Twelfth Night is known for being one of the finest romantic comedies of all time. The play begins with love at first sight‚ which then gradually transitions into a love triangle. However‚ it is kept light with the addition of the subplot. The movie version of the play Twelfth Night is fairly relative to the written version of the play‚ yet it did have some minor differences. As the written version is written by William Shakespeare himself‚ it is most likely the most accurate version of the play‚
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appearance or statement. Shakespeare’s Twelfth Night tells the story of a shipwreck survivor Viola‚ who disguises herself as her brother for a job on the Duke’s estate. Similarly‚ Some Like it Hot tells the story of two musicians Larry and Joe‚ who dress as women to join an all women’s jazz band‚ in order to escape their neighborhood mob. The theme of deception through appearance can apply to Some Like it Hot‚ which is a natural descendant of Twelfth Night. Through the many forms of deception
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In Shakespeare’s Twelfth Night‚ we are presented with various characters and plots which supply the play with comedic elements. The comedy of Twelfth Night predominantly stems from the ‘foolish’ characters and the scenarios they are involved in. Traditionally a fool is defined as ‘a person who acts unwisely or imprudently; a silly person’‚ ‘a person who is duped or imposed on’‚ or ‘a jester or clown‚ especially one retained in a royal or noble household’. (1) In Twelfth Night it is clear that at
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not dissimilar to the one that concludes Twelfth Night1 and leaves Feste at the finish-line. “But that’s all one‚ our play is done …” After everything has been sorted out‚ and the proper pairings are arranged‚ verbal and structural rhythms converge to frame a sort of closure—though playing is never done‚ as the next and final verse suggests: “And we’ll strive to please you every day.” Bradley‚ having come to the end of an essay on Feste‚ extends Twelfth Night speculatively beyond the fool’s song‚ and
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Twelfth Night: Which is more engaging – the main plot or the sub-plot? Shakespeare’s comedy “Twelfth Night‚” is considered the last of the true comedies‚ his final light-hearted play before the venture into the darker‚ more sombre tragedies. As with many of his comedies‚ the basis of the story is the two intertwined love plots‚ which are sometimes separate‚ and occasionally come together and directly affect each other. This considered‚ questions have been raised as to whether it should be classed
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In Shakespeare’s Twelfth Night‚ Viola gives two different descriptions of women. The first is a soliloquy and takes place after Malvolio has given her Olivia’s ring‚ which is when Viola realizes that Olivia has fallen in love with Viola’s disguise‚ Cesario. Viola’s second description of women is to Orsino‚ when she tells a story about a “sister” of hers who once fell in love as a way of indirectly communicating her love for Orsino. Viola’s two descriptions serve as complements to each other.
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Ignorance The play Twelfth Night encapsulates what it meant to be a man and women throughout the 16th century. The roles of each gender were set in stone‚ and one could not publicly cross over under any circumstances. During Shakespearean times women were not even allowed to portray themselves on stage‚ men played their roles instead. In my opinion Shakespeare uses the play to show the hypocrisy of the status quo that held people from expressing their true identity. Twelfth Night demonstrates that
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main role is to play the wise man in the play the Twelfth Night‚ which makes him a wise fool. Feste makes the personalities and secrets of the characters oblivious. People would assume that he is a fool because of his title‚ yet it made it oblivious to everyone that he is very wise and that he used this potential throughout the story. Furthermore‚ he sees traits in characters that the audience and the characters cannot see during the play. He points Olivia excessive mourning over her deceased brother
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Duke repulsive in his “embassy” (1.5)‚ and Feste dubs him “a foolish wit” (1.5). It is not until Viola enters that Orsino is painted in a new brighter light‚ and even then‚ the Duke acts entitled‚ shallow‚ and overly masculine (2.4). Although “Twelfth Night” is not a tragedy‚ Orsino’s circumstance is tragic. He is trapped in a vicious hierarchy: a noble wall that separates him from others‚ protecting his off-putting persona. Because of his status‚ citizens cannot communicate to him his flaws. Because
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Shakespeare was a man that established his name in history books as a great writer. One of Shakespeare’s many sparks of innovative genius which laminated these pages was his use of masks. Masks are used throughout Shakespeare’s “Twelfth Night” as a character would choose to wear their selected mask to fit in to the particular situation. Shakespeare uses this imagery of a mask in many of the characters in his play‚ but mostly in two: Viola and Feste. These masks are used throughout
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