How does the writer present power in medusa and another poem In medusa‚ Duffy uses the character of a female to show power. "Be terrfied". This quote is a short sentence which emphasises her power and that when she looks at you‚ it doesnt take long till you are turned into stone. The sentence also creates a sinister tone in a way that she wants you t be afraid of her because she was once destroyed now she wants to destroy others as she has the power to do so. Duffy later on uses the verb "shattered"
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English assignment Text B 1. The short story Burying Your Life is written by Harkiran Dhindsa and published in 2010 on The Guardian website. Rahul is standing in his backyard trying to dig a grave. The soil is extremely hard so he struggles a lot with the hole. As he digs his wife Sarah walks back and forth from the house to the grave. They have agreed be nice to each other when Tom their son is around. Rahul try to make Sarah understand that it for the best that Tom stays with him at the house
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feverish as the terrible ocean‚ which is buffeting the doomed raft itself. • It is a painting of tumultuous bodies‚ reaching out‚ turning‚ twisting‚ and contorting‚ much seemingly in desperate conflict with each other‚ which coheres as if by some miracle. • There is so much of it‚ and it engulfs the eye to such an extent – it is almost as if the eye (mimicking the raft itself) seems to drown in it‚ as if the ocean is threatening to upend the raft in our direction so that this horrifying mess will shortly
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“The Raft” by Peter Orner The short story ”The Raft” is written by Peter Orner in 2000. The story is about a boy growing up‚ who becomes aware of life and death and the difference between good and evil. This analysis will focus on the main theme growing up‚ the narrator‚ and his relationship to the grandfather. “The Raft” is about a twelve-year-old boy‚ who visits his grandparents. The grandfather tells him a story that he has already heard several times‚ but this time the story is different
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Use Audre Lorde’s "Poetry is Not a Luxury" and T. de Lauretis’s "Desire in Narrative" to read May Sarton’s poem "The Muse as Medusa." Expand May Sarton’s project of remaking/retaking the gaze by examining what Audre Lorde and T. de Lauretis understand about the power of looking. The power of looking resides in our agency. The supremacy of seeing; being seen’ gives a sense of self‚ which enables us to encompass our power and identity as an individual. As humans‚ we obsess about how we look;
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snakes a very bad hair day‚ but that’s exactly what happened to Medusa. Everyone who knows anything about Greek Mythology knows who she is. She turened people to stone if they looked at her and was killed by Perseus with the help Athena then placed her head onto a sheild. But‚ how did Medusa become the lady with snake hair that you can not look at? She was not born this way it all comes from her talking badly about the wrong Goddess. Medusa was a preistess at a temple for the Goddess Athena. She was
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Did you know Medusa appears on the flag of Sicily? She appears on the Dohalice village of Czech Republic’s flags coat of arms also. Pablo Picasso‚ Rubens and Caravaggio have portrayed her in their work. Leonardo da Vinci once painted an oil canvas called Medusa. Medusa is considered a monster because she has the face of an ugly woman‚ hair of snakes‚ and if anyone looks into her eyes she turns them to stone. She is the daughter of Phorcys‚ god of the sea‚ and Ceto‚ a female sea god. Phorcys
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she would say‚ "No‚ no‚ no‚ no‚ no!" because she wanted to look after her son Perseus. King Polydectes was upset because Danae wouldn’t marry him. The king ordered Perseus to go on a mission to find Medussa. He had to cut off Medusa’s fearsome head. Medusa was extremely dangerous because if anyone looks at her face they are instantly turned to stone. He met the goddess Athena who gave him a reflective shield and Hermes‚ a Greek god‚ who gave Perseus a sickle to cut off Medusa’s head Perseus flew quickly
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The Raft This essay is based on the short story ’The Raft’ by Peter Orner written in 2000. I will be focusing on analysing and interpreting the text in general‚ as well as the psychological effects that war has to its attendees as well as their descendents. The short story is about our soon-to-be 13 year-old narrator and his grandfather Seymour‚ who was a captain on a Destroyer in the South Pacific during World War II. Seymour who suffers from short-term memory has a story to tell his grandson
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THE LAUGH OF MEDUSA 1. Cixous is well known for her notion of écriture feminine. In "The Laugh of the Medusa‚" Cixous maintains that to define a feminine practice of writing‚ or écriture feminine‚ is not possible since "it will always surpass the discourse that regulates the phallocentric system" that aims to theorize or enclose it (1976‚ p. 883). Cixous discusses her wariness of reductive language that would simplify or capture her practice of écriture feminine. Nonetheless‚ her basic attempt
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