"My future career in painting" Essays and Research Papers

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    photo on the title page is the painting I will be dissecting for elements‚ and principles that I have learned in the class. I could not find out the name of the artist; I could not find out the size or name of the painting either. The reason I chose this painting is that I believed it to be the most interesting visually and the easiest to interpret. The painting is in the Artisan’s Loft gallery in Staunton‚ but the painting had no tag beside it. I believe the painting is a fictional landscape of the

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    “The future belongs to those who learn more skills and combine them creatively” according to v Robert Greene. And as a creative professional‚ I have arrived at a place in my professional development where I have gained skills and experience in different creative sectors. And I am now wanting to combine them and add a new dimension to steer my career in a direction that is creatively broad‚ distinctively design orientated and sector wise wide-ranging. My application is derived wholly from an inner

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    University of Phoenix Material Painting Reflection Worksheet Visit a local art museum‚ or search the Internet for images of paintings created from the 1920s to the present day. Insert an image of each painting into this assignment‚ and cite each image consistent with APA guidelines. Reflect on the paintings related to the social and cultural events taking place at the time‚ and answer the following questions. Each response must be between 50 and 100 words. 1. Painting title‚ artist‚ date: A Showery

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    When you look at Richter’s Abstract Painting‚ you see the resemblance of a landscape that is portrayed within Altdorfer’s painting as well. I believe that Richter mimics the type of painting that Altdorfer created because not only are the same colors used‚ but the idea of the specific landscapes had to have been similar to create these paintings. I like to think that just because Richter’s painting does not seem realistic and natural; his painting is still the idea of a landscape

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    Painting and architecture are so intimately combined that it is sometimes difficult to perceive where one begins and the other ends. There are literally no frames to confine or define the painting form the architecture Architectural painting (also Architecture painting) is a form of genre painting where the predominant focus lies on architecture‚ both outdoors views and interiors. While architecture was present in many of the earliest paintings and illuminations‚ it was mainly used as background

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    of watching this painting‚ I feel greatly relieved from the burden from heavy study‚ which really ease my mind and relax my body. This is a beautiful painting‚ and now I will analyze this painting‚ talking about 3 art elements and 3 principle of design about it. First‚ the art element I would like to talk about is color. As we all know‚ color acts as a very role in so many paintings‚ and as for this painting‚ color also plays an important part. The reason is‚ in this painting‚ all the objects are

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    is a photograph or a painting‚ for some people female nude is often looked at in negative ways. Many people argue that female nude is degrading the power of women. It makes women look like they are nothing but an object of male desires. The characteristic of the women in the paintings‚ their large breast and bottoms‚ it all appears to be designed for male voyeur. Nudity is a uniform for “I’m ready now for sexual pleasures”[i] In my opinion‚ the nude in European paintings is an expression of beauty

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    Aaliyah Gaines April 11‚ 2013 College Summit- 1A My Future Plans Graduation is quickly approaching‚ and I believe I am prepared. I have a lot of great things planned‚ and it is now time to accomplish my goals. I want to pursue a degree in biology‚ attend Coastal Carolina University‚ and become a physician’s assistant. After graduation‚ I want to be very successful. I am going to attend Coastal Carolina University to further my education and major in biology. The University of South Carolina

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    concentrated: Rossetti’s engagement with discursive regulation of female sexuality in Lost and Found‚ and the typology and striking sensuality of Rossetti’s paintings. Linda Nochlin’s essay examines Rossetti’s painting Found from three major angles: through Victorian erotic regulation of sexuality‚ in comparison with William Holman Hunt’s painting The Awakening Conscience‚ and through the lens of Rossetti’s personal biography. Nochlin proposes that Found prescribes to the contemporary artistic conventions

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    Description An expressionist figure painting of a nude woman using oil paint on linen Head leaning back and sitting comfortably in her arm-chair‚ the woman’s left arm is slung over her chest and her right arm supporting her leaning into the armrest. She has her right leg relaxed and her foot gently touching the floor. Her left leg is folded up‚ pushing hard against the edge of the seat. There are no recognizable objects other than the woman and the arm-chair. The artist uses a primary color scheme

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