The Elgin Marble is a collection of ancient Greek stone sculpture and architecture. Lord Elgin was the first person who acquired in Athens in between 1801 to 1805. The temple was built for dedication to goddess Athena and it also represents the beginning of democracy. Lord Elgin carried out the work by acquiring 21 figures depicting battles and decoration of the Parthenon. He also acquired the treasures‚ architectural features and objects from other buildings. However‚ the Elgin Marble was illegally
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century. After that‚ the sculptures were bought and placed in the British Museum by the government in 1816 including 247 Parthenon frieze‚ 15 metopes‚ and 17 pediments. I think that was the reason why the sculptures were called with the name Elgin Marbles. Greek government has requested the return of the sculptures to Athens‚ but the British Museum has refused to return them with the reason that the sculptures are protected better in Britain. In my opinion the British Museum should return those sculptures
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using a) Will’s old costing method; b) The new costing method. 1 1a) Based on Will’s old costing method (Volume Based Costing): • California Creamery has a budgeted manufacturing overhead of $600‚000 and a budgeted direct labour cost of $300‚000 • Overhead rate per direct labour cost => $600‚000/$300‚000 = $2 From Exhibit 2 CALIFORNIA CREAMERY‚ INC. Two Product Examples (2004 Data) Polynesian Fantasy • Direct labour $1.20/gallon Overhead assigned to: Vanilla $1.20/gallon Polynesian
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the Parthenon Marbles‚ also known as the Elgin Marbles‚ from Lord Elgin on July 11‚ 1816 through an Act of Parliament (1). The Parthenon marbles consist of 115 panels of frieze and 92 mesotopes of which the British Museum owns 56 panels of the frieze and 15 mesotopes. The museum also owns 17 pedimental figures‚ and thus houses about half of surviving sculptures of the Parthenon while the other half is in Athens (2). The legal circumstances surrounding Lord Elgin’s removal of the marbles is questionable
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A Matter of Justice The Case for the Repatriation of the Parthenon Marbles It may be unfair to judge the past based on present day morals or beliefs. This does not‚ however‚ excuse allowing past injustices to go uncorrected. Many of the worlds most prestigious museums are filled with trophies of colonial expansion (Rubenstein 2004271) obtained by veritable vandalism (Barringer 199821-23). It is no consolation that the responsible parties are long dead. In fact‚ the heart of the issue is the legitimacy
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The Home of the Parthenon Marbles The Parthenon Marbles are national treasures of Greece and many years ago‚ were maliciously stolen by Lord Elgin‚ a corrupt business man‚ for his own personal gain. With aid of enemies of Greece and with the full knowledge of the crime Brittan refused to relinquish the stolen property to its rightful owner. The greed and corruption of England has allowed for the long-term confinement of a Greek monument within the dark and winding halls of a dusty British museum
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For over 150 years the marbles of Greece have been placed in the British museum‚ they are recognized as the Elgin Marbles. The Elgin Marbles continue to be the main point of an ongoing debate that will basically determine the historical influence of an important culture. Some of the sculptures that were removed were the marble figures‚ metopes (sculptures in high relief) and friezes. To this day the Greek government has correctly requested the return of the Elgin Marbles a few times while the British
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discussing my overall strategic plan of selling the famous Cold Stone Creamery Ice Cream products in the country of Spain. Location of value-added functions—we will have Sales and Marketing conducted in Madrid‚ Spain and possible future expansion to other major cities in Spain. With this being a franchise many of the value-added functions (Marketing & Product/services strategy) are already being managed by Cold Stone Creamery corporation; as their franchise states‚ “If you are
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Marble Statue of a Wounded Warrior Marble Statue of a Wounded Warrior is a Roman statue‚ crafted in the second century A.D.‚ as a copy of a bronze Greek statue cast between 460 and 450 B.C. Though sculpted with obvious technical aptitude‚ Wounded Warrior is riddled with anatomical imprecision and is inhibited by a reluctance to depict the unsightliness of injury in combat. The first time I laid my eyes on this exquisite artifact‚ I was astonished by its fierce presence. The orientation
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another. The Marble Statue of a Youthful Hercules‚ a Roman marble sculpture from A.D. 69 to 98‚ Flavian dynasty‚ depicts the Greek Mythology hero: Hercules . In contrast‚ Commemorative Portrait of a Chief (Lefem)‚ an African wood sculpture from 19th to early 20th century‚ is an portrayal of one of the rulers of Bangwa chiefdoms . Both sculptures contain concepts of the power and strength using the idealized male figure and reflect the physical perfection of the beauty of the ideal
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