Indian Shadow Puppets Puppetry‚ which is a real challenge to the imagination and the creative ability of the individual‚ is one of the most ancient forms of entertainment. Besides entertainment‚ puppetry serves as an applied art‚ conveying meaningful messages. Of all art forms‚ it is probably the least restricted in form‚ design‚ colour and movement. It is also the least expensive of all animated visual art forms. Traditional Indian shadow puppets are two-dimensional and are made of animal skin
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Archetypes in Literature EECE 441 Prof. Sibley Definition of Archetype: “A universally recognizable element . . . that recurs across all literature and life (Latrobe 13). Psychologist Carl Jung called these elements a kind of “collective unconscious” of the human race‚ prototypes rather than something gained from experience. The word is derived from the Greek: arche‚ original‚ and typos‚ form or model; thus‚ original model (Latrobe 13). An archetype is the first real example or prototype
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An Archetype Critical Analysis In The Epic of Gilgamesh‚ translated by N. K. Sandars‚ and Genesis‚ the King James Translation‚ we find several examples of archetype‚ specifically in the characters. The definition of an archetype is a character‚ symbol‚ plot or theme that recurs often enough in literary works to have universal significance. In The Epic of Gilgamesh‚ Gilgamesh is a half mortal and half immortal man who is king of the city of Uruk. In Genesis‚ Adam and Eve are two reflection creations
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which may not be someone else’s reality. Amitav Ghosh in his book The Shadow Lines (1988) dwells on reality as a construction‚ that is‚ reality as an individual creates it for him/herself. This paper will look at the construction of reality for us by the Author‚ narrator and the various other characters in the story and thus giving the reader the reality effect or realism. One of the ways in which reality is constructed in The Shadow Lines (1988) is by the use of detail. For one Amitav Ghosh naturalizes
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2012 Archetypes on Much Ado about Nothing Archetypes are defined as universally understood symbols‚ terms‚ or behaviors. They are often used in stories to define characters and influence the reader. In David Lindenfeld’s article‚ “Jungian Archetypes and the Discourse of History‚” Carl Jung is accredited with saying that archetypes are like plastic sets of dispositions whose specific manifestations are shaped by culture and situation (217). In Much Ado about Nothing‚ three types of archetypes can
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CARL JUNG AND THE THEORY OF ARCHETYPES Background Carl Gustav Jung was born July 26‚ 1875‚ in the small Swiss village of Kessewil...He was surrounded by a fairly well educated extended family‚ including quite a few clergymen and some eccentrics as well. [Jung’s father] started Carl on Latin when he was six years old‚ beginning a long interest in language and literature -- especially ancient literature. Besides most modern western European languages‚ Jung could read several ancient ones‚ including
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Do Dead Poets Use Archetypes Too? Directors use many different techniques when filming a movie. Unlike other forms of storytelling‚ movie directors have completely control of what the viewer sees. An author picks words to describe what they see‚ but most words have multiple meanings. This can lead to confusion about many scenes in numerous books. Stage directors can pick the set‚ the costumes‚ and the actors‚ but what an audience member sees is still up to the work of others. Also‚ no two shows are
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Carl Jung‚ most famously known for his work in describing archetypes‚ synchronicity‚ and the collective unconscious has shown me a new way to look at life. Archetypes reveal to humans that we are not just linked through how we look or what functions we have such as arms‚ hearts or breathing. Some classic archetypes in my life were such as my father was a tyrant of a man who would control everything my family did because when my family lived with him‚ he did not let my mom have any money to do anything
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used and attributes lots of symbolic meanings to the characters and events. The story thus becomes vivid and profound. This paper aims at using Swiss psychologist Carl Gustav Jung’s collective unconscious and archetypal theories to interpret the archetypes of characters‚ natural scenes and themes. Key words: symbolism‚ Lord of the Flies‚ collective unconscious‚ archetypal theory 0. Introduction Lord of the Flies is the masterpiece of William Golding. With its medium size‚ the author exerts his imagination
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Archetypes are neither good nor bad. They are simply patterns of behavior; and when we become unaware of them‚ they tend to fall into shadow. With this being said‚ I most closely resemble the Martyr archetype. The origin of the Martyr archetype is all about doing the right thing‚ no matter who is against it. A Martyr realizes that sacrificing for others is a part of their life’s journey‚ and that when they do this‚ it brings them a sense of purpose and joy. On the other hand‚ Martyr’s use their sacrifices
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