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    Pan s Labyrinth

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    FTV 101 Pans Labyrinth Analysis The content of film may be thoroughly analyzed by exploring its ideas‚ symbols‚ and stories. It is very common to see mythological influences in film. The Spanish film Pan’s Labyrinth‚ directed Guillermo Del Toro‚ uses several themes and aspects of mythology to help enhance the movie. Guillermo Del Torro is a famous Mexican director known for movies such as Espinazo Del Diablo (The Devil ’s Backbone)‚ Hellboy‚ and of course‚ El Laberinto Del Fauno (Pans Labyrinth)

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    Pans Labyrinth

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    Sarah Jenkins September 29‚ 2012 Honors Lit. 3rd period Pans Labyrinth A little girl’s fantasy takes place in the mountains of Spain at a military camp fighting against the rebels. Ofelia‚ a child with a wild imagination‚ travels with her weak‚ pregnant mother to meet her new stepfather‚ a ruthless captain of the Spanish army. Once she arrives at the camp she discovers a labyrinth. Later in the story she is led by a fairy to middle of it and meets a faun that tells her that she is a princess

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    Pans Labyrinth

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    Esoteric Interpretation of “Pan’s Labyrinth” “Pan’s Labyrinth” is a profound movie telling the story of a young girl’s quest to escape the cruelties of Spanish Fascism. The movie also contains a great amount of occult and archetypal symbols telling another story: one of esoteric illumination through test of character and ritual initiation. We will look at the occult and archetypal symbolism found throughout the movie and their relation with Ofelia’s quest. Pan’s Labyrinth (Spanish title: El laberinto

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    Distinctively Visual

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    Distinctively Visual The distinctively visual is a prominent characteristic in which the composer shapes a unique visual perspective for the responder to interpret. Using a variety of techniques and languages‚ the composer is distinctively able to create vibrant and lively visualisations within their work. The poetry of Douglas Stewart‚ in particular ‘Lady feeding the cats’ and ‘Nesting time’ and the image of ‘’Firefighters at twin towers attack’’ photographed by Todd Maisel are particularly effective

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    Distinctively Visual

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    REBECCA GRECH The distinctively visual techniques created by Henry Lawson in his short stories‚ differ in techniques but relate in ideas and concepts to those created in Baz Luhrmann’s film “Australia” Both Henry Lawson and Baz Luhrmann use distinctively visual techniques in their portrayals of life in the Australian Bush. Their stereotypical views of bush society in the outback are shown through their chosen median with techniques of “chronological listing” ‘film montage’ ‘colloquial language’

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    Distinctively Visual

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    Compare the ways the distinctively visual is created in Lawson’s short stories and in ONE other related text of your own choosing. Distinctly visual techniques are conveyed and compared in Lawson’s short stories and Catherine Hardwicke’s 2003 film Thirteen. Both Lawson and Hardwicke’s texts employ techniques such as personification‚ Imagery and flashbacks‚ which highlight and communicate the ways distinctively visual‚ are compared in texts. Henry Lawson establishes the harsh environment of

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    Distinctively Visual

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    Composers create distinctively visual images to draw aspects that they are presenting in their texts. This helps the reader to understand and visualise the characters responses to significant aspects of life. The Author Henry Lawson uses these distinctive images in his short stories ‘The Drovers Wife’ and ‘The Loaded Dog’ to help portray the harsh realities of living in the Australian bush. These realities create significant experiences for the individuals in his stories as they are faced with hardships

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    Distinctively Visual

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    of descriptive language the short stories of Lawson and poetry of Mackellar show that it is true that distinctively visual texts allow the reader to vividly imagine and gain insights into the characters‚ relationships and settings. Lonely drover’s wives‚ Bushmen and fettlers‚ as well as the setting of a sunburnt Australian landscape are brought to life and into unique relationship‚ in the visual imagery of Henry Lawson and Dorothea Mackellar’s compositions. Henry Lawson created a strong image of

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    Pans Labyrinth Analysis

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    Visual Cues‚ Harassed Symbolism and the Grim Fantasy Unlike other blissfully enchanted film genres‚ this evocative fairytale becomes a surreal escape into the work of Guillermo Del Toro. This chilling story confines make believe verses reality through the eyes of a young girl. Two worlds are represented within Pan’s Labyrinth‚ a cold hard fascist regime in Spain‚ and a captivating fantasyland both conveyed through visual story telling. The striking surrealism of the fantasy world becomes reflections

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    Distinctively Visual

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    In what ways are people and their experiences brought to life through the distinctively visual? Make detailed reference to your prescribed text and at least ONE other related text. The distinctive quality of the visual relies on its potential to provoke some sort of emotion from the responders. Naturally‚ powerful visuals evoke emotions of fascination‚ sadness‚ anger‚ or will inspire an audience. Visual images‚ like all texts are produced for specific purposes and audiences and can therefore be

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