side with the country of origin‚ but are they correct in their opinion? Just as stated‚ it is their opinion. The following gives way to my beliefs that the Elgin Marbles should stay at the Duveen Gallery in Britain. The first section seeks to credit Lord Elgin and a legitimate purchase. The second section revolves around the Elgin Marbles as a symbol of Greek identity and why keeping them in Britain makes sense. Finally‚ the third section focuses on the location of the antiquities in relation to
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The importance of an artifact—historically‚ culturally‚ or as a symbol of a nation’s power—and who should own it is central to the debate of returning artifacts to their countries of origin. The argument predominantly revolves around the marbles removed from the Parthenon by the British Lord Elgin. While the Greek government does not recognize the British Museum as the owner of the Parthenon Marbles‚ it can be said that they did acquire them by the proper means of the time. Other countries have asked
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THE PARTHENON AND THE ELGIN MARBLES BY EPAMINONDAS VRANOPOULOS Athens 1985 PREFACE The response to the Greek government’s demand for the return to Greece of the sculptures of the Parthenon‚ now in the British Museum‚ has been so encouraging that it has given rise to hopes that the Elgin Marbles‚ as they have come to be known‚ may indeed one day be restored to their rightful home. The favourable response has come from UNESCO and from public opinion world-wide‚ including Britain.
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over the Parthenon Marbles. In the 19th century‚ Lord Elgin removed Marble sculptures from the Parthenon on the Acropolis in Athens and sold them to the British Museum where they have been on display since. Arguments of both legal and moral standing have been put forward by both parties‚ in regard to where the Marbles
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The Parthenon Marbles Dispute Several art museums around the world have been created with the sole purpose to culturally enlighten and entertain us. An appropriate example is the local Nelson Atkins Museum‚ right here in our own backyard of Kansas City‚ where collections from Asia‚ Europe‚ Africa‚ and Japan increase our understanding and appreciation for different geographical regions. In England‚ the British Museum is arguably one of the best in the world at displaying this kind of internationalism
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The Home of the Parthenon Marbles The Parthenon Marbles are national treasures of Greece and many years ago‚ were maliciously stolen by Lord Elgin‚ a corrupt business man‚ for his own personal gain. With aid of enemies of Greece and with the full knowledge of the crime Brittan refused to relinquish the stolen property to its rightful owner. The greed and corruption of England has allowed for the long-term confinement of a Greek monument within the dark and winding halls of a dusty British museum
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controversy began over where the ancient remains of the Parthenon marble figures should be located. Although these famous statues originated in Greece‚ for the past two centuries‚ these historical pieces of artwork were not located in their homeland. Currently‚ they are being preserved and stored within the British Museum where they are displayed for many tourists and travelers from all around the world to see. Greece has requested to have them returned‚ which has in turn created an international conflict
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upon them and relate to them. A home that they should be returned to. The remarkable relics need to be
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The Parthenon Marbles‚ known also as the Elgin Marbles (pronounced /ˈɛlɡən/‚ with a hard “g”)‚ are a collection of classical Greek marble sculptures (mostly by Phidias and his pupils)‚ inscriptions and architectural members that originally were part of the Parthenon and other buildings on the Acropolis of Athens. Thomas Bruce‚ 7th Earl of Elgin‚ the British ambassador to the Ottoman Empire from 1799–1803‚ had obtained a controversial permission from the Ottoman authorities to remove pieces from the
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A Matter of Justice The Case for the Repatriation of the Parthenon Marbles It may be unfair to judge the past based on present day morals or beliefs. This does not‚ however‚ excuse allowing past injustices to go uncorrected. Many of the worlds most prestigious museums are filled with trophies of colonial expansion (Rubenstein 2004271) obtained by veritable vandalism (Barringer 199821-23). It is no consolation that the responsible parties are long dead. In fact‚ the heart of the issue is the legitimacy
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