The four great Modernists Poets of American Literature are Ezra Pound‚ T. S. Elliot‚ Robert Frost‚ and William Carlos Williams. The works of Pound‚ whose poetry focused mainly on the desolate state of the modern world‚ influenced by the poems of the other three poets. Elliot‚ too‚ made the ruin of the world his primary theme Frost whose topics ranged from nature to narratives‚ wrote his poetry in a somewhat light manner‚ or with a cool‚ neutral outlook. Williams‚ although not prone to sentimentalism
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The Allusions in T. S. Eliot’s The Waste Land The Waste Land is an important poem. It has something important to say and it should have an important effect on the reader. But it is not easy. In Eliot’s own words: "We can say that it appears likely that poets in our civilization as it exists at present‚ must be difficult. Our civilization comprehends great variety and complexity‚ and this variety and complexity‚ playing upon a refined sensibility‚ must produce various and complex results. The
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Aatmya S. Talati Prof. Mary Helen O’Connor ENGL 2112 Rabindranath Tagore The first Asian Nobel Prize winner for Literature‚ a cultural hero‚ and an international figure‚ Rabindranath Tagore was born on 7th May 1861 in Calcutta‚ India. Tagore speaks to an optimistic assortment of the ripened Indian custom and the new European awareness. Globally‚ Gitanjali is Tagore ’s best-known accumulation of poetry and Tagore was granted the Nobel Prize in 1913 for his book "Gitanjali"‚ which contains the essence
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Song of J. Alfred Prufrock and Eliot’s poetry as a whole? There are several aspects of the university lecture on T. S Eliot’s poetry that support my personal interpretation of The Love Song of J. Alfred Prufrock‚ Rhapsody on a Windy Night and Eliot’s poetry in general. My interpretation of Prufrock‚ Rhapsody and Eliot’s poetry is that this medium of expression is a way for Eliot to communicate his own personal feelings regarding his personal life and social context. This explains why his poetry
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In his 1923 essay “Ulysses‚ Order and Myth‚” T. S. Eliot predicated that rather than the narrative style of poetry popularized by poets of the Romantic era‚ poets of the twentieth-century would instead employ James Joyce’s “mythical method‚” a technique characteristic of heavy mythological‚ historical‚ and literary allusions used to create a “continuous parallel between contemporaneity and antiquity” (177). Doing so allowed a poem to reach a new universal level of significance regardless of era‚
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T.S. Eliot was a literary and social critic‚ play writer‚ and publisher. The poem that made him well known was called “The Love Song of J. Alfred Prufrock”. It was started in 1910‚ and was finally published in 1915. When poems are written‚ they typically reflect the emotional state that the author is in at the time. Due to the tone of “The Love Song of J. Alfred Prufrock”‚ the reader can interpret that T.S. Eliot may have been in a dark stage of his life. As every author has his or her own form
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could be present and the way the images‚ fragments and memorable phrases build a portrait of the character. This poem can be read in several ways and have different meanings. The following analysis is focused on Prufrock the character‚ as opposed to Eliot the Poet. It is very important to take into consideration the era in which this poem was published‚ as at that time there was nothing similar to this poem. The way the author portrays an inner monologue‚ conscious of his surroundings‚ is what later
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In "The Love Song of J. Alfred Prufrock‚" T. S. Eliot reveals the silent insecurity of a man‚ for whom the passing of time indicates the loss of virility and confidence. Throughout the poem‚ Prufrock struggles with his fear of inadequacy‚ which surfaces socially‚ physically and romantically. The desire to ask some "overwhelming question‚" of the one he wants is outweighed by his diffidence‚ reinforcing his belief in his shortcomings. Ultimately‚ this poem is the internal soliloquy of someone who
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Dr. Richard Clarke LITS3001 Notes 09B 1 T. S. ELIOT “HAMLET AND HIS PROBLEMS” (1919) Eliot offers‚ as we have seen‚ what has come to be called an ‘impersonal theory of poetic creation.’ Eliot would not have denied either that poets have feelings or that poetry inspires certain feelings in the reader. He offers‚ rather‚ an account‚ centered around his notion of the objective correlative‚ of how such feelings enter the poem in the first place that differs significantly from the expressive model
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The Love Song of J. Alfred Prufrock (Response) When thinking of a typical love story a reader expects compassion and romance‚ but in T. S. Eliot “The Love Song of J. Alfred Prufrock‚ romance is not the topic of discussion. The backdrop of the poem is a typical London‚ England day with numerous travels through the seamless foggy streets early 1900’s London. The mystery or puzzle through the poem tend to transpire with cleverly diverted unanswered question from the narrator that somehow get overlooked
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