Experience Through Language “Distinctive Voices” Analysis Table – Pygmalion (NOTES TO USE IN ESSAYS / EXTENDED RESPONSES) |Technique |Evidence (include Act/page number) |EFFECT in relation to “Distinctive Voices” | | | |Consider how “voice” and Shaw’s use of language:
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Distinctive voices are expressed through individuals and make vibrant by understanding their situations. Individuals in this contextual understanding represents the minority and through distinctive voices it allows the responders to develop an understanding of their struggles. This is shown‚ in Ray Lawler’s 1950s play Summer of the Seventeenth Doll and Omar Musa’s spoken poetry Capital Letters‚ where they express the notion of change and ageing. With consideration to both composers context‚ Lawler’s
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sThe Life and Crimes of Harry Lavender Jessica Hobson Claudia has multiple voices reflecting her character and diverse experiences. Do you agree? How does your reading of the novel support this idea? Claudia is a complex‚ multi-dimensional character. Her various voices within The Life and Crimes of Harry Lavender are shaped by both her experiences and values‚ which in turn reflect her use of language. Claudia’s ability of seamlessly shifting between the languages of different contexts
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must be able to command an audience with his or her vocals. Each artist on this list have powerful and distinctive voices. Number One: Axl Rose. Rose is the frontman for the legendary band Guns N’ Roses. He is arguably one of the most unique voices in rock music. Notorious for his lead vocals in "Welcome to the Jungle‚" "Live & Let Die‚" and "Sweet Child O’ Mine." Rose’s aggressive and badass voice has made him a staple in the world of Rock music. In 2012‚ the band was inducted into the Rock and Roll
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The Life and Crimes of Harry Lavender Claudia Valentine Androgynous/masculine – “good looking blonde in there too” Erudite – Reference to Archimedes when in the bath Flippant – “One of the former and 2 of the latter.” Referring to husband and kids when asked about them Judgemental – “Piss-stained pants” "I woke up feeling like death." "I didn’t recall issuing the invitation but I must have." "Terminal Illness." "My legs are my best weapon." "...the smell was there‚ the smell of intrusion
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obvious that everyone has distinctive voices and by exploring and analyzing different people’s voices it is easy to realize that they convey everything you need to know about a person. Undoubtedly Andrew Paterson‚ Kylie Mole‚ Martin Luther King Jr. and Earl Spencer’s texts demonstrate their distinctive voices through their beliefs and contexts‚ creating an underlying meaning. It is with each and every word that these characters create meaning through their distinctive voices. It is without question
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talking about distinctive voices in The Life and Crimes of Harry Lavender and in The Help. Through distinctive voices in both texts the authors are permitting us to think about the sizeable issues‚ that we may not be able to see. The Life and Crime of Harry Lavender‚ by Marele Day a crime fiction novel‚ confronts our perspective of women and men and the ideology of their capabilities and in capabilities by introducing us to characters‚ Claudia and Harry Lavender‚ using distinctive voices in different
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through the written‚ spoken and visual language in all different kind of texts. Distinctive Voices relate to the use of language affects interpretation and shape meaning within texts‚ depending on the textual medium. This can relate to register‚ tone‚ diction‚ dialogue‚ idiom‚ expression‚ context and the role played by silence. In Marele Day’s "The Life And Crimes Of Harry Lavender"‚ the use of the first person narrative voice. The composer Day immediately indicates that the reader will be seeing the
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A distinctive voice is one in which challenges society’s values and or beliefs within a given context. In the text the life and crimes of harry lavender; Marele day has formed an incredibly distinctive voice in crime fiction. By subverting the elements of the hardboiled detective genre. Day has startled her audience with the distinctive voice of Claudia valentine‚ a 1980’s female private investigator in Sydney. The composer has used a range of techniques including first person narration and idioms
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Call Me Maybe Lyric I threw a wish in the well‚ Don’t ask me‚ I’ll never tell I looked to you as it fell‚ And now you’re in my way I’d trade my soul for a wish‚ Pennies and dimes for a kiss I wasn’t looking for this‚ But now you’re in my way Your stare was holdin’‚ Ripped jeans‚ skin was showin’ Hot night‚ wind was blowin’ Where you think you’re going‚ baby? Hey‚ I just met you‚ And this is crazy‚ But here’s my number‚ So call me‚ maybe? It’s hard to look right‚ At you baby‚
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