The Raft of the Medusa In 1819‚ the French painter‚ Theodore Gerricault‚ created a sensation in Parisian art circles and high-society when he unveiled a huge and impressive canvas entitled "Scene of Shipwreck." Not only is the painting gigantic (16 ft high and almost 24 ft wide)‚ but is also quietly horrifying. A group men on crowded fat are making an attempt to get a faraway ship to notice them. Survival looks almost impossible‚ and but the desperate situation does not even begin to suggest
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romanticism and political inspire painting. A large painting or life-size painting that describe a situation from consequence in ruined of the shore in the coast of today’s Mairitania on 1816. This painting interpret the situation of the people that build a raft and died. The survivors resist and experience hunger and thirsty ‚ bit by bit deliver their life from their death. They fight for each other even they are companions and comrades ‚ the weakest will die . The structure of the painting build up into
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will be illustrated through three examples which are the Oath of the Horatii‚ The Apotheosis of Homer and Experiment on a Bird in an Air Pump.
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example of Neoclassism is Jacques David’s Oath of the Horatii. This painting was made in the time of rising action before the French Revolution. David’s purpose in making it was to help spark the revolution;
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The Oath of the Horatii is a piece art painted in 1784 by French artist Jacques-Louis is a great piece representing sacrifice and patriotism. This painting depicts the Roman legend the two warring cities of Rome and Alba Longa each sending three soldiers to battle instead of starting a full blown war and whoever wins is declared the winning city will be declared the victorious city. This painting shows the three Roman soldiers preparing to go to battle. My initial reaction to this painting says
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The Raft of the Medusa was the beginning of a new era for art called “Romanticism”. Today it is in a museum in Musee Du Lourve‚ Paris. To better understand this analysis I’m going to start from the beginning and give you the backstory. On July 2‚1816 The Medusa was being sailed by an incompetent captain whom had been appointed by the King of France. This captain also had a reputation for being quite ignorant according to many historians. His ignorance and lack of experience eventually led to the
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painting portrays the awful conditions on a raft occupied by shipwrecked passengers of the ship Medusa. This painting is dark and gloomy mostly by the colors that have been chosen to portray the scene appropriately. Gericault was known for making political statements in regards to the French government. Gericault used this painting to show the problems of social stratification and the discrimination during this time. According to history the crew of the Medusa along with some of the passengers were considered
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Raft of the Medusa Theodore Gericault‚Raft of the Medusa‚ 1818-1819 [oil on canvas]491X716cm The Raft of the Medusa was created by Theodore Gericault in the years 1818 and 1819 during the French Romantic period. This oil painting‚ which stands at a massive 491x716cm‚ was created to capture the tragedy of the Medusa.This essay discusses what the Raft of the Medusa was‚ the reasons behind why Theodore Gericault made this painting and the political impacts it had at the time it was made. The ‘Medusa’
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created an influence rather than simply illustrating a preexisting one. Both Jean Louis David’s work Oath of the Horatii and Theodore Gericault’s Raft of the Medusa exemplify this. David’s Oath of the Horatii‚ painted in 1794‚ was one of the first paintings that broke from the idea of illustration and provided ideals that helped influence the public. The scene is of three brothers swearing an oath to their father before they are sent to battle‚ a story from a Roman play. The painting added to the
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The Oath of the Horatii seems to take place outside in a courtyard‚ whereas the Liberty painting appears to be in a city similar to New York City. According to DeWitte‚ author of Gateways of Art‚ The oath of the Horatii “shows a scene from early Roman history in which three brothers make a vow to their father to fight for Rome”(Gateways of Art 500). DeWitte also mentions‚ “the liberty Leading the People‚ by Eugène Delacroix (1798–1863)‚ depicts the French people bravely rising up against their government
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