"Propaganda and semiotics" Essays and Research Papers

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    Semiotics in Art History

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    The Oxford English Dictionary defines semiotics as ‘’[the] science of communication studied through interpretation of signs and symbols as they operate in various fields‚ especially language.” Semiology is characterized as ‘’the science of signs which studies the life of signs within society.’’ Signs include‚ among others‚ sounds‚ images‚ words‚ odors‚ objects; they are concepts that stand for something else in a system of signification. They allow us to communicate a concept or an idea while it

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    This semiotic analysis will examine the various sign systems embodied within an advertisement for Rolex (2011). It will also seek to comprehend the paradigmatic value‚ possible readings‚ the function of the gaze and mythic ideology present within the primary and secondary signifiers. Consequently‚ it will be determined how these functions systematically work together to represent an ideology of timelessness and success that the advertisement is intentionally constructing. Signs and Sign Systems

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    Simpsons Semiotic analysis The Simpsons began life in January 1990 on American televisions. The show centres on the Simpson family‚ a dysfunctional middle - class American family living in the fictitious world of Springfield. Now in its 14th season‚ the Simpsons has become the longest running prime - time television series. The secret to the series ’ success has been its vast appeal. The humour is diverse‚ ranging from simplistic slap - stick‚ to subtle television and movie references‚ but it is

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    A Semiotic Analysis of Gucci Guilty Advertisement Muhammad Daim bin Mohamad Nizam (SCSJ 0010680) In the recent years‚ Gucci released a new fragrance called Guilty. Stemming from their release of their fragrance for men‚ Gucci Guilty Pour Homme‚ they decided to add to the collection and release a fragrance for women. This particular advert relies solely on photographic imagery. Although this doesn’t physically represent the actual product‚ it basically gives us a representation of what the product

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    propaganda

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    Vincent Frankini 12/11/13 Mrs. Coleman Internal Assessment Mathematics in an NFL Offense When my Teacher Mrs. Coleman told my class that we were going to be writing a 6-12 page paper on mathematics in real life‚ I was upset with the idea because I didn’t think I would be able to find any ideas that I would enjoy researching. At first‚ I thought long and hard about many different topics but weren’t able to come up with anything. This

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    “What is this?” “That is my life. And … nothin’‚ nobody can stop me from makin’ that happen.” This semiotic analysis will focus on one element throughout several scenes in the film Thief. First‚ a definition of semiotics. Semiotics is the study of human communication through the use of signs and symbols. According to Ferdinand de Saussure a sign is made up of two parts; the signifier - the material aspect‚ and the signified - the mental concept (Cobley and Jansz‚ 2010:10–11). For example‚ a drawing

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    Semiotic analysis of the news Television news has been around for nearly as long as television itself. Millions watch it every day and it is often the first programme someone will switch to after work. News broadcast are governed by many codes and conventions. These are not always obvious to the viewer but if they are not respected‚ the programme might feel uncomfortable to watch. Bignell (2002)‚ p110‚ explains “The discourse of television news is composed of language and visual images‚ organised

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    clearly stand out in World War One propaganda. Subtle differences included color variation‚ differing fonts‚ and poster size; glaring differences included languages‚ graphics‚ and text used in the propaganda (Kaminski). Each country’s propaganda sparked hopes to win the Great War. Persuasive appeals‚ graphics‚ and audience-specific propaganda worked synergistically to alter people’s mindset about an aspect of the war. The Allied and Central powers had different propaganda‚ but one common goal. While comparing

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    Hall (2003) proposed that culture that plays a primary role in how meaning is constructed. A basic genetic feature of human beings is the ability to classify‚ and a system of classification (the way in which we can conceptually group information) is learnt in society. Therefore‚ culture consists of our shared conceptual maps. ’Translatability is not given by nature nore fixed by the gods. It is the result of a set of social conventions.’ (Hall 2003). Over time‚ speakers of a culture have come

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    Hello‚ I am Daniel. Welcome to my semiotic analysis of the Opening Credits of “The Last of Us”. First‚ let’s introduce some terms. Semiotics is the study of signs. As defied by Chandler‚ *SHOW IMAGE* “A sign is a meaningful unit which is interpreted as ‘standing for’ something other than itself.” “…the signifier is the form which a sign takes… something which can be seen‚ heard‚ felt‚ smelt or tasted” and the “…signified is the mental concept represented by the signifier”. (Chandler‚ 2013). Denotation

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