Lysistrata a classic greek comedy written by Aristophanes‚ who is considered to be the greatest representative of ancient Greek comedy and the one whose works have been preserved in greatest quantity. Originally performed in classical Athens in 411 BC‚ Lysistrata is a comic account of a woman’s extraordinary mission to end the Peloponnesian War by denying all the men of the land any sex‚ which was the only thing they truly and deeply desired. Lysistrata‚ a middle-class Athenian housewife‚ plans a
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gendered body were “viewed as along a continuum” moving in one direction or the other (Fisher‚ 6). This early modern thought implies that gender as a performance rather than its ontological core on the stage. Shakespeare’s comedies may suggest that masculinity on the stage is like “a suit of clothes” that could be put on or taken off at will (Smith‚ 3). While the controversy surrounding women allowed dramatists of this period to portray them in ways that defined and questioned the validity of the old
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have to purge themselves of their femininity to achieve the level of acceptance that they hope to reach‚ while others are proud of being feminine and feminist. This has become a point of contention amongst many women‚ causing women to question whether femininity and feminism can coexist. If we abandon femininity‚ we are creating a new stereotype. While being strong and achieving gender equality is a noble cause‚ no one should be required to sacrifice their femininity; unfortunately‚ many women are
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When reading the play Hamlet‚ it sometimes seems that everything occurs because of a woman. However‚ there is a problem with that assumption: the women are a little too passive to cause anything. Certainly‚ the men’s feelings towards the women shape the events of the play‚ but that’s not exactly because of the women. Instead‚ it’s the basic relationships between the men and women‚ the relationships of husband and wife‚ of brother and sister‚ father and daughter‚ and especially mother and son‚
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re-invent themselves from the idea of the "traditional" woman. Women were beginning to work‚ pursue educations and careers; they were drinking openly‚ accompanying men while being unmarried‚ cutting their hair short and purposefully downplaying their femininity. In 1925 F. Scott Fitzgerald published his novel The Great Gatsby‚
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conceives that Blanche and Stella show two different types of femininity in the play‚ nevertheless‚ both of them are dependent on men‚ showing that females have a sexual desire. This sexual desire has also been seen in Stanley in scene 3 when Stanley called for Stella to come‚ “Stella! Stella‚ sweetheart! Stella! Stell-lahhhhh!” (Williams 67). Thus‚ In A Streetcar Named Desire‚ Tennessee Williams juxtaposes Femininity and masculinity to reveal how women are dependent on men. Both‚ Blanche
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Final Exam What makes a hero a hero? In the western movies‚ The Searchers‚ High Noon‚ and Rio Bravo‚ each film portrays the issue of masculinity in three distinctive ways. In each of these movies the main character is left with defeating the bad guys. In all three of the movies‚ the main character is able to represent the traditional masculinity‚ toughness‚ and honor. In both the movies The Searchers and Rio Bravo‚ John Wayne plays the main character. Wayne at this time in America was pictured
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In Michael A. Messner’s article‚ “The Masculinity of the Governator: Muscle and Compassion in American Politics‚” Messner described how Republican candidates‚ but specifically Arnold Schwarzenegger‚ used hegemonic masculinity to influence voters. The author explains that hegemonic masculinity‚ as it pertains to politics‚ is not just about having power‚ but rather it is having power along the correct combination of identities such as class‚ race and gender‚ in order to command authority from more
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Masculinity in the Bible Masculinity is defined by Susan Haddox to have four major characteristics. “1) Strength and skill as a warrior‚ 2) honor‚ including generosity and protecting ones family and clan‚ 3) bravery‚ and 4) persuasiveness‚ honesty and forthrightness.”1 These four characteristics of masculinity can be applied to many of the characters in the biblical stories including Gideon‚ David‚ and Jesus. The masculine traits mentioned are examples of hegemonic masculinity which means the dominant
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Maintaining Masculinity Martin Scorsese’s film GoodFellas (1990) not only provides an unparalleled glimpse into the gangster lifestyle of New York’s Italian mafia. Scorsese separates his classic gangster film from other works by following the character progression from teenagers to middle-aged men. The film constantly reinforces the image of masculinity from domestic affairs down the each character’s clothing. Each aspect of the gangsters’ lives centers around asserting their masculinity. Scorsese
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