I had the pleasure of visiting The Miami Art Museum and was very impressed by what I encountered and viewed. I have never found interest in art until I got to see the museum. Throughout my exploration at the Miami Art Museum I was able to view a wide selection of art. In this venture‚ I viewed the most beautiful artwork I had ever seen‚ observed interesting non European/North American art‚ was alarmed by the most disturbing works ‚ explored a breath taking exhibition‚ and actually found work that
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Maritime transportation is the backbone of global trading. More than 80% of global product distribution are using ship (United Nations Conference on Trade and Development‚ 2015). Therefore‚ it has several advantages compared to land and air distribution. Compared to air transportation‚ maritime transportation is more efficient in terms of cost and quantity. Maritime transportation also can cover sea and have inter-island connected which are cannot be done by maritime transportation. Indonesia‚ which
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Jack & Priscilla Andonie Museum located on LSU’s campus. The museum began with an LSU alumnus‚ Jack Andonie‚ whose goal was to fill the museum with collections of LSU sports relics. He was a devoted fan with a passionate love for LSU. Andonie collected 13‚000 LSU sports related items. The vast collection began to take over his home and his wife‚ Priscilla Andonie‚ forced him to make a decision between “Me or the stuff.” Arousing the construction of the museum in 2004‚ Jack Andonie decided
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Museums and tourism Stakeholders‚ resource and sustainable development Master’s Dissertation International Museum Studies Museion/Göteborg University Spring term 2004 Author: Guðbrandur Benediktsson Supervisor: Cajsa Lagerkvist LIST OF CONTENTS FOREWORD. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1. INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . 1.1. Aims and objectives. . . . . . . . . . . . . . . . . . . 1.2. Theoretical approaches and sources. . . . . . . .
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CRAFT MUSEUM National handicrafts and handlooms museum Where the legacy is woven with delicate threads of gold Magnificence is etched with with the untouched and the old. Wisdom and mystique protract thousands of years Of inspiration and originality‚ colors so dear. Where splendor and skill are a way of life And peace prevails even in a land of strife. It is established in 1956. It is famous for showcasing the rich tribal and rural handicrafts of artisans from all over the country
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Baltic Dry Index‚ I have arrived at a recommended price of $109.2 million. This value accounts for all of the variables provided and gives our client the best chance at securing the Bet Performer for its current market value. Problems Faced Compass Maritime is facing a difficult decision regarding how to price the Bet Performer. There are many factors that must be included in the final decision‚ including the age of the ship‚ its deadweight ton capacity‚ the original shipbuilder‚ as well as the mechanicals
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Nowaday in modern society there are a large number of museums and galleries‚ which help to provide essencial functions of education and entertainment to the public. However some people think they are of less importance now as citizens can achieve the same purpose on the Interne. Personally I do not agree with such views. Certainly we can almost search all information from the Internet‚ yet all we retrieve is just pictures and texts. While in a museum‚ one see real objects‚ such as a Chinese ancient
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Chapter 15 Q&A’s 1. The Maritime Revolution: * Starts because of Ferdinand Magellan * Expedition to reach East Indies * Maritime era marked end of a long period. * Broadened and deepened contacts‚ alliances‚ & conflicts across ancient cultural boundaries. 2. Global Maritime Expansion Before 1450: * Strong ships were needed * New sailing techniques * Rewards for sea travel made them worthwhile 3. The Pacific Ocean: * Polynesians originated in Asia
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Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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