References: Rosemarie Putnam Tong.1998. Feminist Thought: A More Comprehensive Introduction. Westview Press Charlotte Brontë.1975. Jane Eyre. Oxford University Press It is a wonderful job if this essay is the result of your reflection on the careful reading with the help of
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How does Arthur Miller create drama and tension in Act 1 of ‘The Crucible’? The Crucible is a play‚ which explores the witch- hunting hysteria that happened in Salem 1692. Miller uses this “organized mass-hysteria”[1] to comment on his own similar experience during the 1950s. Through “The Crucible”‚ Miller is able to draw an analogy between the hysteria of the Salem witch-trails and its modern parallel of the anti communist ‘witch-hunts’ which occurred due to the HUAC-House of un-American Committee
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adventure. There were only two people lower than them in status‚ and that would be Abigail and Tituba because Abigail was an orphan‚ and Tituba a black slave. She convinced Tituba‚ to sing songs from Barbados about witchcraft. Abby then persuaded Ruth Putnam to believe that Tituba would be able to conjure up the spirits of her dead siblings. If it worked then she could bring to light the mystery behind all of her dead siblings. In getting others to do it with her‚ she will not be the only one to be punished
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Ridgeview High School Expository Reading and Writing The Crucible Bennett‚ Jessica. “The Flip Side of Internet Fame.” Newsweek. March 3‚ 2008. Hamilton‚ Anita. “Outsmart Your Haters.” Time. October 6‚ 2008. Miller‚ Arthur. The Crucible. Penguin Group Inc: New York‚ 2003. “Witch Hunts‚ Pledges‚ and Blacklists.” www.borndigital.com/mccart.htm. Rationale: Witch hunts‚ blacklists‚ character‚ reputation‚ defamation‚ public and private identity‚ the dark side of human nature‚ and
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Extended Text Response Theme: Way of Life Both The Crucible and Rapture of Canaan have many similar qualities‚ however they also have some differences. The author of each book developed many themes and even themes inside of themes; one theme that is significant in each book is the customs and way of life. For instance‚ each community consists of a very religious population; moreover each population has some people who don’t believe as strongly as others. In The Crucible this character would be John
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Enzi’s Part Within East Africa‚ males are aware of their role within society at a very young age. Although roles of a male vary based on tribes and practices within those given tribes‚ the silver lining is eerily identical. Most tribes within East Africa such as the Kikuyu‚ Kamba‚ Maasai‚ and Kalenjin catalyze the idea of male dominance ("East Africa Living Encyclopedia‚" n.d.). Therefore‚ within these tribes‚ this enigma starts from childhood where males are given a sense of entitlement to keep
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Technology has revolutionized the way the world works with it being able to change standards that were set many years before. It would changed the way people would receive and send information throughout the world. Technology would start an industrial revolution during the early ninetieth century with it removing the old wood style machines and changing with metal machines simplifying many difficult tasks and creating bigger factories. With the creation of bigger factories and machines simplifying
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directing the play ‘Cosi Fan Tutte’ and his own personal relationships‚ the audience examines the notion of inner growth in young people as they navigate their way into adulthood. The audience is also forced to look at the opposing views of love and fidelity as represented by Lewis and the minor characters. Through the use of the backdrop of the Vietnam Way and the turmoil of 1970’s‚ the audience is also asked to reflect on Australia’s changing identity through the treatment of the mentally ill and the
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symbolic of Desdemona’s sexual virtue. The handkerchief as sexual virtue is a symbol that drives the critical action in the play. Othello’s demand for “ocular proof” (3.3.412) shows that he sees the handkerchief as representative of his wife’s marital fidelity. This symbolic nature has nothing to do with the physical reality of the handkerchief‚ but is a meaning imbued upon it by the situation in the play. In other words‚ the handkerchief itself does not matter. It could be any other object belonging
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child sexual abuse. British Journal of Nursing‚ 17‚ 1428-1433. Nichols‚ H. B.‚ & Harlow‚ B. L. (2004). Childhood abuse and risk of smoking onset. Journal of Epidemiology of Community Health‚ 58‚ 402-406. Noll‚ J. G.‚ Trickett‚ P. K.‚ Harris‚ W. W.‚ & Putnam‚ F. W. (2008). The cumulative burden borne by offspring whose mothers were sexually abused as children. Journal of Interpersonal Violence‚ 10‚ 1-26. Paolucci‚ E.‚ Genuis‚ M.‚ & Violato‚ C. (2001). A meta-analysis of the published research on the effects
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