The Jealousy of Othello and the Motives of Iago in William Shakespeare’s Othello The Orthodox interpretation of Shakespeare’s Othello is built on two assumptions; that Othello is not a jealous man and that Iago has no motives. Although there are many examples of these opinions within the play‚ I believe there is much more evidence which contradict these two statements‚ which allow me to conclude that Othello is in fact a jealous man and that Iago does have motives. As the play progresses the
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Imagine yourself walking in and finding a friend or a loved one hanging from a rope or seeing them dead‚ lying next to an empty bottle of pills or in a pool of blood‚ with a razor in their hand. Suicide is not rare to society today. Every 14.2 minutes someone in the United States dies by suicide. Suicide has become a neglected subject‚ in my opinion‚ because it is not an easy subject to talk about. Many people fear losing a loved one‚ especially if they feel that they could’ve done helped that person
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would any father. He feels betrayed not only by Desdemona but by Othello as well. It is a humiliating experiels as if he has lost his property to Othello‚ fathers of that time period had more control over their daughters. He is convinced that Desdemona only would marry Othello if the Moor had cast a spell on her using dark magic. He is motivated to protect his daug and his signature line of the play is his last‚ a warning to Othello‚ “Look to her‚ Moor‚ if thou hast eyes to see. She has deceived
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OTHELLO In the play Othello‚ the character of Othello has certain traits‚ which make him seem naive and unsophisticated‚ compared to many other people. This is why Iago‚ is able to manipulate him so easily. Iago told Roderigo‚ "O‚sir‚ content you. I follow him to serve my turn upon him "(I‚ i lines 38-9). Iago is saying‚ he only follows Othello to a point‚ and upon reaching it he will not follow him any longer. This is the first sign of how deceitful Iago will be. Iago has his own evil agenda
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Suicide (Latin suicidium‚ from sui caedere‚ "to kill oneself") is the act of intentionally causing one’s own death. Suicide is often committed out of despair‚ the cause of which is frequently attributed to a mental disorder such as depression‚ bipolar disorder‚ schizophrenia‚ borderline personality disorder‚[1] alcoholism‚ or drug abuse.[2] Stress factors such as financial difficulties or troubles with interpersonal relationships often play a role. Efforts to prevent suicide include limiting access
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English 2 Jealousy Shakespeare’s Othello portrays the effect of emotions. Throughout the play love and jealousy are the most prominent emotions. The characters’ emotions lead them into making the decisions that make this play a tragedy. Although some may argue love is the most important emotion in Othello‚ nevertheless jealousy truly is because it makes Othello and Iago make awful decisions. On one hand‚ some people might say love is the most important emotion in Othello because Iago’s motive for his
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The Importance of Reputation in Othello In William Shakespeare’s Othello‚ there are many motives that drive the direction of the play’s characters. None more prominent than reputation. Reputation is simply part of one’s life‚ none can dispute that fact. To some it is a blessing‚ to others it is a curse. Throughout the duration of the play‚ the characters Iago‚ Othello‚ and Cassio display the importance of reputation. Iago’s honest reputation‚ Othello’s war fought reputation and Cassio’s desperation
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Tiffanee Dixon Eng 102 CRN: 1107 Professor William O’Connell May 13‚ 2015 The Significance of the Handkerchief The handkerchief is significant in the plot of Othello‚ as it influences and effects multiple characters in the play. It can also be seen as the tool of havoc that Iago so cruelly uses to initiate the ending of his devious plan. The handkerchief is the pivotal point of the play that causes the final hit on Othello’s spiral downfall. The handkerchief represents many different things for
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Shakespeare introduces Othello in the first half of the play as “valiant” and “noble” (qtd)‚ where the adjectives of courage and moral principles deter the Elizabethan notion that black people are treacherous and villainous (qtd). To add to that‚ the Duke of Venice “straight employ[s] [Othello] against the general enemy Ottoman” (1.3.49-50). Here The preposition “against” directs Othello’s martial body as the hero in Venetian society rather than the enemy for now. The respect for Othello as a black general
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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