•What‚ according to Kant‚ is the distinction between pure and empirical knowledge? Can you give an example of each type of knowledge? “knowledge a priori‚” therefore‚ we shall in the sequel understand‚ not such as is independent of this or that kind of experience‚ but such as is absolutely so of all experience. “Empirical knowledge”‚ or that which is possible only a posteriori‚ that is‚ through experience. Knowledge a priori is either pure or impure. Pure knowledge a priori is that with which
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The Distinction between Classic and Modern games Currently‚ video games have gone through many changes in the past years from the first video game‚ invented in 1952‚ all the way to today’s time. Classic video games were made with 8-bit pixels and in very low resolution than modern day games. However‚ if those low-quality games were never made‚ the games would not have evolved into the games they are today. Today‚ games are more defined and have more of a storyline to them. Modern day games are
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Essay Question Explain Locke’s distinction between the so-called “primary qualities” and the “secondary qualities” (what is the definition of each one‚ and what is the important difference between them?). What argument does he offer in favor of this distinction? In addressing his argument‚ be sure to discuss his error theory. Why does Locke think that this is an important distinction? Do you find his argument for the mind-dependence of the secondary qualities successful? Why or why not? In his essay
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LITERATURE AND CINEMA FANTASY IN FILMS Life is a Theme of Literature‚ Literature is the expression of Life. Life fashions Literature and Literature moulds Life. The intimate relation between Literature and Cinema is one of the common place truths which have been illustrated again and again‚ both Social and literary life history. Literature is the most fascinating creation of a literary artist based on the style and stategy of life. Life and reality are the basics
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What is the distinction between a just law and an unjust law? To me the answer is evident‚ and I have a hard time believing that anyone couldn’t easily know the distinction or disagree with the distinction that Martin Luther King Jr. makes during his “Letter from Birmingham Jail.” That “a just law is a man-made code that’s squares with the moral law or the law of God. An unjust law is a code that is out of harmony with the moral law” (533). At its very basic definition‚ just laws protect the people
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this generation and the next ones to come‚ as shown in the movies Gasland‚ Jean de Florette and Manon of the Spring. But there are always exceptions‚ people that go towards the stream‚ which is evident in the film The Man Who Planted Trees. Time and water are the main motifs in all these films‚ because over time consequences from people’s actions become inevitable‚ because time is constant‚ it never stops and water is a main source for life in general without it we would stop. The documentary Gasland
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This essay will discuss both the Cinema of Attractions and Narrative Cinema and their origins in order to better understand the differences found between them in regards to the criteria to follow. This essay will highlight the role that the spectator plays‚ and the temporality that both the Cinema of Attractions and Narrative Cinema exhibit. Tom Gunning proposed the Continuity Model in order to better understand the beginning of film and the making of film. Gunning proposes the following assumptions:
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Cinema as a Language Silence film had reached its artistic peak by 1928. It seemed like cinema had developed into an art most perfectly with silence. The realism that sound would bring could only be seen as chaos. However‚ the sound proved that it didn’t come to destroy; on the contrary‚ it had a responsibility and it came to fulfill its mission to the cinema. The point is whether the technical revolution formed by sound track actually the aesthetic revolution. Considering editing‚ we cannot
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Malayalam cinema Malayalam cinema is the Indian film industry based in kerala‚ India‚ dedicated to the production of motion pictures in the Malayalamlanguage. At first (beginning in the 1920s)‚ the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later‚ the industry shifted to Chennai (formerly Madras)‚ which then was the capital of the South Indian film industry. By the end of 1980s‚ the Malayalam film industry
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Third Cinema Updated: Exploration of Nomadic Aesthetics & Narrative Communities The notion of Third Cinema first arose in the charged political climate of the 1960s. The original ideas of Third Cinema‚ as with all such political and aesthetic movements‚ were a product of both the social and historical conditions of the time‚ particularly those prevailing in the “Third World.” Poverty‚ government corruption‚ fraud “democracies‚” economic and cultural neo-imperialisms‚ and brutal oppression affected
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