The movie “The Birds” by Alfred Hitchcock has a deeper emotional weight with its audience than the book “The Birds” by Daphne du Maurier because of Hitchcock’s deliberate use of setting‚ imagery‚ and mood in the cinematic experience. Alfred Hitchcock is known as a master of the cinematic arts for his preeminent style when designing a setting. The movie depicts a small town‚ known as Bodega Bay‚ near the beach in the early 1960s. This town is a peaceful town where nothing disastrous ever happens‚
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if need be‚ taken by the strong. The weak of the world were put here to give the strong pleasure….” That was General Zaroff’s reason for hunting humans. The justification was used in both the short piece of fiction The Most Dangerous Game and its cinematic adaptation of the same name. However‚ there are ways that the versions differentiate. This shows that when a film adapts a short story‚ there will be both similarities and differences. When adapting a piece of literature‚ one of the main factors
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used in Citizen Kane In film class this past week‚ we learned that there are many cinematic techniques used in films that contribute to the way a film is portrayed by an audience. We had the pleasure of watching a film directed by Orson Wells In 1941 called “Citizen Kane”. I am glad that this particular film was the film of choice to demonstrate some of these techniques. The movie “Citizen Kane” uses each cinematic technique in a way that is obvious to the viewer. I have chosen five of the sixteen
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149037373 Cinematic Innovations in A Bout de Soufflé A bout de soufflé by Jean-Luc Godard (1960) is full of new attempts both in its form and contents as he made it with such intention: A Bout de Soufflé was the sort of film where anything goes: that was what it was all about. … What I wanted was to take a conventional story and remake‚ but differently‚ everything the cinema had done.1 Apparently‚ the film has novel‚ innovative features in almost every aspect of cinema including shooting‚ editing
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and aggressive techniques are his use of lighting‚ music‚ and colors. I am using several examples from his movies‚ Edward Scissorhands‚ Big fish‚ and Charlie and the Chocolate Factory. In this essay‚ I will be analyzing and discussing Tim Burton’s cinematic techniques. In Burton’s films‚ he uses many lightings to portray numerous specific moods.
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Fury‚ was directed by David Ayer‚ in 2014. It is a movie that depicts a seemingly realistic view of how tank warfare would have occurred in World War II. Fury uses many different aspects to create a very immersive feeling while watching the movie. The director chose time accurate hairstyles‚ costumes‚ vehicles‚ firearms‚ and colors of the outfits worn. Fury shows multiple different battles in multiple views and camera angles to keep the audience drawn in. The guise used in Fury are very precise
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The director’s in respective films manipulate cinematic techniques such as shot selection‚ lighting and sound to display different emotions. This allows the audience to break down the meaning and importance of the current scene. It also allows them to form an emotional connection with the characters. One of the greatest strengths in Insomnia is Christopher Nolan’s ability to keep his protagonist in every shot despite the perplex and moody-blue vibe of the movie. This means that despite the director’s
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Subtlety Jillian Miller The Alfred Hitchcock classic Psycho broke box-office records when first introduced in 1960. Hitchcock’s cinematography involving the skillful use of black and white film enabled him to effectively play with shadows and silhouettes. These devices are used throughout this movie to influence and manipulate the audience into various states of comfort and terror throughout the film. It is
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“Radical in its conceit‚ familiar in its everyday details‚ Boyhood exists at the juncture of classical cinema and the modern art film without being slavishly indebted to either tradition. It’s a model of cinematic realism.” – Manohla Dargis‚ The New York Times Boyhood opens with a shot of clouds floating in a blue sky followed by an extreme close-up on the eyes of Mason Jr.‚ the film’s 6 year-old protagonist. This second shot dollies back to reveal Mason lying in the grass‚ staring contemplatively
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Looking back at Méliès‚ multiple views crop up depending on the viewer. My peers have naught a clue as to who he is‚ or if they have heard of him they never heard of Méliès. Fewer know about Trip to the Moon; usually through of Martin Scorsese’s Hugo. When I first saw his films‚ they enchanted me with their fantasy worlds and unique look. However‚ I did not see the multitude of techniques he used to create his visuals. Critics of early cinema certainly recognize him‚ but his “place in film history
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