John Ford’s Directing Techniques in the Film Stagecoach By Bob For Cine 121 (01) John Ford’s film “Stagecoach” from 1939 had several important hidden messages tucked away inside it. The film has everything from social injustice to alcoholism‚ prostitution‚ gambling‚ and even working class people in general. This paper’s aim is to bring to light some of these messages that are expressed through Ford’s use of mise-en-scène and cinematography. In the scene when Ford introduces Dallas‚ it is
Premium Film English-language films Film director
cinematic language communicates to viewers that Juno had decided against an abortion. No one ever says‚ “Juno has decided not to have the abortion.” In the scene where Juno visits the clinic (starting with her encounter with Su-Chin)‚ how does the film show us Juno’s decision-making process? At what point do we know what Juno has decided? In other words‚ what do we see and hear in the scene that communicates what Juno is thinking? Once Su-Chin tells Juno about the baby having fingernails‚ Juno
Premium Family Decision making Abortion
This stating my thesis‚ from Demons to tigers or even an actor; nothing can not be compared or form a connection when it comes to films and a producer’s artistry. The possibilities are limitless as are these strange subjects I have succeeded in locating a connection with. Just as Vincent Cassel said‚ "Cinema is entertainment‚ and people go to the movies because they want to feel good and forget about everything else"‚ therefore proving that even if nothing seems logically accurate‚ the film industry
Premium Demon Vampire
Analyzing Film ENG 225: Introduction to Film June 7‚ 2010 Abstract “To evaluate a film as art requires knowing the purpose of a film‚ and then judging how well the basic elements of the film work together to achieve that end” (Durante‚ 2006). To become truly “cineliterate” (Boggs & Petrie‚ 2008‚ p. 5)‚ one must be totally absorbed in the film but also impartial and indifferent. The thematic‚ fictional‚ and dramatic elements‚ visual design‚ cinematography and special visual effects‚ editing
Premium Film Conflict
What are the five stages of film making and what is the producers major creative and commercial tasks in each of those? Development The development stage is one of the most crucial stages for a producer‚ it is where you get the chance to plan every aspect of your production before you begin pre-production and production. The chance to get the ball rolling right. During the discovery stage of the film it is the producers role to obtained rights or an option to a film that he thinks is promising
Premium Film Film crew
A Selection of Films for Intercultural Training Intercultural Training with Films • Christine Roell 10 Film Title and Year of Production Synopsis of film with setting Genre Keywords/ Intercultural topics A Love Divided 1999 The true story of a Catholic man and his Protestant wife whose mixed marriage causes hostility and conflict in the small Irish village where they live. (Ireland‚ 1950s) Drama Ireland‚ 98 religious conflict‚ religious prejudices Not Rated Ae Fond Kiss 2004 Casim is
Premium United States Mexican American Immigration to the United States
Part 1 1. What is the physical setting of the film? Goes from woods to light house 2. What is the mood or emotional setting? The mood is creepy and emotional setting is normal 3. How would you describe the runner’s state of mind? Calm 4. What techniques does the director use to create the mood and illustrate what the runner is feeling? He uses different types of shots and music to make it seem like the girl is being watched. Part 2 1. How does the runner’s state of mind change in Part 2? She starts
Premium Psychology Anxiety Emotion
Film Noir is most often seen as a man’s world- the hard boiled detective is the ultimate masculine hero‚ and the he fits right into the dirty world around him. However‚ with a shift in perspective‚ we see that just maybe the opposite gender are the ones who are the heroes of the genre. The women are certainly memorable. Through analyzation of the typical hero’s journey and comparison to the stories of the women in film noir‚ we see that they are the true heroes of the genre. This again begs the
Premium Film noir
I remember Victor and Charlee from my teens. I spent those years in Batu Pahat‚ a fairly large town in Johor‚ that had the advantage over many other towns in that state for being close enough to Singapore to receive the country’s TV and radio signals. As a result‚ I knew all the lyrics of televised Singaporean patriotic songs‚ like Stand Up for Singapore; and I got to know Singaporean entertainers like Brian Richmond‚ Roger Kool‚ and the ventriloquist Victor Khoo and his puppet Charlee. Khoo
Premium Busking Singapore Music
The Hours Mellissa Krause 02/08/13 Production: Paramount Pictures/ Miramax Films‚ January 2003 Producer: Robert Fox; Scott Rudin; Mark Huffman Director: Stephen Daldry Screenplay: David Hare (screenplay); Michael Cunningham (novel) Cinematography: Seamus McGarvey Editing: Peter Boyle Music: Philip Glass Principal Characters: Clarissa Vaughan Meryl Streep Laura Brown Julianne Moore Virginia Woolf Nicole Kidman Richard Brown Ed Harris Kitty Toni Collette Julia Vaughan
Premium Virginia Woolf