crescendo in the non-diegetic music with the addition of wavering vector lines in the beginning of the film forebodes the exploitation of the working class and creates a sense of chaos. The centralisation of the clock indicates that the workers
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Scene Analysis: Maria’s Essence Transfer The scene in which Rotwang recreates the Machine-Man in the likeness of Maria is one of the most visually complex scenes in the silent film; Metropolis. The events leave the viewers with several important questions. What is being taken from Maria and putt into the robot? What does the scene say about the difference between machines and people? Why is the pentagram painted on the wall of the labratory? What is being taken from the Maria and putt into the
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M Three Ideologies and Metropolis Metropolis‚ a German science-fiction film‚ was made in 1927. Although the movie is silent and the plot is not so powerful‚ it has an important value in terms of expression of political ideas. Metropolis shows relations between worker class and capitalist rulers. The movie demonstrates the dealings between the two ones and the criticism of excessive capitalism by Democratic Socialism. It is a fact that workers of industrialized Europe countries had serious
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Samantha Smith English 1102 R March 12‚ 2008 Metropolis Critique In Fritz Lang’s silent film Metropolis‚ several key characteristics made the movie what it is. One important feature is the Art Deco and Modernistic architecture‚ which gives the setting a futuristic feel considering these movements were exploding at the time. Another characteristic is the character’s costumes and make-up. Since the movie was a silent one‚ artists had to make the visual impact very vivid. Hands‚ used as
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