in Shakespeare’s The Merchant of Venice. He is a middle-aged bachelor and merchant by trade who has his financial interests tied up in overseas shipments when the play begins. He is kind‚ generous‚ honest and confident‚ and is loved and revered by all the Christians who know him. Even Portia‚ who sees Antonio as a rival for her husband’s affections‚ reveres his character and appreciates — with reservations — his willingness to die for Bassanio. Antonio manifests his piety by cursing and spitting at Shylock (anti-semitism was
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Is Shylock more sinned against than sinning? Many different views can be taken on the Jewish merchant Shylock in the play ‘The Merchant of Venice’ written by William Shakespeare. Although when taking into account the many trials and tribulations that Shylock had to endure‚ it is forthcoming to say that Shylock was more sinned against than sinning. There are key and defining moments in this play when it becomes more apparent as to why Shylock is acting out against Antonio. From early on when Antonio
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Project On “The Merchant Of Venice” Contents SR. NO. PARTICULARS 1 Writer 2 Summary 3 Character Analysis 4 Themes 5 Relevance To Modern World 6 Critical Evaluation Writer William Shakespeare born on 26 April 1564 (baptised) – 23 April 1616)] was an English poet and playwright‚ widely regarded as the greatest writer in the English language and the world’s pre-eminent dramatist. He is often called England’s national
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Racism In The Merchant of Venice In Shakespeare’s The Merchant of Venice he does not just include racism‚ but he also includes prejudice towards religious beliefs. The play consisted of mostly anti-Semitism; however‚ there was one part where Portia was being racist to an African man. Shakespeare uses the conflict between a Jewish man and a Christian man to showcase the distinct theme of anti-Semitism throughout the play. He additionally incorporates the prince of Morocco to show racism. A key reason
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Themes in ‘The Merchant of Venice.’ 1. The nature of love‚ marriage and friendship. ▪ Shakespeare’s romantic comedies usually lead up to and end with marriages‚ including one noble marriage and this is true in this text. The suitor loves and serves his lady; but after marriage the wife loves and serves the husband. As soon as Bassanio has chosen rightly‚ Portia calls him Lord: ‘her Lord‚ her governor‚ her king‚’ (Act 3‚ scene 2) adding ‘Myself‚ and what is mine‚ to you and yours / Is now
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for Portia’s hand‚ in which suitors from various countries choose among a gold‚ a silver‚ and a lead casket‚ resembles the cultural and legal system of Venice in some respects. Like the Venice of the play‚ the casket contest presents the same opportunities and the same rules to men of various nations‚ ethnicities‚ and religions. Also like Venice‚ the hidden bias of the casket test is fundamentally Christian. To win Portia‚ Bassanio must ignore the gold casket‚ which bears the inscription‚ “Who chooseth
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Conflicts in "Merchant of Venice" occur as a result of four major life themes: love‚ money‚ prejudice and disguise. Shylock‚ the Jewish moneylender is usually‚ and somewhat unjustly‚ held responsible for many of these conflicts. Though Shylock’s behaviour is‚ in many ways‚ evil‚and should by no means be exonerated‚ the conflicts he does cause are most often merely his vengeful attempt to respond to the prejudices he has experience caused by his religion. In the time of Shakespeare‚ prejudices were
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Jameson’s review gives much praise to Portia. According to Jameson‚ “Many critics are so dazzled and engrossed by the amazing character of Shylock‚ that Portia has received less than justice at their hands” (141). Shylock has taken away much of the spotlight from Portia; therefore she is consistently overlooked by critics. Jameson’s opinion on Shylock and Portia’s relationship in the play can be described as “She hangs beside the terrible‚ inexorable Jew‚ the brilliant lights of her character
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Portia: Is thy name Shylock? Shylock: Yes. Portia: Of a strange nature is the suit you follow. (To Antonio): You stand within his danger‚ do you not? Antonio: Ay‚ so he says. Portia: Do you confess the bond? Antonio: I do. Portia: Then must the Jew be merciful. Shylock: On what compulsion must I? Portia: The quality of mercy is not strained; it droppeth as the gentle rain from heaven upon the place beneath: it is twice blest‚ it blesses him that gives and him that takes. It becomes the throned
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Are Shakespeare’s The Merchant of Venice and Jonson’s Volpone devoted to ‘the performance of justice’? Justice has intrinsic links with laws and rules – two motifs that are central to both Shakespeare’s Merchant of Venice and Jonson’s Volpone. These include laws of the Venetian state‚ the contracts between business men‚ friends or lovers and Biblical laws. Strict adherence to the law is questioned as to whether or not it truly brings justice as often the varying laws of state‚ love‚ business and
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