The Goose Fish by Howard Nemerov This poem dramatizes the conflict between appearance and reality‚ particularly as this conflict relates to the central symbol of the poem‚ the goose fish. The speaker relates the tale of two lovers who encounter a dead fish on the beach after sharing their affection with one another. While looking at the fish‚ the couple ponders the meaning of this fish. Taken figuratively‚ the goose fish occupies many roles. As the speaker overlooks the events taking place
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Plato’s Objection to Poetry by dilipbarad ‚ 08-24-2008 at 08:34 AM (8266 Views) He was the first systemic critic who inquired into the nature of imaginative literature and put forward theories which are both illuminating and provocative. He was himself a great poet and his dialogues are full of his gifted dramatic quality. His Dialogues are the classic works of the world literature having dramatic‚ lyrical and fictional elements. According to him all arts are imitative or mimetic in nature
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Poetry Analysis/ Discussion Mirror I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is‚ unmisted by love or dislike. I am not cruel‚ only truthful- The eye of the little god‚ four cornered. Most of the time I meditate on the opposite wall. It is pink‚ with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me‚ Searching my reaches
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Media Practice Paper 1a) The ever increasing popularity of crime dramas is a result of the programme being voyeuristic and escapist in terms of representations‚ as people often seek the thrill and danger without being involved in the programme itself. An example of this would be in ‘Sherlock’‚ as the protagonist ‘Sherlock’‚ is shown to be an intellectual genius‚ solving the crimes mathematically by using his own unique technique. This is important‚ as the audience almost want to spy on the character
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The Chorus in Greek drama was a large group of performers (suggested between 12 and 30) of people who sang or chanted songs and poems‚ and danced during plays. They are homogenized and non-individualized group in Greek drama. Despite the large size‚ they represented a collective consciousness‚ or a single body‚ often wearing masks to render sense of unification and anonymity. In Sophocles’s Oedipus Rex‚ the chorus is composed of senators‚ while in Sophocles’s Electra‚ the chorus is made up of the
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Cited: Geddes‚ Gary. 20th Century Poetry & Poetics: Fourth Edition. Ontario: Oxford University Press Canada‚ 1996.
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distinction between the basic aspects of narrative‚ the events (the story)‚ their verbal representation (the text)‚ and the act of telling or writing (Ibid 3). Since the text is a written or spoken representation‚ it implies someone who speaks‚ narrates or writes it. Narration can be taken as real or fictional. The author is often responsible 1 2 for the production of the narrative in addition to its communication. The text is respectively the only narrative aspect the reader can directly
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"The Whipping‚" by Robert Hayden This poem is about Hayden who hears a boy being beaten‚ recalls his childhood when he too was subjected to the same and notices that this form of punishment has been handed down from generation to generation. He uses visual and auditory imagery together to take the reader to different moments in time‚ where the same event is being played over and is put in six quatrains to add emphasis. In the first quatrain‚ Hayden hears a woman "shouting to the neighborhood
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victim scared‚ victim trying to get away. 2) The Greeks would not let any type of violence on the stage. All fighting shooting etc. had to happen off stage. If the character/actor were killed he would be wheeled on to the stage. 3) Because the dramas evolved from choral dances and chants‚ the chorus remained a strong presence in Greek tragedy throughout the Golden Age and beyond. 4) The addition of one actor‚ by Thespis was a major step forward ‚ and was later followed by the addition of two
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AN ABOMINATION The sun is just about to set and Majungu‚ a middle aged man is seen walking towards his home. In his left hand is is a walking stick but he is not using it; it is more of clutched in the armpit than in the hand. In his right hand‚ hangigng freely is an old‚ transparent paper bag that can clearly reveal its contents. As he makes the final turn to his home‚ three kids are seen running towards him. The eldest of them‚ a girl of about twelve years meets him first and goes for the paper
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