Out of all the paintings we could choose from‚ I have decided to write about Michelangelo Bounarroti’s Guidizio Universale. It caught my eye because I have read a lot about The Last Judgment and how it would look like when it happens. Another part of the painting that caught my eye is how the people and other objects are falling and are afloat in mid sky blue air. The painting is representational for the fact that it is representing the human kind from the dammed and the saved. In the center of the
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Florence‚ even though his family’s cause has suffered a severe setback in the previous year. In 1433 he is arrested by a rival faction. Bribes and well-placed friends save him from death. He is exiled for ten years‚ but from Venice he controls a Florentine party working for his return. It is only a year before they succeed. Cosimo is invited back‚ and his rivals are banished - more effectively - for life. Within the city this control is discreet. Outside‚ in relations with other powers‚ it is generally
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Born in 1377 to a distinguished Florentine notary‚ Brunellesco di Lippo Lapi‚ and his wife Giuliana Spini‚ Filippo Brunelleschi was the second of three sons. Not much is known about his childhood‚ but it is speculated that his father had wanted him to follow in his footsteps in law as a notary. Filippo had other plans in mind‚ however. In 1392‚ Brunelleschi became a goldsmithing and sculpting apprentice. During his apprenticeship‚ he studied and mastered drawing and painting‚ woodcarving‚ metal
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had sculpted the "David" and the "Pieta"‚ which are two of the most stunning sculptures to come out of the Renaissance period. Although sculpting was the love of his life‚ his paintings of the ceiling of the Sistine Chapel‚ and "The Last Judgement" are considered by many his best masterpieces. Michelangelo ’s artistic career can be divided into two periods. In the early period he focused on realism. During this early period Michelangelo ’s works included the Pieta and the David. At the age of 24 he
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an age in which artistic‚ social‚ scientific‚ and political thought turned in new directions. DANTE AS A FORERUNNER OF THE RENAISSANCE Dante Alighieri‚ "the fame of the Tuscan people‚" was born at Florence in 1265. He was exiled by the Florentines in I‚302‚ and at the courts of friends learned how hard a thing it is " to climb the stairway of a patron." He died at Ravenna in 1321‚ and his tomb there is a place of pilgrimage to-day. It was during the years of his exile that Dante wrote his
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Practically nothing is known of Nicolo Machiavelli before he became a minor official in the Florentine Government. His youth‚ however‚ was passed during some of the most tumultuous years in the history of Florence. He was born the year that Lorenzo the Magnificent came to power‚ subverting the traditional civil liberties of Florence while inaugurating a reign of unrivaled luxury and of great brilliance for the arts. He was twenty-five at the time of Savonarola ’s attempt to establish a
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develop a new method for wall painting but it turned out in a negative way since it began to decay as soon as it was finished. In contrast‚ Michelangelo‚ who was known as the man of his time. Two of his best-known works are the “David” and the “Pieta.” David is a statue of a biblical for an
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Pietas: The Roman value for dutifulness‚ mainly the idea of patriotism. Roman values have been observed as some of the most impressive morals people have held. They reflect a sense of nationalism and determination uncommon in many other cultures. The greater good of Rome was always put before individual desires. This was not an idea forced onto the people of the time‚ it was something ingrained in Roman culture. At the fall of Troy Aeneas‚ the son of Venus‚ was instructed to go and found a new empire
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about him under a blanket that not only covers his torso but wraps around his whole head as well. His legs are covered in what could be either cloth or pants but his feet are bare. The interesting thing to look into with this sculpture as opposed to “Pieta” depicted above is the bench that homeless Jesus is laying down is defined and very bold even though it is a background object‚ supporting the only main character Jesus. Jesus in the second picture also does not have a face‚ because it is covered by
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something that was common and closely associated to the Italian Renaissance. Masaccio was a trained Florentine artist. Artists in Florentine were trained in things such as anatomy‚ modeling‚ and perspective‚ which helped them to create art that employed life like figures and gave a natural‚ quite realistic look to the pieces. Masaccio was considered one of the most innovative artists of Florentine because of his mastery of the linear perspective. He pushed Italian painting into entirely new standards
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